fill-flash outdoors

direct off-camera flash photography – fill-light

I really like using a medium-sized softbox when photographing portraits. A softbox allows me to get soft, directional light pretty much anywhere. The most recent example I showed here, was Lucia and Alvin’s wedding in Central Park, New York. I do make it easier for myself  when using off-camera flash for photo sessions on location - I pick my battles. I don’t try to make everything work. With a photo session where I can control the light and background and setting for my subjects, I can make it easier for myself by not choosing tough lighting scenarios.

With Amy and Clark’s photo session, I brought along my usual set of gear … but left the Lastolite softbox behind. I brought the Lastolite bracket along, and the radio transmitters.  Everything but the actual diffusion box to fit over the speedlight. With that, I had to slightly change how I usually work to still get great results that look like my usual style.

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wedding photography – light, lighting, posing & direction  - making the decisions

The title of this article is quite ambitious. To cover all of that, it would be a 50,000 word book. But in editing this wedding at the moment, I noticed this photograph, and I love the look of it. So in the context of that one single image, let’s look how it all came together. While the photograph itself isn’t complicated, a lot of quick decisions went into making this image work … and easy to edit. A number of things had to be considered, but instead of being overwhelmed by juggling all the decisions and thought-processes simultaneously, there’s a way to break it all down to simple elements which will help the photo session come together naturally.

Now even if you’re not that interested in wedding photography per se, hang in for a while, for the thinking here is applicable to just about any other field of photography …

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