August 6, 2012
high-key studio portraits (part 2) – with Ulorin Vex
Continuing the photo session with Ulorin Vex, doing high-key studio portraits in the studio, she changed into a different costume. I wanted a more interesting edge definition than just the light spilling back from the background, so I added two gridded softboxes to each side …
July 31, 2012
high-key studio portraits – with Ulorin Vex
One of the models that replied to my casting call for a model at my workshops in San Francsico in 2011, happened to be Ulorin Vex. I immediately recognized her, since I’ve seen photos of her in various portfolios. I was both surprised and very happy, since I regarded her as a bit of a superstar. I scheduled a photo session with her for the day after the two workshops in SF, and the images from those sessions appeared a few times on Tangents, and I’d consider them among the best work I had ever done. It helps to have an inspiring model!
Ulorin Vex was such a pleasure to photograph, and so professional, that when she let know me she was briefly visiting the New York area, I jumped at the chance of photographing her again. As I mentioned in my first impressions of the Nikon D800, I now have ready access to a large studio. I have acquired various lighting gear over time, but recently purchased the Profoto D1 Air 500 W/s Monolight Studio Kit (B&H).
So I was all set for the photo session – a wonderful model; superb gear; and a large studio where we could shoot. I shot about 8 different setups, which I intend posting here over the next few days. (So be prepared for a few more blog posts from this session.)
For the first set-up, I decided to keep it very simple with a white backdrop, and high-key lighting …