August 18, 2012
available light photography: direction of light / posing into the light
A topic that I’ve given more and more attention to here on Tangents, is available light photography - but specifically the concept that it isn’t just a random way of taking photos, but that consideration has to be given to the direction of light. When you work with someone you want to take a portrait of, it is crucial that you pose someone in flattering light. This often means posing someone into the light, with the one shoulder toward the direction of light. This idea works for even the simplest of cameras.
May 7, 2012
taking photos in harsh sunlight
Taking photographs of people in harsh sunlight will always be one of the more daunting lighting situations we can find ourselves in. Without additional lighting, or the use of scrims, we have a few basic ways of dealing with the harsh sun:
- pose our subject into the light,
- pose our subject with their back to the sun, or
- just suck it up and accept that our photos will look bad.
Well, that last option isn’t really the way to go if we have any pride in our work as photographers. Which leaves us with the two other options …
April 11, 2012
photographing in bright sunlight – find the shade!
Hard sunlight must be one of the most difficult lighting scenarios to work under. But with a bit of thought, we can work around it and still easily get photos that look great. It’s a topic that we’ve touched on a number of times on the Tangents blog, (see related articles at the end here). The simplest approach for me though, is where I can, is to just not deal with the hard sunlight. I find shade.
April 4, 2012
bridal portrait – working with the available light
This striking portrait is of Rachel, a bride whose wedding I photographed yesterday. Yes, a Tuesday wedding! The prep was at a hotel on the Jersey shore, and when Rachel was ready, I wanted to shoot a few straight-forward portraits there in the hotel. There was a lot of light in the hotel room itself, but the decor was white – which helps for high-key portraits. But I wanted some variety.
So I scouted around, and decided to do some photographs in the passage outside her hotel room. Since it was a wedding on the Jersey shore, and we did other portraits later on, on the beach, I thought this bright wallpaper wouldn’t be too inappropriate as a backdrop. Now it was just a question of light …
April 2, 2012
even with high ISO settings, you still need great light
Still having fun with the new Canon 5D Mark III (B&H), I met up with Elmira again in New York. Elmira is the model I used in my initial tests of the Canon 5D Mark III high-ISO performance. Being a delightful model to work with, I decided to use her again as a subject.
New York was cold on this day, so shooting indoors just seemed a lot more attractive. We went to Grand Central Station – a grandiose building, but with light levels quite low. Low enough that I was glad that I brought the Canon EF 35mm f1.4L (B&H) along.
camera settings: 1/100 @ f/2 @ 3200 ISO
Even with a high ISO like that, I had to use a fast aperture.
An approach that I strongly believe in though, is that “using the available light” is not random decision. It needs consideration of what your light is actually like, and whether it is flattering. What I did here was to pull Elmira towards a light source, so that the light would come in from an angle over her shoulder …
January 16, 2012
exposure metering – let your background blow out!
Too often there’s the desire for us to bring the detail in our backgrounds back in by adding flash. But there are times when the image will be stronger if we just allow the background to completely blow out. It especially works in our favor if the background is cluttered, because then by letting the background completely over-expose, we can simplify our composition.
December 27, 2011
observing & using the available light, and maybe adding a little bit of flash (model – Alex)
When working with available light or flash or video light or any kind of additional light, the most important aspect of the light is the direction of the light. We need to take a moment and observe the light. Where do the light sources come from? What is the quality of the light?
This motif of looking at the available light has been a recurring theme here with various articles on the topic. Using this simple portrait of Alex, our model with a recent individual workshop, let’s look at a sequence of photos showing some of the thought process ..
November 11, 2011
observing and using the available light (model – Anelisa)
With a few top-end point & shoot cameras to test, I met up with Anelisa on this crisp late-Fall afternoon in New York. Similar to how I often work, the idea was to walk around and explore and find interesting places and interesting light to take photographs in. So when at this particular spot in Bryant Park, and I saw the light was just incredible, I ditched the point & shoot cameras, and grabbed my Nikon D3 with the Nikon 35mm f/1.4G (B&H) lens on it.
Since the idea with today’s photo shoot was to *find* interesting and flattering light – as opposed to creating it with off-camera flash – I had no additional lighting with me. Not even a speedlight. It was all about observing and using the available light. And this is how we found ourselves here in this particular spot …
October 17, 2011
camera settings: 1/50 @ f8 @ 800 ISO … lens zoomed to 35mm; available light
shooting promotional photos for a band
Anyone who knows me well is probably very aware that my first true love is music. I live my life to a music soundtrack. There’s always music playing. Not the radio, but music of my own choice. I love music … however, my sense of rhythm isn’t all that it should’ve been for me to be a natural muso. But still, I love music. All of which meant that one few non-negotiable rules for my daughter was that she had to take music lessons. So she plays bari sax in the high-school’s Jazz band, and she’s also been taking guitar lessons for a few years now with a guitar teacher, Gerard.
All of which brings us to this photo session – promotional photos of Gerard’s band. That is Gerard (right) and Ed (center : piano) and Joe (left : guitar). I met up this weekend with them in Hoboken. Perfect for the urban feel to the photos. Hanging out with them for a few hours coming up with ideas and places for photos, was great fun. The camaraderie between them will be familiar to anyone who has ever played in a band. You connect. That all too short time I played tenor sax in a rock band back in South Africa circa 1999, just before we emigrated to the USA, was one of the best times in my life. But I digress. It was cool to hang out with these three musicians for the afternoon.
Here are some of my favorite images, with some details …
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August 28, 2011
exposure metering & observing the available light
As a photographer you’ll often hear instruction to just “look at the available light”. Great. But this advice is also often given without clear examples of what we’re actually supposed to be looking at. So let’s explore that a little bit using a sequence of images of our model, Aleona, photographed during a recent individual photography workshop.
This is also keeping with the loose theme over the past few weeks, that for a photographer “using the available light” is not a random thing or just a meaningless catch-phrase.