Headshot photography – Clam-shell lighting setup
Headshot photography - Clam-shell lighting setup
There isn't only one correct way of lighting portraits or headshots. There are numerous ways to attractively light your subject. My favorite go-to lighting setup involved the large Profoto 5' Octa Softbox, which allowed me fine control over the contrast, by having my subject move slightly forward or back, or rotating slightly. (The linked article explains more.) Using the 5' Octabox though, meant that I had to shoot around the massive light modifier. A simpler way of shooting, which allows me slightly more freedom in how I moved, Read more inside...Dramatic portraits of kids – Lighting and intent
Dramatic portraits of kids - Lighting and intent
When photographing portraits of someone, we can only leave so much up to serendipity. Deliberate action produces deliberate results. While things don't always work out to plan, having a plan helps propel things in a certain direction. With that, we need to be able to pre-visualize the photographs we want. We need to shoot (and use light) with purpose. Even if you are just experimenting and playing with your camera and lighting, you will fare better if you have some intended result in mind. Always that question in mind - what is it Read more inside...Using a gridded stripbox as the main light
Using a gridded stripbox as the main light
As I show in the video clip how to use gridded strip boxes as the main light, I love how I can flexibly shape the light falling on and around my subject. Specifically in the studio, I mostly use the large gridded Profoto 1’x6 strip-box (B&H / Amazon). It is simultaneously capable of dramatic light and soft light. Or an interesting combination of that. More than that, I can vary the interplay between light and shade, by how I swing the softbox around, or rotate it. I often do this while shooting so that I continuously Read more inside...Studio photography – Lighting simply for impact
Studio photography - Lighting simply for impact
This striking image is from a commercial gig, shot in my studio for a company launching a range of hair extension products. For this sequence, one of several different setups we did, the client wanted this view and this look - so I had to decide on the best way to light their suggestion. We really make the hair the focus of the image, so I had to shoot from above on a short step-ladder. The decision on how to light this, was based on the commonly accepted principle of starting with a single light first, and only then building it up Read more inside...The world’s best photographers use Profoto
The world's best photographers use Profoto
I'm super-chuffed by this - a mention in the big fold-out advert by Profoto as it appears in the latest Rangefinder magazine - a big photography industry magazine for portrait and wedding photographers. See if you notice any familiar faces there? I am an obvious fan of Profoto lighting gear. There's just something about the sleek elegance of the equipment, and of course the ease of operation and unfussy reliability. They make me look good when shooting gigs. I also use Profoto gear in my photo studio in New Jersey. Edited to add: I've Read more inside...Boudoir photography with a Hollywood glamor feel
Boudoir photography with a Hollywood glamor feel
I managed to acquire a lovely (and massively big) lighted table for my studio. I picked it up for quite a low price at a photography studio auction in New York, and now it has a new home. It was a missing piece in my studio - especially since I also offer the place as a photography studio rental (NJ) . But I digress. In other studios that I've used, I've used the glow of the circularly arranged lightbulbs, as a light source. For example in this photo session with Jessica Joy - composition: working towards the final image. A number Read more inside...On-location photo session in New York – BTS video
On-location photo session in New York - BTS video
I met Marco when he attended one of my photography workshops - he is charismatic and with that photogenic ruggedness, I thought he'd be a great subject to photograph on location. He was visiting New York from Germany for a few days, and I asked if he would be up for a photo session. And here we are. With this photo session, I also wanted to try out something I saw Dani Diamond does - where he has an on-camera stabilized gimbal for his Go-Pro, to give a wider point of view from the photographer's perspective. A kind of Read more inside...Themes & context in Boudoir Photography
Themes & context in Boudoir Photography - on the streets of NYC
The model in this striking image is my friend, Jessica, a boudoir photographer. Her pose is intentionally this strong and assertive. The concept here is part of an on-going project she had planned for a long while now. She had asked me to collaborate with her in taking the photos. The main idea behind the project (and these are my words and interpretation of what we had discussed) - women are objectified in society, but there is a disconnect in how people respond (or don't) to provocative posters and images of Read more inside...Dramatic studio lighting: Using the beauty dish as a single light source
Dramatic studio lighting: Using the beauty dish as a single light source
I love the forgiving nature of large light modifiers - you don't have such precision with a huge softbox as you do with a smaller, more contrasty light modifier. But you also have less opportunity for dramatic light, as you do with smaller light sources. In line with the idea that a smaller light = harder light = dramatic light, I wanted to create a series of portraits that had a darker, moodier feel. Brian Calabrese, a photographer friend of mine, met up with me in my studio, and through various iterations Read more inside...- « Previous Page
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