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Tangents

HDR technique

July 11, 2010

I often check the websites of regular followers of the Tangents blog, and I recently noticed some interesting urban landscapes and architectural photos by Tom Kaszuba. What caught my attention about these is that these images were enhanced with high-dynamic range (HDR) processing. HDR images look bold and detailed. Quite distinctive. Sometimes though, HDR processing can appear garish and overly bold. Tom Kaszuba went for a more subtle look – detailed, yet understated. Just beautiful.

I asked Tom to share some of his technique and ideas with us with a guest blog post …

HDR done right

by Tom Kaszuba

I have always enjoyed HDR or “high dynamic range” photography. Images with a very wide dynamic range can bring scenes to life. The pictures seem to jump off the screen, brimming with a visual flair not seen in “conventional” photography. High dynamic range photos pack a wallop when done right.

While I saw the great potential in HDR I also saw many of these images across the web that looked garish and way overdone. Surreal, cartoonish and overcooked were just some of the things that came to mind when viewing HDR photos. They reminded me of the velvet paintings that were popular in the early 1970′s. Painful on the eyes.

Over time I have picked up bits and pieces from tutorials and articles on the web about HDR editing. HDR processing software was important. In my case I settled on Photomatix software to begin the editing process of the HDR images. While other software exists and Photoshop has it’s own built in HDR rendering tool, my personal preference is Photomatix.

The first thing I do when capturing HDR photographs is to grab the most important ingredient for the successful outcome of a great HDR image. My tripod. Then I make sure I use my remote switch to eliminate camera shake completely. The tripod, remote switch combo are the HDR shooters “must have” tools.

Now comes the actual shooting procedure …

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Sarah S – an informal portrait

July 9, 2010

A quick informal portrait of a photographer friend of mine, Sarah Smith.

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alive for 365 – week 26

July 8, 2010

In 1998 I had the great opportunity to visit Madagascar to photograph stock images for a travel agent.  This guitar player in one of the markets in Antananarivo caught my eye, especially with the bold colors.  This photo from the archives is this week’s entry for the Alive for 365 project.

Antananarivo, Madagascar  //  Jan ’98
Nikon F90;  Nikon 80-200mm f2.8 AF-D
81A warming filter;  Fuji Sensia 100

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photo session – Modern Gypsies – Bird Girl

July 7, 2010

Before we went in to Times Square with the Modern Gypsies, we did a quick portrait session with one of the Modern Gypsies performers, Bird Girl …

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photo session – Modern Gypsies – Times Square, NYC

July 5, 2010

After the photo session where we played around with banners of fabric on the rooftops, we went to Times Square with the Modern Gypsies
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photo session – Modern Gypsies – Fabric

July 3, 2010

Sometimes photo shoots are just work; sometimes photo shoots are fun.  Really fun.  And then there are photo shoots that also feel like it’s a privilege just to be a part of it.  And fun!  I had the opportunity to work with the Modern Gypsies during the past week.  They are performance artists based in New York.  I had met Michael Saab last year sometime while photographing an event, and we kept contact, with the idea of working together on some photo shoots, expanding their portfolio for their website.

Above are two of my favorite photos of the initial part of the photo session.
(Later on we went in to Times Square.)

More details about the photos and the lighting here …

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alive for 365 – week 25

July 1, 2010

My entry this week for the Alive for 365 project, is another one from the archives:
A typical London taxi photographed by panning the camera. Doing so with a wide-angle lens creates additional distortion during panning, and only the centre of the photograph is left sharp.

Date: March ’93
Pentax Z-1;  Pentax-FA 28-80mm f3.5-4.7  (zoomed to 28mm)
Hyper Program mode;   -1 EV compensation;   Fuji RDP 100 transparency film

If you find these articles interesting and of value, then you can help by using
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