{"id":38421,"date":"2017-03-28T22:32:14","date_gmt":"2017-03-29T02:32:14","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=38421"},"modified":"2025-01-09T22:56:59","modified_gmt":"2025-01-10T02:56:59","slug":"video-light-for-photography-video","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/video-light-for-photography-video\/","title":{"rendered":"Best LED video light for Photography &#038; Video"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/aleona\/NV1_7663.jpg\" width=\"900\" height=\"1352\" \/><\/p>\n<h1>Best LED video light for Photography &amp; Video<\/h1>\n<p>The <a href=\"https:\/\/neilvn.com\/tangents\/flash-photography-techniques\/using-video-lights\/\" target=\"_blank\" rel=\"noopener\">use of video lights<\/a>\u00a0is a regular\u00a0theme on the Tangents blog. Specifically,\u00a0the best LED\u00a0video light is\u00a0a versatile must-have piece of gear in my camera bag. Not\u00a0only do I use it at weddings, I also use it on location shoots. For example, while photographing the interior of one of the largest hardware stores in Manhattan, I used an LED video light to bring up some detail\u00a0in the more shadowy areas in the shelves and corners. Easier to just point the hand-held video light than to set up off-camera lighting. Especially because the light is easier to blend\u00a0on-the-go with the existing light. So, a video light is a necessity for me.<\/p>\n<p>With this article I want to continue this discussion by looking at\u00a0what we should be considering when\u00a0buying a video light for photography or video.<\/p>\n<p>The photo above of Aleona, was taken during a workshop, using the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/lowel-id-light\/\" target=\"_blank\" rel=\"noopener\">Lowel ID-Light<\/a>\u00a0(<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/lowel-id-light-bh\/\" target=\"_blank\" rel=\"noopener\">B&amp;H<\/a>\u00a0\/\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/lowel-id-light\/\" target=\"_blank\" rel=\"noopener\">Amazon<\/a><\/em>). While I like this Incandescent light because of its power, it is quite bulky and you are limited by its fixed\u00a0Incandescent WB. So I favor it less these days.\u00a0I now often just use the modeling light of the Profoto B1 as my &#8220;video light&#8221; when photographing a couple in low light. For example:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/romantic-wedding-portraits-with-incandescent-light\/\">Romantic wedding portraits with incandescent light<\/a>.<\/p>\n<p>In terms of an actual video light though, I much more prefer quality-brand LED video lights where you can continuously change the White Balance. No need for gels. And with the batteries in, or directly attached to the unit, there are no cables to make them clumsy to use.<\/p>\n<p>For an LED video light, I now use the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\">Celadon Pro LED video light<\/a> (<em>Amazon<\/em>). It is powerful, flicker-free and has variable WB. Better still, it sport a very high CRI &#8211; one of the measures we use to determining\u00a0the quality of the color of a light source.<\/p>\n<p>But before we get to the discussion about the specific considerations\u00a0when buying a video light, I need to show you this:<\/p>\n<p><!--more--><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/video-light\/Uncle-Bob-video-rig.jpg\" width=\"900\" height=\"720\" \/><\/p>\n<p>This was the rig that\u00a0an &#8220;Uncle Bob&#8221; used at a wedding where I was the photographer. <strong>Three<\/strong>\u00a0cameras recording video, coupled with this cheap Chinese knock-off LED video light. How do I know it was a cheap piece of shit? \u00a0Because of the ugly green color cast it gave to any images where I had a slow shutter speed. As you already know, a\u00a0green tint to skin tones is not good! This limited my shutter speed settings, because I couldn&#8217;t drag my shutter speed to bring in more ambient &#8211; there would be too much green tint to anyone in my photograph if he had his light on them. So I had to drown out more of the ambient light by under-exposing the ambient (by taking my shutter speed higher), and letting my TTL flash dominate the exposure. This article will explain it more clearly if it isn&#8217;t making sense to you:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/metering-for-ttl-flash-ambient-light\/\">How do you meter for TTL flash &amp; ambient light?<\/a><\/p>\n<p>Unfortunately, I didn&#8217;t keep the original photograph. All I have now is\u00a0this back-of-my-camera shot that I took\u00a0with my iPhone to send to a friend so that he could commiserate with me. However, it will give you a good idea of the rig. But what is missing here is a sense of just how bad the color from this thing was.<\/p>\n<p>All this leads us into a list of things to consider when buying an LED video light for photography &#8230; which will also lead us to why I think the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\">Celadon Pro LED video light<\/a>\u00a0(<em>Amazon<\/em>), is one of the best choices currently:<\/p>\n<p>&nbsp;<\/p>\n<h2>Features\u00a0to consider when buying an LED video light<\/h2>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"color: #993300;\"><strong>A high CRI\u00a0<\/strong><\/span><\/li>\n<\/ul>\n<p>The CRI (Color Rendering Index), is a measure of how good the <strong>quality of the color<\/strong> is of a light source. You want a CRI of 90 or better (The Celadon has a CRI of 95.) This will mean truer colors in general, and specifically,\u00a0better skin colors. We want that.