tips on posing people / working with a model
tips for posing people / working with a model
So you have a great camera and lens; and someone who is willing to be photographed and willing to work with you; and you have a great idea for a setting or backdrop ... but now what? Posing your subject is something that can be quite intimidating to a newer photographer. The pressure is now on YOU to create magic .. or at least an arresting image. Leaving everything up to the model or your subject to do, or for them to come up with ideas ... while you just click the shutter, makes you just an owner of a camera, and not a Read more inside...using narrow depth-of-field & great bokeh
creating a background with narrow depth-of-field & great bokeh
Shooting images for the review of the Nikon 85mm f1.4G AF-S lens, it struck me how truly superb this lens is. It improves on the legendary Nikon 85mm f1.4 AF-D lens in some key areas. (For me the updated lens was an immediate upgrade.) But ultimately, you could get similarly beautiful images with any short portrait lens that gives you a very narrow depth-of-field AND has great bokeh. (Just to reinforce that again .. narrow DoF and bokeh are not the same thing. But I digress.) So, whether you're shooting with a Read more inside...Shutter speed, Aperture and ISO
Camera settings: Shutter speed, Aperture & ISO
A presentation that I've given on several occasions, is called 'Just Give Me The F-Stop'. The presentation is based on the perception that many photographers, in trying to get to grips with flash photography, try to break it down into what they think are the understandable elements – the numerical values of the settings used. They want numbers, believing that in knowing a certain image was taken at 1/125th @ f4.5 @ 400 ISO, that they might get closer to understanding lighting. They want the f-stop. However, the scenarios we Read more inside...video light for photography – positioning the light
video light for photography - positioning the light
A light source like a video light is comparatively unforgiving when you look at how easy it is to get beautiful results with flash and a large soft box. The smaller light source (video light) needs to be positioned with more specific intent than the larger soft box. Read more inside...exposure metering – shifting exposure settings
exposure metering - shifting your exposure settings by counting the clicks
When shooting in consistent light, and I have a specific exposure setting that is correct - then changing settings to a an equivalent exposure is as easy as counting the clicks. These clicks on your digital camera - whether aperture, or shutter speed or ISO - change the exposure by 1/3rd of a stop. You can then simply count these up and down to get to an equivalent exposure with a different combination of settings. Read more inside...photo-shoot – a change in plans
progression of an idea during a photo-session
This post was going to be something entirely different - a mini-review of an Elinchrom Ranger Quadra Set that I got hold of to try out. But a key part was missing. Without the Skyport that allows you to control the output of the unit from the camera itself, a review would be less useful. Having booked Priscilla as our model already, and my friend Richard along to assist, we decided to just go ahead and have fun with a photo-shoot anyway ... Read more inside...photography: direction of light & change in background
Positioning your subject - direction of light & choice of background
Taking cover from the rain under an awning during a photography workshop in New York, we ended up in this spot against a wall that was painted black. However, looking along the wall at an angle, the black paint of the wall reflected the light from behind. This completely changed the character of the background. Since the available light was low level, and not flattering, we added some light from an off-camera flash in a softbox. Shooting nearly completely in line with the flash, the light on Catherine was Read more inside...photography: direction of light & choice of background
posing your subject - direction of light & choice of background
Reinforcing the ideas from a few previous posts, we're going to look at that intersect where everything comes together: - direction of light, - choice of background, - posing your subject, - positioning yourself. When we work with our subject - whether a family member or a model or anyone we're photographing - then we have the opportunity to control at least a few aspects to make the final photograph more successful. Read more inside...Sequence of photos in posing a model
Sequence of photos in posing a model
The photo above is one of my favorite images. It was also subsequently chosen as the cover image for my book about off-camera flash photography. Oktavia is a professional dancer and we both wanted some photos to extend our portfolios. Of the number of places we used as a backdrop, I really liked this place - an art gallery in Manhattan where we were kindly allowed to use as a setting. What I'd like to show, is some of the images leading up to this final choice - how a combination of positioning Oktavia and changing the light, culminated in this Read more inside...- « Previous Page
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