{"id":12156,"date":"2012-12-10T11:25:18","date_gmt":"2012-12-10T15:25:18","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=12156"},"modified":"2017-08-12T09:52:55","modified_gmt":"2017-08-12T13:52:55","slug":"photo-session-modern-gypsies-mermaid","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/photo-session-modern-gypsies-mermaid\/","title":{"rendered":"Photo session &#8211; Modern Gypsies &#8211; mermaid"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6104.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/p>\n<h1>Photo session\u00a0&#8211; Modern Gypsies &#8211; mermaid<\/h1>\n<p>When the <a href=\"https:\/\/neilvn.com\/tangents\/category\/modern-gypsies\/\" target=\"_blank\">Modern Gypsies<\/a>\u00a0asked me to photograph their one performance piece in a night-club in Manhattan, I wasn&#8217;t sure what equipment to bring along. I tend to over-prepare and bring too much. You know, just in case. So I have a tendency to overload myself with gear at times. It&#8217;s a discipline thing then to strip it down to just the essentials &#8230; but still be flexible enough to accomodate a challenging situation.<\/p>\n<p>The previous time I photographed them, I knew there would be a large prep room, so I could bring in extra gear such as light-stands and softboxes. It worked out quite well for the example I showed on the Tangents blog &#8211;\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/photo-shoot-off-camera-flash-controlling-the-background\/\">Modern Gypsies &#8211; masked dancers<\/a>, as well as other photos out on the street, where the off-camera flash helped.<\/p>\n<p>This time, I suspected I might need to travel much lighter. Night clubs aren&#8217;t the placed to walk around loaded with gear. So while I did load off-camera lighting and such into my car, I left most of my gear in the car. In my shoulder bag &#8211; the <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/think-tank-retrospective-20\" target=\"_blank\">Think Tank Retrospective 20<\/a>\u00a0(<em>affiliate<\/em>)\u00a0&#8211; I kept only the one \u00a0camera, three lenses, and two speedlights.<\/p>\n<p>The performer is Irene, also known as\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/photo-session-modern-gypsies-bird-girl\/\">Bird Girl<\/a>\u00a0in other performances. (You can follow her as @violinartiste on Instagram)<\/p>\n<p>The photo at the top was taken with the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d4\/\" target=\"_blank\">Nikon D4<\/a>\u00a0(<em>affiliate<\/em>)\u00a0and <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-35mm-f1-4g\" target=\"_blank\">Nikon AF-S 35mm f\/1.4G<\/a>\u00a0(<em>affiliate<\/em>)\u00a0using only the lights there in the night-club.\u00a0camera settings: \u00a01\/60 @ f\/1.8 @ 3200 ISO \u00a0The available light looked great when it worked to my advantage, but I soon knew that I&#8217;d need to add a bit of fill-light from <a href=\"https:\/\/neilvn.com\/tangents\/flash-photography-techniques\/bouncing-flash\/\">bounce flash<\/a> &#8230;<\/p>\n<p><!--more--><\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" style=\"font-size: 14px; line-height: 1.5em;\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6298.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/h2>\n<p>Another image which worked well with the ever-changing light there.<\/p>\n<ul>\n<li>camera settings: \u00a01\/25 @ f\/2.8 @ 3200 ISO<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d4\/\" target=\"_blank\">Nikon D4<\/a>; \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8g\/\" target=\"_blank\">Nikon 24-70mm f2.8G AF-S<\/a><\/li>\n<\/ul>\n<p>but as you can see, her face is a touch too shaded. And this is where the bounce flash helped:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6381.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/p>\n<ul>\n<li>camera settings: \u00a01\/30 @ f\/2.8 @ 3200 ISO<\/li>\n<li>with on-camera TTL bounce flash<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d4\/\" target=\"_blank\">Nikon D4<\/a>; \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8g\/\" target=\"_blank\">Nikon 24-70mm f2.8G AF-S<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6181.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/p>\n<p>For the previous shots, I was standing on the stairs, bouncing my flash into the black area to the top-right of the photo. At wide apertures and high ISO settings, enough light will bounce back. Even off black surfaces.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6414.