[ click on the photo for a larger image ]
Often seen in wedding portfolios, this is always a fun setup to do with groomsmen – the Reservoir Dogs style walk towards the camera. A great group of guys, good light with a nice background, and you have the ingredients for a photograph that the couple will just love.
I fired off a rapid series of shots to make sure I have at least one image where the motion and expression of everyone worked. I didn’t need flash, and it would’ve been difficult to set up properly with a large group of people walking towards the camera. So the light depended entirely on the shot being set up like this, with the light from behind them somewhere. The post-processing? No actions or filter. Just a few sliders in ACR (hosted in Bridge), to give a faded retro look. Hopefully the final image has a cinematic look to it that will be a wonderful reminder of the couple’s wedding day.
settings: 1/500 @ f5.6 @ 400 ISO)
Nikon D3; Nikon 70-200mm f2.8 AF-S II (B&H)
If you find these articles interesting and of value, then you can help by using
these affiliate links to order equipment & other goodies. Thank you!
Stay informed of new articles via the monthly newsletter.
Also join us on the Tangents forum for further discussions.
wow, that shot is epic. I feel like they are walking straight out of the flashbacks in The Godfather Part 2, on their way to beat somebody up before getting hitched. Very nice shot!
Comment by Steve — June 13, 2010 @ 11:02 pm
I love the look! Perfect location for this type of shot.
Comment by Randall — June 14, 2010 @ 8:26 am
This is great!
Comment by Robert Gordon — June 14, 2010 @ 9:27 am
I love the shot, only thing that keeps it from feeling like a shot from a movie is the aspect ratio.
Comment by Randy — June 14, 2010 @ 9:34 am
You’ve captured very clear DOF for 5.6 and it obviously works in this shot.
Is greater clarity of the background generally preferred in street scenes so that one can relate to the atmosphere at the risk of distraction from the main subject, or not?
Comment by Fred Silver — June 14, 2010 @ 2:05 pm
I agree with Fred Silver. I was surprised when i saw f5.6. Oh well, I guess f5.6 works too. I would’ve have thought i would need f8 or highter…Something new for me to learn everyday :)
Comment by Derryl — June 14, 2010 @ 4:25 pm
If Neil is far enough away from the groom and the groomsmen, the DOF has a greater range, so things away from his focus point do not blur as quickly. DOF is dependent not only on your aperture but your distance to subject as well.
Comment by Stephen — June 14, 2010 @ 4:50 pm
Thanks Stephen for the technical input.
Neil, I would still like to know from the creative side if ambient detail is preferred or not.
Fred
Comment by Fred Silver — June 14, 2010 @ 7:20 pm
Comment by Neil vN — June 15, 2010 @ 10:52 am
Your kidding me right! That was the mock movie set at MGM in Orlando! Great shot and very nice setup. Its nice when the guys cooperate and not give the photo guy a hard time and not drunk before the ceremony. Did you bring down the sat a little in post? It has that little grunge look to it. I like it a lot, I’m going to steal it for my next shoot. Big fan, learn tons, when the second edition of your book coming? I’ve read the first to the point its falling out of the binder. Neil, you need to have more workshops here in the Midwest, Chicago Milwaukee area?
Comment by Randy Frost — June 17, 2010 @ 9:28 pm
Comment by Neil vN — June 22, 2010 @ 11:09 am
Neil, I’ve got a little question, not about the light this time, but about the focussing. If this group is walking towards the lens, how do you focus? I think you’re also using Nikon, right? So you put the camera to C (continues focussing) and what about the other focus settings? I always find this difficult because I shoot more static portraits. Thanks again for all the wonderful tutorials, I can’t stop reading your blog. :)
Comment by Kris — July 23, 2010 @ 5:30 am
Comment by Neil vN — August 4, 2010 @ 4:59 am