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video clip – using the black foamie thing

March 8, 2011

video clip – using the black foamie thing

Flagging your on-camera speedlight is a simple way of controlling the direction of light from your flash .. and hence, controlling the quality of light from the on-camera flash. I use a simple piece of black foam – the infamous black foamie thing, to achieve this. To help explain the use of the Black Foamie Thing (BFT), I met up with Anelisa to create a short video clip.

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video light vs bounce flash

February 23, 2011

video light vs bounce flash

It’s easy enough getting nice clean open light with a single on-camera speedlight when shooting indoors. By bouncing your flash with the idea of getting directional light from your flash, you can effortlessly get portraits like this. As usual, I used the black foamie thing to flag my flash and get more light on the one side of my subject’s face. In this case, more subtly so than some other examples on this site.

We were working in the same location here as shown in the previous article where I photographed Shawna using only the available light. However, for certain photographs I had in mind, it quickly became obvious that a more contained light source than bounce flash would work better. When compared to a light source like a video light, bounce flash tends to flood an indoor location with light, even if directional when you look at your subject. A hand-held video light gave me the type of lighting I wanted …

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using bounce flash outdoors

January 3, 2008

using bounce flash outdoors

While the bounce flash techniques described on these pages are heavily dependent on shooting indoors which provide those places to bounce flash off … it wouldn’t seem possible to use these techniques outdoors.  After all, you can’t bounce flash off the clouds.  (Although we’ve all seen photographers attempt this outside.)

So while there are obvious limitations in applying these bounce flash techniques outdoors, there are times when these techniques can still be quite effective.

As a start, an example that I show in the tutorial pages is of this image taken at a wedding that I photographed in Aruba.

Here I had my daughter hold up the gold side of the Lastolite reflector. And hopefully this gives the idea of light from the sun setting over the ocean. (It had just gone down, and the light was blandly grey.)

However, these bounce flash techniques do imply some kind of surface to bounce your flash off.  But you shouldn’t feel limited by not having an obvious area to bounce light off.  Have a look at this sequence:

Nice evening light:
Settings of  .. 1/125th @ f2 @ 1000 ISO .. exposed properly for skin tones and the dress.
BUT, the evening sky and the light from the lamp are lost.


1/250th @ f2 @ 320 ISO …
Nice enough detail in the sky and the lamppost, but the couple is lost in murkiness.

So this is (for me anyway), the kind of opportunity where a touch of flash would work wonders.
So I turned my flash-head 90′ to my left, and bounced light into the shop displays.
Not any particular surface .. just off the general shop displays.

And here are the results, still at 1/250th @ f2 @ 320 ISO.

It works for me, and I know my client will love it when she sees it.

To show you exactly what I was bouncing light from, have a look at the shop displays to the left in this test shot:

… and this crop from another test shot:

Yup, I bounced flash off that stuff.  Nothing in particular .. but, enough light will spill back from whatever is struck by the light from my flashgun .. to give enough light on my couple to enhance the photo.

Here’s another example :

It was really dark already. This was at 1/100th @ f1.2 @ 1250 ISO
Canon 5D and 85mm f1.2 II
I was really squeezing the last bit of light out of the setting we were in.  I wanted to use the tree behind them with the last remaining autumn leaves, but the evening light was also coming from behind them.  So their faces were shaded. Not good.

I therefore bounced flash off the brick wall of the temple.  I’d guess it was about 10 meters from where I was standing.  But enough light spilled back to register at that wide an aperture and high an iso.  Because the light from the flash is now coming in from an angle, the foreground doesn’t have that typical on-camera flash look to it.

Here’s another image from the same sequence.
(I did edit this though for the dark rings under his eyes from lack of sleep. )

But in this example and the previous one that I show here, I got lucky.
There was some kind of surface or objects nearby to bounce light off.

So, would these techniques work outside ?
Maybe.  Quite often not, but sometimes it will. It depends.
It will require some thought.

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