Search Results for: natural looking flash
Natural looking flash
Flash photography techniques Intro page ~ Natural looking flash ~ Flash & ambient light
Making flash not look like flash
I use flash very often in my professional work and personal work. But I try and make the use of flash not appear intrusive in the photograph. I nearly always have an on-camera flash, but I try to diffuse it or bounce it wherever possible. I use as little direct flash as I can, except outdoors where I try and use available light, and use flash only to lift the shadows and reduce the contrast. However, sometimes it is just best to overpower the Read more inside...Flash brackets vs Bounce Flash
Flash brackets vs Bounce Flash
A flash bracket, such as the the Custom Brackets Pro-M rotating flash bracket (affiliate), is useful in keeping the flash's orientation above the camera & lens axis, regardless of how the camera is rotated. You can see in the photo that the camera, whether horizontal or vertical, has the flash above the camera. The two photos below show the difference in results. On the left - if you just hold the camera vertically, with the flash in the hot-shoe, you get that sideways shadow. It is distracting. With a flash bracket, the flash shadow Read more inside...Bounce flash vs. Available light vs. Videographer’s light
Bounce flash vs. Available light vs. Using the videographer's light
The expressive trumpet player in the band at a wedding - a simple portrait of this musician, sweetened with some bounce flash. The light on his face, is by now perhaps predictably, on-camera bounce flash with the black foamie thing. Looking at the light pattern on his face, you'll see there was no direct flash of any kind. camera settings: 1/60 @ f2.8 @ 2000 ISO // TTL flash Nikon D3; Nikon 70-200mm f2.8 AF-S VR II; Nikon SB-910 Speedlight In comparison, here are a few other images. One with no flash, Read more inside...Lingerie photo session: Video light & Studio flash
Lingerie photo session: Video light & Studio flash
Olena is a wonderful model that I love working with because of her natural instinct for posing. So for a test shoot in my new studio space, she was an easy choice. (Here is Olena's model mayhem portfolio.) We shot several outfits, using different lighting setups. This one is interesting because of the simplicity of the setup - using a gridded Profoto RFi 1’×4? softbox (affiliate) to control the light, and a Lowel ID-Light (affiliate) as a back-light to give that warm glow to her hair. It really helped enhance Read more inside...Bounce flash portrait & post-processing
Bounce flash portrait & Photoshop retouching technique
When we were done with the studio shoot with Ulorin Vex, we still had a few minutes left, so I thought I could do a bounce flash portrait as well. Just for a comparison of sorts to show that on-camera bounce flash can give interesting results too. Here is the low-key portraits we did with the Profoto set-up. The only semi-interesting background I could find in the studio (that wasn't a white wall), was this grungy green door to one of the store-rooms. I thought it might work as a gritty urban setting. I shot about eight Read more inside...Direct off-camera flash as fill-light
Direct off-camera flash as fill-light
I really like using a medium-sized softbox when photographing portraits. A softbox allows me to get soft, directional light pretty much anywhere. The most recent example I showed here, was Lucia and Alvin's wedding in Central Park, New York. I do make it easier for myself when using off-camera flash for photo sessions on location - I pick my battles. I don't try to make everything work. With a photo session where I can control the light and background and setting for my subjects, I can make it easier for myself by not choosing tough lighting Read more inside...Flash photography tutorial – Balancing flash and ambient
Flash photography tutorial - balancing flash and ambient light
An email I received recently from someone explained how she is struggling with flash. The basic building blocks of photography are all there and understood, but it somehow doesn't gel when she uses flash. She explains how she understands exposure metering, but "the minute I attach my flash, nothing makes sense." Having read my book and scoured this blog, she admits that at the point where she uses her flash and needs to set aperture and shutter speed, she is completely lost. I'm sure this is something many many Read more inside...looking for the light
photography technique - looking for great light
This afternoon I walked around the Princeton campus with a couple, Renee and David, looking for cool spots to photograph them. I noticed the spread of light on a wall coming through an entrance way ... Read more inside...simple on-location lighting techniques – reflector & flash
Chuck Arlund is a Fashion photographer based in Nashville whose work constantly impresses me. As a friend, I occasionally have the privilege of getting to interrogate him on his technique. What surprises me every time then, is the simplicity of his lighting. His setups are rarely complex, but always effective. I feel quite fortunate that he agreed to a guest spot this week to explain more about his approach to on-location lighting. (Chuck also offers workshops and mentoring sessions.)
simple and effective on-location lighting techniques
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