Bounce flash portrait – a consistent technique
Bounce flash portrait - a consistent technique
WPPI 2012 took place during the past week - as always, a crazy-hectic and exciting event. I once again presented a Master Class at WPPI. But I also took time to present a private mini-workshop to the first 3 people that signed up. We went over a condensed version of my full-day workshop, covering most of the material in the 4-hr long mini-workshop. Like last year, I called on my favorite model in Las Vegas, Shawna. Actually, she has since moved to L.A. but she was quite happy to make the trip back to Las Vegas to be our model. The Read more inside...Composition for full-length portraits – step back!
Composition for full-length portraits - step back!
A comment in the article on a simple lighting setup for the family formal photos, asked why I recommended that a photographer should step back rather than zoom wide when photographing a group. The reason is that the perspective distortion that a wide-angle lens will give to your subject, is not all that flattering. Read more inside...Gelling your flash for effect – Blue background
Gelling your flash for effect - Blue background
The idea of gelling your flash for effect has been a topic here a few times. I most often use gels on my flash to correct my flash when working with tungsten / incandescent light. There are times though when I gel my flash just for effect, creating a shift between my foreground (lit by gelled flash) and my background. In the examples shown in the several articles here, there wasn't the type of background where the effect can clearly be seen on easily recognizable "neutral" background. In the article turning day into night, we turned Read more inside...Off-camera bounce flash
Off-camera bounce flash
This portrait of an unusual model, Ulorin Vex, was truly simple in its execution - most of the work was done by Ulorin Vex with her outfit and her striking looks. Then, the composition and choice of background was the hotel room with this stripy wall paper. I thought the bold yellow and green stripes would complement her bright red outfit, without competing. Then the lighting - off-camera bounce flash - was simplicity itself. I had a speedlight that I bounced off a white surface to create a large light source for flattering, soft light. But it took me a few Read more inside...Available light photography – Observing and using the available light
Photography - Observing and using the available light
With a few top-end point & shoot cameras to test, I met up with Anelisa on this crisp late-Fall afternoon in New York. Similar to how I often work, the idea was to walk around and explore and find interesting places and interesting light to take photographs in. So when at this particular spot in Bryant Park, and I saw the light was just incredible, I ditched the point & shoot cameras, and grabbed my Nikon D3 with the Nikon AF-S 35mm f/1.4G (affiliate) on it. Since the idea with today's photo shoot was to *find* Read more inside...Simple lighting setup for home studio photography
A simple lighting setup for home studio photography
This photo of Anelisa and Aleona, two of my favorite models, were taken towards the end of the evening of the most recent flash photography and lighting workshop in New York. The studio that the workshop was held in, had a white cyclorama that was just inviting to be used. As a recap of manual flash photography, I wanted to show how simple and easy a basic studio lighting setup was ... and that it was quite within the reach of every photographer. Well, not the studio itself, but the lighting setup and equipment, as well as the Read more inside...example: direct off-camera flash vs softbox
example: direct off-camera flash vs softbox (model: Ulorin Vex)
Ulorin Vex posing for us during part of the on-location session of the flash photography workshops which I presented in San Francisco earlier this year. Ulorin Vex is of course absolutely stunning, as always. While I often direct models how they should pose, this one is all her doing . Not even I can improve on that. The image here at the top was shot with an off-camera softbox - my usual preferred Lastolite Ezybox softbox. The direction of the light here should immediately reveal the approximate position where the Read more inside...photo session: urban ballerina – Oktavia
photo session: urban ballerina - Oktavia
Oktavia is the stunning model on the cover of my book about off-camera flash. We've intended to do another photo shoot ever since then, but busy schedules kept us from that until recently. A theme that Oktavia wanted to explore, was that of the Urban Ballerina. The idea with the urban ballerina is the contextual dissonance of having a graceful dancer in the middle of some urban setting. There's no real meaning to it other than contrasting art & beauty against the harsher urban setting. Read more inside...review: Canon 300mm f/2.8L IS II
review: Canon 300mm f/2.8L IS II
Canon updated their already highly regarded 300mm lens, with the Canon 300mm f/2.8L IS II (B&H / Amazon). For a review of the Canon 300mm f/2.8L IS II. I wanted to try something a little different. I wanted to use the wide aperture of the lens, as well as the compression that a 300mm lens offers, to shoot video of a model, Lea Liu. Instead of just photographs, I decided and create a "moving portrait" of her. This will hopefully show some of the magic that you can get with a wide-aperture telephoto lens. The video footage was Read more inside...- « Previous Page
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