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my gear
cameras | lenses | flashes | accessories | Quantum | video light | Think Tank
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Nikon:
Nikon SB-900 Speedlight (B&H)
This is the top Nikon flashgun, and improves on the SB-800 in a number of ways, incl the way the flash-head rotates 180′ to either side, and the ease with which the wireless TTL menu is accessed. In my opinion these and other improvements, make this a solid upgrade over the SB-800.
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Nikon SU-800 Speedlight Commander Unit (B&H)
Wireless TTL flash will open up a wider range of possibilities in lighting in comparison to just using on-camera flash. Even though you can use your Nikon SB-800 to control other Speedlights, using the SU-800 is so much simpler. With the SU-800 you don’t have to go into a menu to change settings or enable the unit, like you would have to with an SB-800.
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Nikon SD-9 battery pack (B&H)
I would highly recommend using a battery pack of some kind when you use a flashgun. The SD-9 will really help your flash photography by recycling your SB-900 faster, and thereby give you more consistent exposures from frame to frame.
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Canon:
Canon 580EX II Speedlite (B&H)
The on-camera flashgun I most often use and would highly recommend over any other, is the Canon 580EX II. Even the previous model would make an excellent choice. What sets this apart from any other Speedlite, is the ability to rotate 180′ either way. This opens up a lot more opportunities in bouncing your flash off other surfaces.
Canon ST-E2 Speedlite Transmitter (B&H)
Wireless TTL flash will enable you to be more creative in your lighting, by enabling you to position your Speedlites as off-camera lights. This will open up a wider range of possibilities than just using on-camera flash. Even though you can use your Canon Speedlite to control other Speedlites as wireless TTL controlled flashguns, using the ST-E2 is so much simpler. With the ST-E2 you don’t have to go into a menu to change settings or enable it.
Canon CP-E4 Compact Battery Pack (B&H)
I would highly recommend a battery pack like the CP-E4. They really help your flash photography is in giving you more consistent exposures. This is because the faster recycling of your flashgun would allow you to shoot faster than with the flashgun recycling from the usual batteries.
Sto-Fen Omni-bounce for Canon 580 Speedlites (B&H)
Of all the light modifiers available, I find this one to be the right combination of price, size and effectiveness. It is small enough to fit in your pocket; light enough to allow you to still swivel and rotate your flash-head as you please, and simple enough to use. .
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Batteries:
Sanyo Eneloop batteries
You do need batteries that recharge (as opposed to disposables), and you also need batteries that can give you enough power consistently. The Sanyo Eneloops are renowned for their their very slow self-discharge rate, and for their 1000 charge life-cycle.
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Pearston NiMH rechargable batteries, with charger (B&H)
What I specifically like about the Pearston charger, is that it charges each battery individually, and also warns you if any particular battery has become a problem. This is a very important point that is easy to overlook. The batteries themselves have a very high rating, so they last much longer than most.
If you’d like to just order the Pearston NiMH batteries, here are the links for:
- the 10-pack Peaston 2900 mAh batteries, or
- the 4-pack Pearston 2900 mAh batteries.
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Quantum Turbo SC battery pack - (SC = Slim & Compact) (B&H)
For more juice than the battery packs with rechargable batteries, I use the Quantum SC battery pack. As the name says, it is slim and compact – yet offers great capacity.
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Filter sheets:
Rosco Cinegel #3442 Filter – 1/2 Straw CTS – 20×24″ Sheet (B&H)
Rosco Cinegel #3441 Filter – Full Straw CTS – 20×24″ Sheet (B&H)
Since I frequently gel my flashguns to bring the flash WB closer to Tungsten / Incandescent, I use these gels that I cut up and tape to the top of my speedlight’s head. One of these sheets (which – at $6.50 - aren’t expensive), will give you a lifetime supply of these filters. If you use flash indoors where Tungsten lighting dominates, then these filters are an invaluable part of flash photography. Highly recommended.
The Full CTS will bring your flash WB down to around 2900K, more or less neutralising the look of the Tungsten light. The 1/2 CTS will bring your flash WB to around 3800K, which will leave your backgrounds still with a touch of the warmth of Tungsten lighting.
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next: other accessories that I use …
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Hi Neil
Just wondering, when using these gels are you adjusting your camera wb to tungsten?
Thanks
Hoddo
Comment by Hoddo — October 10, 2009 @ 5:47 am
Comment by Neil — October 12, 2009 @ 4:33 am
Hi Neil,
I’ve heard some serious complaints about SB-900 heat up shut down issues.
Do you recommend SB-900 over SB-800? Is the difference worth the extra money?
Thanks,
Daniel
Comment by Daniel — October 16, 2009 @ 5:39 am
Comment by Neil — October 18, 2009 @ 12:42 am
Neil,
When taking outdoor portraits with the sun rising or setting, what filter sheet should I use? Do I set my WB to Sun/Shade? The sun’s temperature seems more golden and closer to Tungsten.
Thanks,
Eleazar
Comment by Eleazar — November 12, 2009 @ 11:36 pm
Comment by Neil — November 17, 2009 @ 5:43 am
Neil,
I’m really enjoying your website. Thank you for the invaluable resource. I just bought the SB-900. I had been looking for a used SB-800 on Craigslist for quite a while and wasn’t having much luck. My wife suggested I just go and buy the SB-900, as it will outlast the camera and I’ll have it forever. Good to see you like the 900.
I have an D90. I was going to buy an SB-600 but a number of people warned me away from it as they felt that the power of the 800/900 when used with a diffuser and bounced is a better choice in the long run. So, hoping it’s not overkill, I bought the SB-900.
