{"id":35281,"date":"2016-04-19T16:49:14","date_gmt":"2016-04-19T20:49:14","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=35281"},"modified":"2021-03-13T00:06:13","modified_gmt":"2021-03-13T04:06:13","slug":"lighting-an-on-location-fashion-shoot","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/lighting-an-on-location-fashion-shoot\/","title":{"rendered":"Lighting an on-location Fashion shoot"},"content":{"rendered":"

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Lighting an on-location Fashion shoot<\/h1>\n

Bringing just the necessary photo gear and lighting gear to an on-location shoot, is balanced by the need to bring enough to cover any eventuality and possibility. A tough balance between risking not having the right\u00a0gear, and being laden down with too much gear.\u00a0I had the interesting opportunity to\u00a0work\u00a0with my friend Daniel Featherstone<\/a>, and collaborate\u00a0him with him on the lighting during his\u00a0photo shoot\u00a0for New York Fashion designer, SR1990. (The day-long photo shoot was at Opus 40, where\u00a0I shot\u00a0also some\u00a0B&W infrared images<\/a>\u00a0during down-time.)<\/p>\n

Fortunately, this location meant that I didn’t have to pack frugally,\u00a0I could jam my SUV with as much lighting gear as I could fit. Yup, a mild case of over-bombing, as I brought two Profoto B1 heads, and two Profoto D1 heads (to be powered with the Profoto Batpack), and a wide range of light modifiers. I also brought Litepanels 1×1 bicolor LED panels along, just in case continuous lighting would work better.<\/p>\n

Here I wanted to show one of the setups, and discuss the decision about which light modifiers to use:<\/p>\n

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Setting up the lighting style for this scene<\/h2>\n

The lighting style that we decided on, was\u00a0to balance the model with fashion accessories, with the outside scene. We didn’t want to over-light the rest of the scene indoors – the light had to have a mild spot-light effect on our subject, and then fade out to a natural vignette around him to give some context, but not too much distracting detail.<\/p>\n

As you can see from these two pull-back shots of the same set-up, two light were used – my trusty\u00a0Profoto B1\u00a0TTL\u00a0flashes<\/a>\u00a0\u00a0(B&H<\/em><\/a>\u00a0\/\u00a0Amazon<\/em><\/a>).<\/p>\n

To the right in the frame, you can see the one Profoto B1 high up on a light-stand, with a gridded\u00a0Profoto\u00a01\u2019x4\u2019\u00a0gridded strip-box<\/a>\u00a0(B&H<\/em><\/a>\u00a0\/\u00a0Amazon<\/em><\/a>). The light came from higher up, and since it was gridded, we could control the light fall-off pretty well on our model and the luggage that we were illustrating.\u00a0This technique in controlled lighting with a gridded stripbox, is also described in a related article – dramatic portraits of kids \u2013 Lighting and intent<\/a>.<\/p>\n

The second light (to the left in the frame), is a Profoto b1 again, bounced into the huge\u00a0Westcott 7<\/a>\u2019<\/a> Parabolic Umbrella<\/a>\u00a0\u00a0(B&H<\/a><\/em>\u00a0\/\u00a0Amazon<\/a><\/em>). I had this light at power level 7, while the main light (with the gridded striplight) was at power level 10. This larger light source just had to create enough fill light for the rest of the room, and we could range the power up or down for more or less fill.<\/p>\n

Regular followers of this blog will already know the exact algorithm to get to optimal settings for the camera and flashes here. As described in this related article –\u00a0controlling bright daylight with direct off-camera flash<\/a>\u00a0– the decision about settings revolve around maximum sync speed (1\/250 for the Nikon D810), and a low\u00a0ISO (we settled on 100 ISO instead of the minim 64 ISO possible on the D810). Then it was a matter of finding the appropriate aperture … in this case, f\/8 looked\u00a0just right. Then it was a matter of adjusting the positioning of the main light to control the spread of light, and then adjusting the fill-light.<\/p>\n

The lighting setup here is quite simple, but was effective in giving us the exact look we visualized when we saw the room and the furniture.<\/p>\n

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Related articles<\/h2>\n