video light

boudoir photography: dealing with mixed light – daylight & incandescent

Boudoir photo sessions can be nerve-wracking – not just for your subject or client who undoutably feels vulnerable, but also for you as the photographer. You have to juggle speed in shooting, with meticulous posing and (hopefully) impeccable lighting …. and still keep the flow of the shoot going, and also keep your subject’s confidence up. With this boudoir photo session in a NYC studio, I photographed my friend, Jessica Joy.

I wanted to use this window of  course, and incorporate the boxes. It all just begged to have my friend Jessica J sit on the window sill. The mixed lighting – daylight from outside, and incandescent from inside – seemed like it might be a challenge. One way would be to embrace the different color balance between daylight and incandescent light, or try to even it all out somehow.

I tried a stripbox with speedlights, but the light was too flat. Not bad, but all the nuanced available light was lost, and I wanted to retain the mood of the venue. I put away the flashes and softbox, and grabbed my Litepanels Croma LED video light (vendor). The Croma has adjustable WB, which was a big help here in finding a color balance that best suited the transition from window-light to Incandescent. I did allow the image to go much warmer for the interior and for Jessica, and not let the background go blue.

Here’s the setup, and let’s also look a bit at the pose …

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After Dark Photography Education – St Louis – 2014

After Dark is one of the very best experiences to learn more about photography, whether technique or business or to be inspired. Not quite a convention, it’s more of a slightly-anarchic experience. It’s hard to describe really, but ask anyone who has attended, and they will all rave about it, myself included.

The After Dark Photo Education convention took place again this past week: March 30 – April 2. Awesome news for the 300+ people who attended. Sad news was that this will be the last After Dark event. So for those who were there, there was definitely a sense of making this one really count! At the end of 2013, Dave Junion, the mastermind behind After Dark, announced that that would be the last event. I’m going to take a (probably accurate) guess here that repeatedly running an event of this magnitude across the USA, takes its toll on your stamina. But because of the outcries from past attendees, the After Dark team hosted an After Dark event in St Louis in 2013 … and now again.

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wedding photography – using video light for macro detail photographs

With the details photos of the wedding rings, I generally resort to on-camera bounce flash for enough light … and for interesting light. Sometimes though, I mix it up by using video light instead. Here I used the Litepanels Croma LED video light (vendor).

The need for smaller apertures means enough light … but working with a tripod is often just too slow with the hectic pace of a wedding day. Then a stabilized macro lens is essential.

The photo above was shot with an LED video light, so we had to hold the light very close to the rings to get enough depth-of-field. Fortunately though, with a macro lens, you’re working so close to your subject, that the light source won’t interfere.

camera settings: 1/125 @ f/8 @ 1600 ISO
Litepanels Croma LED video light (vendor)

I purposely composed the image so that the one flower would be in the background directly behind the rings, otherwise they would’ve blended into the black background. The rings and flowers were all lit with the single LED video light.

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use light & lighting to add dramatic impact to your portraits

Simplifying your composition is generally a really good way to add impact to your photos – remove visual clutter, and draw the viewer’s eye to what’s essential. But there’s a converse challenge to this – when you have a location that isn’t necessarily that interesting , how do you add more impact? Light and Lighting is an obvious way to do this.

Create impact and drama in how you add light to the scene, and light your subjects. A recent article discussed this in relation to off-camera flash: using off-camera flash for that extra bit of drama.

For the romantic wedding portraits of Grace and Joseph, we were landlocked to a few rooms inside the venue because of the snow storm outside. Then it becomes a challenge to come up with ideas and use nooks and crannies, and make it all count! For the image at the top, we were in the room where they serve pre-dinner cocktail snacks and drinks. Nothing much there. But I came up with the idea of having Joseph sit on this table against this wall, and then adding Grace.

Posing tip: In terms of posing a couple, it is nearly always easier to start with one person, and then adding the other. Use the first person to anchor the pose. And I usually physically show them where to sit or stand or lean when I pose someone.

The pose works, now we just had to add dramatic light. Bounce flash would’ve flattened out everyone. Well lit, but too evenly lit. Off-camera flash with a gridded soft box would’ve worked like a charm as well – but as I most often do with the romantic portraits of a couple, I went with video light. This time around, I had more toys to play with, thanks to Ryan, the other photographer shooting alongside me, who had brought his video lights along as well.

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photography: the progression of an idea – Regal Portrait with a Ferret

While on a trip to Denver, I had some time free to meet up with my friend, Lynn Clark, one of the best boudoir photographers in Denver. I had asked her to be a subject for my next book, 60 Portraits, and she indulged me. I want each portrait to reveal something of the person I am photographing, and also have some interesting snippets of info for anyone who dips in the book, and of course, for anyone who follows the Tangents blog.

So while Lynn is an accomplished boudoir photographer, I didn’t want to go with the obvious idea of doing a boudoir photo session of her. I met up with Lynn, and our mutual friend, Petra Herrmann in Lynn’s studio. (You may remember Petra as a recent guest on Tangents – increase your sales in boudoir photo sessions.) Lynn’s boudoir studio is home-based, with two large rooms that had been converted in shooting space. I spent some time looking around, and figuring out angles and lighting and backgrounds. The usual things we need to juggle when we consider the setting for portraits.