Here’s my question: why bother with gels any longer? I have been shooting in RAW and using the in camera NEF processing to quickly adjust the picture control, white balance, exposure and then I trim. (For pics I really like I use Lightroom. And for most, I just keep the initial jpeg file.) When adjusting the white balance in camera with the RAW file, I find that it mimics the use of gels. Is this a correct assumption? I know that picture controls can affect the histogram, so I sometimes use a completely neutral picture control I’ve loaded and UniWB. This seems to be even a better choice when adjusting WB in camera after the shot. So, is my rationale correct and gels now have limited value if you adjust WB in post?
Thanks,
Rory
Comment by Rory — November 23, 2009 @ 10:13 pm
Comment by Neil — November 26, 2009 @ 5:48 am
Hi Neil
Just bought your book about On Camera Flash Techniques. Brilliant information for little money. I’m going to shoot my first wedding next week and there was plenty of useful information on it.
Another thing. I have a Rosco Supergel Sampler here with me, but there is no information to be found which of the orange and yellow gels is equal to the Cinegels you are mentioning above. Do you know which one of these Supergels (#14 medium straw, #313 Light relief yellow, #13 Straw Tint, #312 Canary, #11 light straw,…) is equal to the 1/2 CTS? Should I just try to get a white paper to look white while setting to Tungsten WB and using any of these gels?
Thanks already in advance for the information.
BR
-Horst (from Germany)
Comment by Horst Fuchs — November 27, 2009 @ 9:04 am
Comment by Neil — December 7, 2009 @ 5:49 am
Hi Neil,
Unbelievable site. So much information. Thank you.
I hated flash until somebody asked me to shoot Sweet 16.
Lightning was terrible. I had only Nikon D700 with built-in flash. It was a disaster.
Anyway, I ordered your book and SB-900 to learn how to shoot with a flash.
Neil, I need your professional opinion and advice.
What is your choice? Battery Pack Nikon SD-9 or Quantum Turbo SC?
Do I need CCKE cable or CKE with Turbo SC?
Thank you,
Gennadi
Comment by Gennadi — December 16, 2009 @ 1:18 am
Comment by Neil — December 16, 2009 @ 1:31 am
Hi Neil,
I live in Singapore and unfortunately, I am not able to get hold of the Rosco CTS gels. There are other flash gels available here but they come in CTO flavors, not CTS. (Seems like Rosco is the only company producing CTS gels?)
Do you know of any shop that I can order from and do they accept international orders?
Thank you!
Regards,
David
Comment by David C — February 18, 2010 @ 10:31 pm
Comment by Neil vN — February 19, 2010 @ 3:45 am
David
Here is a company in Singapore who stock Lee Filters http://www.hwarta.com/.
Lee CTS numbers are Full – 441, 1/2 – 442, 1/4 – 443 and 1/8 – 444.
But as Neil said the difference between CTO and CTS is only minor in the grand scheme of things.
Hope that helps – Jonathan
Comment by Jonathan Williams — February 19, 2010 @ 10:44 am
Jonathan,
Hey, thanks for the link.
I checked out the local store and got myself a large piece of Lee Filter Straw No.103. A big disappointment. I went home and realized it is no different from the 1/4 CTO gel I’ve already had.
I wanted to get the CTS cos I had just finished reading Neil’s book, and he mentioned CTS is preferred to CTO because the former gives better skin tones. I should have read more elsewhere.
Anyway thanks.
Comment by David — February 19, 2010 @ 11:28 am
Hi Neil,
I wonder if you use internal SB-900 zoom during shooting on weddings, when you bounce flash? What is your settings on SB-900 in this situation? I think that is good to use zoom during shooting in bright day, when try to use max power of flash but when bounce flash in rooms, churches and closed places it should be turned off. What setting is good and useful, let me know.
Tad
Comment by Tad G — March 31, 2010 @ 3:44 pm
Comment by Neil vN — March 31, 2010 @ 5:34 pm
Neil, how maximum (…mm) zoom setting can do with canon 580 ex ii? Thanks Neil
Comment by Huiyin — March 31, 2010 @ 11:24 pm
Comment by Neil vN — March 31, 2010 @ 11:30 pm
hey Neil,
How do you fix your gels on your flash?
something like this?
i hate it to attach it every time with a small office tape.
but if the gel holder is not clear, how much light loss will be expected?( on the lumiquest page it says it depends on the gel (itself) )….but there will also some loss of light if its not clear…negligible??
i also use the black foamie thing, successful!
grts
olympus
Comment by olympus_fotograph — May 13, 2010 @ 11:05 am
Comment by Neil vN — May 19, 2010 @ 4:15 am
Neil,
You mentioned zooming the lens to get more bounced light.
Did you mean zoomed in or zoomed out?
Can you still zoom in while leaving the settings in TTL?
Comment by Chuck — June 10, 2010 @ 7:43 am
Comment by Neil vN — June 10, 2010 @ 12:16 pm
Hi Neil,
1. Canon st-e2 has ratio control, ratio control is same with flash exposure?
2. How adjust flash exposure with canon st-e2 speedlite transmitter?
Thanks Neil
Comment by Ivan — August 12, 2010 @ 9:14 pm
Comment by Neil vN — August 12, 2010 @ 9:21 pm
Neil,
Do i spend $500 on a sb 900 or go the extra yard and get the quantum?? is it over kill for everyday photography? do i lose anything with the Quantum system?? thanks
Comment by mike — August 12, 2010 @ 9:31 pm
Comment by Neil vN — August 13, 2010 @ 5:53 pm
Hi Neil,
Why don’t you use the nikon gels that come with the SB800/900 instead of the CTS gels? When I use the nikon gels my WB is worse so I go back to auto mode.
Comment by Trina Cheney — August 23, 2010 @ 2:55 pm
Comment by Neil vN — August 23, 2010 @ 9:20 pm