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/p>\n<ul>\n<li>camera settings: \u00a01\/30 @ f\/2.8 @ 3200 ISO<\/li>\n<li>with on-camera TTL bounce flash<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d4\/\" target=\"_blank\">Nikon D4<\/a>; \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8g\/\" target=\"_blank\">Nikon 24-70mm f2.8G AF-S<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6482.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/p>\n<ul>\n<li>camera settings: \u00a01\/40 @ f\/2.8 @ 3200 ISO<\/li>\n<li>with on-camera TTL bounce flash<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d4\/\" target=\"_blank\">Nikon D4<\/a>; \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8g\/\" target=\"_blank\">Nikon 24-70mm f2.8G AF-S<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6536.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/p>\n<ul>\n<li>camera settings: \u00a01\/100 @ f\/2.8 @ 3200 ISO<\/li>\n<li>with on-camera TTL bounce flash<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d4\/\" target=\"_blank\">Nikon D4<\/a>; \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8g\/\" target=\"_blank\">Nikon 24-70mm f2.8G AF-S<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/photo-session\/modern-gypsies\/mermaid\/NV1_6284.jpg\" alt=\"\" width=\"600\" height=\"901\" \/><\/p>\n<p>An impromptu portrait of Irene in the dressing room, while waiting with the crew between performances.<\/p>\n<p>It still amazes me what modern cameras and fast lenses can do. The light in the dressing room really was that deep blue hue. But at 1\/15 @ f\/1.4 @ 3200 ISO, it is entirely possible to pull out a few sharp images in a sequence.<\/p>\n<p>&nbsp;<\/p>\n<h2>Photo gear\u00a0(or equivalents) used during this photo session<\/h2>\n<ul>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d4\/\" target=\"_blank\">Nikon D4<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-35mm-f1-4g\" target=\"_blank\">Nikon AF-S 35mm f\/1.4G<\/a>\u00a0\u00a0\/ \u00a0\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/canon-ef-35mm-f1-4\/\" target=\"_blank\">Canon EF 35mm f\/1.4 USM<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8g\/\" target=\"_blank\">Nikon 24-70mm f2.8G AF-S<\/a>\u00a0\/ \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/canon-24-70mm-f2-8-ii\/\" target=\"_blank\">Canon 24-70mm f\/2.8L II<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-sb-910-speedlight\/\" target=\"_blank\">Nikon SB-910 Speedlight<\/a>\u00a0 \/ \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/canon-600ex-rt-speedlite\/\" target=\"_blank\">Canon 600EX-RT Speedlite<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/think-tank-retrospective-20\" target=\"_blank\">Think Tank Retrospective 20<\/a><\/li>\n<\/ul>\n<p>I ended up not using my 50mm f\/1.4 since it was too tight inside the club. As an aside, it&#8217;s still one of my least used lenses.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photo session\u00a0&#8211; Modern Gypsies &#8211; mermaid When the Modern Gypsies\u00a0asked me to photograph their one performance piece in a night-club in Manhattan, I wasn&#8217;t sure what equipment to bring along. I tend to over-prepare and bring too much. You know, just in case. So I have a tendency to overload myself with gear at times.&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/photo-session-modern-gypsies-mermaid\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":30350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[140,111,429,31],"tags":[899,122],"yst_prominent_words":[],"class_list":{"0":"post-12156","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-available-light-photography","8":"category-bounce-flash-photography","9":"category-modern-gypsies","10":"category-photo-shoot","11":"tag-modern-gypsies","12":"tag-photo-session","13":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/12156"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=12156"}],"version-history":[{"count":4,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/12156\/revisions"}],"predecessor-version":[{"id":35055,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/12156\/revisions\/35055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/30350"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=12156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=12156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=12156"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=12156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}