westcott parabolic umbrella

review: Westcott 7′ Parabolic Umbrella

Continuing the photo session with Ulorin Vex in the studio, I decided to swap out the big Profoto 4×3 softbox, for an even larger (but very affordable) light modifier – the Westcott 7′ Parabolic Umbrella (White / Black) (vendor).

Two things that immediately struck me about the Westcot Parabolic Umbrella … it’s sheer size when folder open. It is 7 feet if measured across the span of the umbrella’s arc. And when it is folded up, it is surprisingly compact and light-weight. It collapses to a 43.6″ size, and fits snugly into a 3″ diameter carry bag.

The idea behind a parabolic reflector, is that the rays of light coming from it, are parallel. This makes the umbrella very efficient in directing the light to your subject. There are other parabolic reflectors which are actually focusable, but they are very spendy. Thousands of dollars spendy. This makes the parabolic umbrellas like the Westcott really good value for money at only $100, if you’re looking for a large light modifier in the studio. (I’m not sure how practical it would be on location.) The Westcott 7′ Parabolic Umbrella (vendor) appears to be quite sturdy. The ribs are made of fiberglass. It elegantly folds open and closes as easily.

I chose the white/black umbrella over the silver Parabolic Umbrella (vendor), because I wanted a light that would be less specular and contrasty than the silver umbrella was designed to be. Since the white material scatters light more than the silver umbrella, the White umbrella doesn’t really offer any advantage over a non-parabolic reflector. Still, it is a huge light modifier at an affordable price, and light to carry.

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