I liked the one direction where I knew I’d be able to compress the perspective with a 70-200mm lens, and shoot from the adjoining room. Then I could use the red drapes in the background, and throw the chandelier and the rest of the room out of focus. So far, so good. This would be good for a basic portrait. Solid, but not engaging yet. Lynn and Petra and I bounced some ideas around.

Lynn and her husband runs a Ferret B&B in Denver, CO. They take care of ferrets when their owners are on vacation. Lynn and her family also keeps 6 ferrets. So there are ferrets … and they are adorable. In chatting with Lynn and Petra, they mentioned that Queen Elizabeth had been fond of ferrets, and there was a portrait of her with a ferret. And then the idea clicked!

Throwing the chandelier out of focus and keeping it in frame, we’d have a glowing halo of light above Lynn. The red drapes worked too. Then … the costume. We didn’t have anything nearly as ostentatious so we went for a tiara and some bling jewelry.

And then we added Elliott, the energetically curious ferret you see in the photo.

The final portrait of Lynn is whimsical. There’s an absurdity about it. Hopefully the portrait is also quite cute and amusing. I do think it shows that playful aspect of Lynn, though she insists she’s actually a serious person. This impromptu homage to the portrait of Royalty with a pet ferret, was certainly fun to shoot.

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using video light for romantic portraits of the bride & groom

One of my favorite photos of the day. Why can’t wedding portraits of the bride and groom be a little bit sexy?

When I went back to the bridal suite during a quieter moment in the wedding reception to fetch some gear I had left there earlier, I had this thought that mmmm, yes! romantic portraits of the bride and groom on the bed in their suite. This might just work! So I called Julia and Louis back to the the bridal suite at the venue, and we did a sequence of images using video light.

I’m a big fan of video light for certain wedding portraits. The harder light and the rapid fall-off in light, lends a certain dramatic quality to images. Also, a video light like the Lowel iD-Light (vendor) that I used here, is neatly balanced for the Incandescent lighting found in most places indoors. The color balance is usually easily matched. An LED video light such as the Litepanels Croma LED video light (vendor), makes it even easier to change the color balance to your own intent.

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lighting a vintage styled boudoir photo session, using LED fresnel lights

Working with the ever-delightful Olena in my studio, we went for a mix of outfits and looks. We started off the photo session with straight-forward headshots, but then when Olena showed me this outfit, it just begged for something with a more vintage feel in lighting. So, drawing on the classic Hollywood glamor lighting for inspiration, I used the Litepanels Sola 4 LED Fresnel Lights to create that dramatic light on her, and on the background.

I’ve used the same lights before for Hollywood Glamor style portraits, and loved the effect. The lights, being a smaller light source than a softbox, need more careful placement, and more careful posing. So using lights like these, need to be more controlled. The end result though retains that air of mystery and that certain allure than boudoir photography needs to exude.

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creating Hollywood Glamor lighting with video lights

The old Hollywood masters such as George Hurrell, CS Bull and Laszlo Willinger had a dramatic way of lighting their portraits, with specific use of light and shade.

For my review of the Litepanels Sola 4 LED Fresnel Lights, I had Ulorin Vex as model. Her style and clothing are quite unique, and dramatic enough that these lights enhanced her look. I loved what we came up with.

In using these Litepanels Sola 4 LED Fresnel Lights (vendor) to specifically emulate Hollywood Glamor lighting, I called in another model, Elle Olins. Elle has that smoldering look to her that turned out to be perfect for this style of lighting.

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review: Litepanels Sola 4 LED Fresnel Light – (model: Ulorin Vex)

The dramatic look that video lights lend to photographs, is a regularly explored topic on Tangents. I also cover the use of video light in my book Direction and Quality of Light.

The video lights that I have been favoring, are the Lowel ID-Light (vendor), but like other halogen video lights, it tends to run hot. LED video lights, such as the Litepanels Croma LED video light (vendor), also tend to be under-powered for some uses. And since video lights tend to be small light sources, their light is quite contrasty. So there are some limitations.

So when I got to try out the Litepanels Sola 4 LED Fresnel Lights (vendor), I was quite keen. Especially because the arrival of these lights coincided with one of my favorite models, Ulorin Vex, visiting the East Coast for a few weeks. Ulorin Vex’s dramatic style and clothing would be very well suited to this kind of lighting.

Also check out the behind the scenes video clip about this 3-part photo session.

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After Dark Photography Education – St Louis, MO – 2013

Anyone who regularly followed the Tangents blog during the past year or so, will know that I’ve raved about the After Dark events that I attended (and presented at). In my opinion, After Dark is the best (and most fun) learning experience that I’ve encountered.

If you want more details about After Dark:
After Dark Edu website for more info
After Dark on Facebook, if you want to closely follow discussions

The one After Dark event that was announced for 2013, was held in St Louis. As before, I did several presentations and I’d like to show some of the images that I shot while here.

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