Dramatic studio lighting: Using the beauty dish as a single light source
Dramatic studio lighting: Using the beauty dish as a single light source
I love the forgiving nature of large light modifiers - you don't have such precision with a huge softbox as you do with a smaller, more contrasty light modifier. But you also have less opportunity for dramatic light, as you do with smaller light sources. In line with the idea that a smaller light = harder light = dramatic light, I wanted to create a series of portraits that had a darker, moodier feel. Brian Calabrese, a photographer friend of mine, met up with me in my studio, and through various iterations Read more inside...Portrait photography & Studio lighting – Influences & inspiration
Portrait photography & Studio lighting - Inspire your own style
I keep a folder of Inspiration images to which I often add interesting photos shot by other photographers. This serves as an ideas folder. There are hundreds upon hundreds of images. I add to this Inspiration folder, and I also discard images over time as my own style and what I want to work towards, form better shape. I might browse through this and see what sticks in my mind. Sometimes it is the amalgamation of ideas that lead to something new. Even when I try to emulate the style and lighting of an image, there Read more inside...In-camera special effects with gobo projection
In-camera special effects with gobo projection
I still have this old-school preference for effects done in-camera and effects achieved with interesting lighting, over effects achieved nearly entirely through digital manipulation. Absolutely no disrespect to digital artists who create astonishing work. However, my jaw drops when I look at the sheer scale of the work of a photographer like Gregory Crewdson. Naturally then, my hero is Gregory Heisler, who has a true genius for creating diverse work through amazing lighting. So that would be my inclination - how much can I achieve Read more inside...Lingerie photo session in the studio – Lighting, light & textures
Lingerie photo session in the studio - lighting, light & textures
This photograph of Melanie, one of my favorite models, is one of a sequence where we played with different lights and lighting styles in the studio. I wanted lighting that was both soft and dramatic. Both feminine and bold. The lighting is the same idea - using a big gridded strip-box / soft-box - as I used in a previous photo session with another model, Anita DeBauch. The final image above, is the result of adding texture layers in Photoshop. I wanted to retain her shadow and other detail in the wall, while Read more inside...Business headshots in the studio with a contemporary, modern look
Business headshots in the studio with a contemporary, modern look
When Matt Sweetwood, the owner of the largest Camera Store in New Jersey, discussed doing new new business headshots for him, we agreed that a more contemporary look suited him. There's a large dynamic personality at work here ... and using an 85mm f/1.4 lens wide open would place attention on his eyes and his expression. Nothing else is really in focus aside from his eyes, and this really makes for a compelling portrait that grabs your attention. We shot various sequences, with the background brighter and darker. Read more inside...Headshot photography: Studio lighting – Westcott Eyelighter
Headshot photography: Studio lighting - Westcott Eyelighter
With portrait lighting for head shots, there are so many configurations - all the way from dramatic lighting, to very even light - but always keeping in mind that the lighting needs to look flattering. It is all in how we balance the various lights, and how we add fill-light. Westcott has released a curved reflector, the Eyelighter (B&H / Amazon), and it is quite versatile: Read more inside...Studio photography – Image projection effects for creative backgrounds
Studio photography - Image projection effects for creative backgrounds
Working with an idea in mind in the studio - a moody B&W portrait with a stylized cityscape as background. Using the Light-Blaster again in the studio, this final image was a progression of that idea. I knew I wanted to use the cityscape background of one of the metal gobos that came with the Light-Blaster kit. Because I wanted the final photograph to be black and white, I set my camera to Monochrome so that I'd have a good idea during the shoot what the final image would look like. Since I shoot in RAW, Read more inside...Studio photography – Working with a large Octa Softbox
Studio photography - Working with a large Octa Softbox
It was exciting when I equipped my studio last year with a variety of lighting gear - so much to choose from. A little kid in the toy store! I want everything. The decision obviously has to be made between various lighting items that are only slight changes from other, with little real world difference. And then there ia also lighting gear that is quite esoteric. I chose various gridded stripboxes and reflectors, in addition to the soft boxes and beauty dish that I had. Then I had my eye on an octabank - specifically Read more inside...Photography: Image projection effects in the studio
Image projection effects in the studio with the Light Blaster
Shooting in a studio can feel like a challenge at times - you're in a big box of a room, and somehow you have to work past that restriction with light and ideas, create something. I've been curious about using projection effects in the studio, but always seem to come up short against equipment that is either too expensive, or too limited .. until Udi Tirosh of DIY Photography, turned me onto the idea of the Light Blaster. The Light Blaster attaches to your speedlight on one end, and a lens on the other end. In the Read more inside...- « Previous Page
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