Search Results for: black foamie thing
Bounce flash with and without the black foamie thing
Bounce flash comparison: With & without the black foamie thing
One of the presentations that I gave at the After Dark event in St Louis, was (perhaps inevitably by now), about bounce flash photography. Part of this was a sequence explaining how the direction that you bounce your flash into, will define the light pattern on your subject. The black foamie thing helps in directing the light from your flash, especially if you want short lighting on your subject. And here is the comparison - with the black foamie thing, and without. Without flagging the flash, there is direct Read more inside...Materials for the Black Foamie Thing
Materials for the Black Foamie Thing / Black Foamy Thing
More links to articles relating to the black foamie thing. Read more inside...Black foamie thing
Black foamie thing / Black foamy thing
Also be sure to read the article on how to bounce on-camera flash. Read more inside...Video tutorial – Using the ‘black foamie thing’
the black foamie thing – on-camera flash modifier
on-camera flash modifier - the black foamie thing
Also make sure you check out this video clip where I demonstrate how I use the black foamie thing to flag the light from my on-camera flash. In essence, the (in)famous Black Foamie Thing is just a simple little device that I use to shield my speedlight's output from directly hitting my subject when I bounce my flash forward. It has another benefit in that since I usually fasten to the 'underside' of the flash-head, it blocks light from hitting people in the face that are standing behind me or next to me. It really does help with Read more inside...Why use an on-camera flash modifier that is black, instead of white?
Why use an on-camera flash modifier that is black, instead of white?
This question repeatedly comes up as response to the various articles here on my favorite light modifier - the black foamie thing. For anyone new to this, here are the two main articles on how I use a piece of black foam to flag my on-camera speedlight. The question invariably comes up: why a piece of black foam and not a white card or a piece of white foam? The short answer: The idea behind the BFT is that it acts as a flag, not a bounce card. Read more inside...Bounce Flash Photography – directional bounce flash
Bounce Flash Photography - directional bounce flash
One of my favorite photos from a recent wedding, is this one of the groom and bride being hoisted aloft, with his priceless expression of surprise. Timing and framing is everything, of course. And the lighting. This is pretty much the way it came out of camera, with only minor adjustments to the RAW file. Note that the light on the groom is about the same as the amount of light on the bride in the background. (Yes, she changed into white overalls after jumping into the pool with her dress.) But back to the lighting -- an equal Read more inside...Short lighting with on-camera bounce flash
Short lighting with on-camera bounce flash
In the recent article — The simplicity of on-camera bounce flash — the flash was used as fill light to "clean up" the light and give a sparkle to the eyes. In that scenario, as fill-flash the flash didn't really add directional light or shape the light on our subject. Where on-camera bounce flash is our only / main light source, then we can get creative with the direction of light and shape an interesting, dynamic light pattern on our subject. We can even create short lighting for our portraits created with only on-camera bounce flash. To Read more inside...The simplicity of on-camera bounce flash
The simplicity of on-camera bounce flash
This is a fairly straight-forward portrait of the bride just as she was done with her prep. But this simplicity might belie the deliberateness in how I shot this. Because the rest of the bridal area was mostly bland walls, I purposely used the busy room in the background to give that indistinct out-of-focus background which is still complimentary. There were spotlights in the ceiling just outside the door, so I asked her to step forward of those lights. They would have been too hard to fight against. My exposure settings were set for Read more inside...- 1
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