camera settings: Nikon D700 custom settings
Nikon D700 camera settings - custom settings
The Nikon D700 has the same remarkable image quality that the Nikon D3 has, but in a smaller more affordable camera. This makes sit an excellent alternative to the top-rated Nikon D3. And of course the multitude of camera settings and custom settings make the D700 a camera which can be configured in a highly personal way, depending on your shooting style and needs. Here is an overview of my preferences for the D700, and the settings that I changed immediately upon getting the camera out of the box. Read more inside...Camera settings: Canon EOS-1 D Mark III
Camera settings: Canon EOS-1 D Mark III
One of the advances that the Canon EOS-1 D Mark III bodies made over the previous generation 1-series D-SLRS, is in an easier menu system - especially the 'My Menu settings'. So while the menu system of the mk3 makes it easier to adjust settings, My Menu settings allow you to change a few of them on-the-run without having to delve into different parts of the mk3 menu. Here is how I had my cameras set up: Read more inside...home studio – portrait lighting setup in limited space
home studio portrait lighting setup in limited space
The photos in this article were shot with a fairly simple lighting setup in my dining room area. The main light to my left (model’s right) is the Westcott Bruce Dorn Strip Bank (18"x42") (B&H). The flashgun was a Quantum T2, but a speedlight would've worked just as well. In this small a space, you don’t need huge amounts of light. I used another Quantum T2 to light up the grey seamless background. I had the Quantum 12×12 softbox on this one, and feathered it to give me uneven light on the backdrop. I also had a snooted Nikon Read more inside...tutorial: Maximum flash sync speed
tutorial: Maximum flash sync speed
In previous postings I have mentioned that the specific settings for a photo aren't often of direct value to us in figuring out the method of exposure. But the one setting that is of huge importance when using flash, is your camera's maximum flash sync speed. When the ambient light levels are low, then your shutter speed can vary appropriately, depending on what you want to achieve. But once you work in bright conditions, or have your subject against a bright background, then most often it just makes the best sense to work at maximum flash sync Read more inside...Nikon SB-900 thermal cut-out
Nikon B-900 Overheat Protection / thermal cut-out
One of the features of the new Nikon SB-900 speedlight is the thermal cut-out. This feature allows the speedlight to stop firing (ie, stop working), when there is danger of it over-heating from shooting too fast. The temperature gauge can clearly be seen on the right-hand side of the SB-900 LCD display. Read more inside...Image size & Resolution – 72dpi or 300dpi
Image size & Resolution - 72dpi or 300dpi
I live 20 miles at 65mph outside New York. Yes, that sentence is pure nonsense. I live 20 miles outside of New York. That's it. The complete description of the distance. Now that 20 miles of course could mean either 30 minutes or 3 hours of driving, depending on traffic through the Lincoln tunnel. But I digress. I could have described my distance from my house to New York as 20 miles, or disregarding traffic, as 18 minutes at 65mph. But it is nonsensical to describe my distance from New York as 20 miles at 65 mph. The 65mph becomes a Read more inside...flash photography: dealing with reflective surfaces
dealing with reflective surfaces when using flash
Rooms with wooden paneling are notoriously difficult to shoot in when using flash. This is because of the tendency for the light source (flash) to create large hot spots on the wooden surfaces. I've had someone ask me specifically about these images from a recent wedding, and how I avoided those specular reflections in the wooden paneling. The best way to avoid them is to make sure you don't "see" your light-source / flash-tube in the wood paneling. Imagine the flat surface to be a mirror - and then from your angle of view Read more inside...a little less gray ..
I love color. I see in color. I really favor color over B&W images. But strong B&W images do have impact that is often lost with the distraction of color. Even though most of the photographs on my wedding photography blog are in color, there was a recent wedding which I showed as a set of B&W images instead. What happened was that when I started editing the images from that wedding for the blog, first one image, and then another, looked really good as a warm-toned B&W … and then I decided to go all the way and create a blog entry that consisted only of B&W Read more inside...
Flash exposure is controlled by aperture – but only for manual flash
Flash exposure is controlled by aperture ... but only for manual flash
Quite often the short-hand descriptions of the fundamentals of flash photography become misleading 'facts'. I frequently see the following statements repeated on the various photography forums and in questions that are emailed to me: flash is controlled by aperture shutter speed controls ambient light. (This is sometimes twisted around to a completely misleading version: ambient light is only controlled by the shutter speed.) Even though these descriptions are half-right, they are also half-wrong Read more inside...- « Previous Page
- 1
- …
- 95
- 96
- 97
- 98
- 99
- …
- 103
- Next Page »