{"id":11771,"date":"2012-10-12T23:40:37","date_gmt":"2012-10-13T03:40:37","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=11771"},"modified":"2019-11-01T12:29:44","modified_gmt":"2019-11-01T16:29:44","slug":"vintage-photo-session-and-off-camera-flash","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/vintage-photo-session-and-off-camera-flash\/","title":{"rendered":"Vintage photo session and Off-camera flash"},"content":{"rendered":"

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Vintage photo session and Off-camera flash<\/h1>\n

Anyone who regularly follows the Tangents blog or has my 2nd book,\u00a0off-camera flash photography<\/a>, might recognize Sarah. When she told me she was visiting New York, I made sure that I squeezed in a photo session with her in my schedule. The weather on the day was grey and drizzly … enough reason to juice it up with some off-camera flash. And then play with the images in post-processing a bit.<\/p>\n

On this rainy day there were random pools of water in the street, and it took just a few minutes to find a viewpoint where we could get Sarah’s reflection in the water. My favorite image is this one though, where her reflection is only partly shown. I wanted\u00a0that compressed perspective that a 70-200mm f\/2.8 can give you. So for this sequence, I used the Canon 70-200mm f2.8L IS II<\/a>\u00a0(affiliate<\/em>), at its widest aperture. The wide aperture helped give some separation from the background.<\/p>\n

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Camera settings and decisions<\/h2>\n

Since it was early evening, the color balance had gone very blue compared to Daylight. With this final image, I warmed up the tones for my subject considerably in post-processing. Even then, the background remains with the colder blue hues. Despite what the image appears like, I did not<\/strong>\u00a0gel my flash for effect<\/a> here, like I sometimes do. \u00a0The available light really had that cold a color balance compared to the flash’s color balance.<\/p>\n

I loved using the\u00a0Canon 600EX-RT speedlite<\/a>\u00a0(affiliate<\/em>) and\u00a0ST-E3-RT Speedlite Transmitter<\/a>\u00a0(affiliate<\/em>) during the entire day’s shooting.<\/p>\n

My enthusiasm for the amazing flexibility of the current Canon flash system is still undiminished since my\u00a0review of the Canon ST-E3-RT and Canon 600EX-RT speedlites<\/a>\u00a0(with Molly K as a model), and my\u00a0review of the Canon 600EX-RT speedlite<\/a>, (with Karyn as the model).<\/p>\n

The lighting here was quite straight-forward again, as my lighting setups tend to be. It was my regular\u00a0Lastolite EZYBOX 24\u00d724″ softbox<\/a>\u00a0(affiliate<\/em>), with the speedlight, to camera left.<\/p>\n

Sarah took multiple passes until we had a few shots in the bag where I caught her stride perfectly, and the movements of her arms and body fit the image too. For this reason, I wanted to shoot more than one image per pass.\u00a0I had the flash in manual output, and had figured out my settings so that the flash would emit slightly more than\u00a0than 1\/4 full power per shot. This way I made sure I could fire off two shots every time she walked across that part of the puddle.<\/p>\n

camera settings: 1\/200 @ f\/2.8 @ 640 ISO<\/p>\n

With that decision made … my flash output had to be balanced with the ambient light to some extent at least. And this is where I ended up. \u00a01\/200 was max sync speed. I couldn’t risk going into HSS mode. Now, with the Canon 5D markII and the Canon 600EX-RT, there is a warning sign on the speedlight or controller that will come up, warning the shutter speed is too high. Despite that, as reported in my previous review, the flash worked perfectly well.<\/p>\n

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Post-processing the\u00a0photo<\/h2>\n

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For this initial retouch of the photo, I used the Healing Tool in Photoshop for any skin blemishes and marks. Then I used two essential Photoshop plug-ins – Shine-Off<\/strong> and Imagenomic Portraiture<\/strong> – as described in this article: Photoshop filters \u2013 retouching for portraits<\/a>. That gives me a basic file that looks good and I can work on a little bit<\/p>\n

To enhance this selected image, I used a Photoshop filter to give it a warmer, brighter tone.<\/p>\n

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Photo gear\u00a0used during this photo session<\/h2>\n