May 17, 2013
video clip: photo session with Litepanels Sola 4 fresnel lights – w/ Ulorin Vex
A behind-the-scenes video clip of the photo session with Ulorin Vex.
We did three different setups with Ulorin Vex – three different outfits by Ulorin, and three different ways of using these lights. Even though I used very specific lights here – the Litepanels Sola 4 LED Fresnel Lights (B&H) - I hope that the commentary, and the way the photo shoot was directed, will be instructional and perhaps even entertaining. Enjoy!
September 19, 2012
photo session with Ulorin Vex – behind the scenes video
The video clip is a behind-the-scenes view (with some techie info) of the photo session with Ulorin Vex. This photo session was also the first time I tried out the Nikon D800, and I also got to play with my Profoto D1 Air 500 W/s Studio Kit (B&H), for the first time. An exciting day.
August 6, 2012
high-key studio portraits (part 2) – with Ulorin Vex
Continuing the photo session with Ulorin Vex, doing high-key studio portraits in the studio, she changed into a different costume. I wanted a more interesting edge definition than just the light spilling back from the background, so I added two gridded softboxes to each side …
July 31, 2012
high-key studio portraits – with Ulorin Vex
One of the models that replied to my casting call for a model at my workshops in San Francsico in 2011, happened to be Ulorin Vex. I immediately recognized her, since I’ve seen photos of her in various portfolios. I was both surprised and very happy, since I regarded her as a bit of a superstar. I scheduled a photo session with her for the day after the two workshops in SF, and the images from those sessions appeared a few times on Tangents, and I’d consider them among the best work I had ever done. It helps to have an inspiring model!
Ulorin Vex was such a pleasure to photograph, and so professional, that when she let know me she was briefly visiting the New York area, I jumped at the chance of photographing her again. As I mentioned in my first impressions of the Nikon D800, I now have ready access to a large studio. I have acquired various lighting gear over time, but recently purchased the Profoto D1 Air 500 W/s Monolight Studio Kit (B&H).
So I was all set for the photo session – a wonderful model; superb gear; and a large studio where we could shoot. I shot about 8 different setups, which I intend posting here over the next few days. (So be prepared for a few more blog posts from this session.)
For the first set-up, I decided to keep it very simple with a white backdrop, and high-key lighting …
October 12, 2011
example: direct off-camera flash vs softbox (model: Ulorin Vex)
Ulorin Vex posing for us during part of the on-location session of the flash photography workshops which I presented in San Francisco earlier this year. Ulorin Vex is of course absolutely stunning, as always. While I often direct models how they should pose, this one is all her doing . Not even I can improve on that.
The image here at the top was shot with an off-camera softbox – my usual preferred Lastolite Ezybox softbox. The direction of the light here should immediately reveal the approximate position where the light was positioned. Just as comparison, we removed the two baffles of the Lastolite, to see how direct off-camera flash would compare. We kept the softbox hull in place, so it did help contain the spread of light a bit. As you’d expect, the results look more dramatic.