<\/p>\n<p>There is convincing argument that the CRI value isn&#8217;t necessarily the best factor, since it averages the color performances over only 8 samples. It is suggested that\u00a0CQS (Color Quality Scale)\u00a0is a better gauge than CRI.\u00a0However, currently CRI is the value usually quoted. So a high CRI value is still a valuable\u00a0indication of the quality of the color.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"color: #993300;\"><strong>Variable White Balance\u00a0\/ Color Temperature<\/strong><\/span><\/li>\n<\/ul>\n<p>Having a\u00a0white balance\u00a0that can be varied smoothly between Incandescent and Daylight WB settings, make these LED video lights very flexible. You can easily adapt\u00a0to various scenarios you might be shooting under. The LED lights where you need to put in gels, are more of a pain to use in comparison, and don&#8217;t allow fine-tuning.<\/p>\n<p>So make sure that you buy an LED light where you can easily adjust the WB setting. Typical settings would be:\u00a03,200 \u2013 5,600K.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"color: #993300;\"><strong>Flicker-free light<\/strong><\/span><\/li>\n<\/ul>\n<p>This is hugely important if you are going to shoot video &#8211; you absolutely want a video light where the specs say it is flicker-free.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"color: #993300;\"><strong>Affordable quality!<\/strong><\/span><\/li>\n<\/ul>\n<p>Obviously this is an important factor. But don&#8217;t get to hate yourself for having to fix green skin tones! Get an LED light that has a high CRI, even if it is a little bit more than the cheapest you can find on eBay or Amazon. You want quality light.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2>Specifications\u00a0of the Caledron Pro video light<\/h2>\n<p><div class='one_half'>\n\t\t\t\t\t<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/video-light\/celadon\/Celadon-LED-Pro.jpg\" width=\"450\" height=\"450\" \/><\/a>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\t<ul>\n<li>The design of the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\">Celadon Pro LED video light<\/a>\u00a0is rugged to meet\u00a0the grueling demands of professional photographers.<\/li>\n<\/ul>\n<ul>\n<li>It delivers a bright beam of 2,300 lumens at 1 meter at 4400K.<\/li>\n<\/ul>\n<ul>\n<li>The 160 SMD LEDs\u00a0have a high\u00a0CRI rating of 95+<\/li>\n<\/ul>\n<ul>\n<li>The bi-color lamp beads output \u00a0a 120\u00b0 beam angle and greater lumens than other LED lights.<\/li>\n<\/ul>\n<ul>\n<li>2\u00a0control knobs manage the flicker-free brightness from 10-100 percent; and the other controls the color temperature from 3,200 \u2013 5,600K.<\/li>\n<\/ul>\n<ul>\n<li>Check the Amazon link to see\u00a0what is included in <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\">the complete kit<\/a>.<\/li>\n<\/ul>\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p><div class='one_half'>\n\t\t\t\t\t<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/video-light\/celadon\/IMG_3667.jpg\" width=\"450\" height=\"301\" \/><\/a>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\t<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/video-light\/celadon\/IMG_3668.jpg\" width=\"450\" height=\"300\" \/><\/a>\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p>In the photo above, you can see the (included) diffuser that I placed over the LED light. This avoids the multiple shadows that LED lights are prone to show when you use them close to your subject. For larger subjects at a distance this isn&#8217;t often a problem. But if you do macro photos or detail photos, then the multiple shadows can look strange. The diffuser avoids this.<\/p>\n<p>Because this LED video light is rugged and made of aluminum instead of plastic, it is slightly heavier than smaller units. Just check the spec first to see that it is a weight you&#8217;d feel comfortable with having in your camera&#8217;s hotshoe.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anastasiya\/NVN_3008-900.jpg\" width=\"900\" height=\"1350\" \/><\/p>\n<h2>Using the Caledron Pro video light<\/h2>\n<p>As a first test, I had Anastasiya in and around the studio. The Celadron works beautifully, especially with the diffusion panel on.<\/p>\n<p>For this close-up portrait, I used AlienSkin &#8211; Exposure X (Glamor Shot) for skin softening.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anastasiya\/celadon\/NVN_2997.jpg\" width=\"750\" height=\"939\" \/><\/p>\n<ul>\n<li>1\/200 \u00a0@ \u00a0f\/3.2 \u00a0@ \u00a01600 ISO<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d5\/\" target=\"_blank\" rel=\"noopener\">Nikon D5<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8e-vr\/\" target=\"_blank\" rel=\"noopener\">Nikon 24-70mm f\/2.8E\u00a0VR<\/a>\u00a0 \/equivalent\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/canon-24-70mm-f2-8-ii\/\" target=\"_blank\" rel=\"noopener\">Canon 24-70mm f\/2.8L II<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\">Celadon Pro LED video light<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anastasiya\/NVN_3045.jpg\" width=\"900\" height=\"601\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anastasiya\/celadon\/NVN_3039.jpg\" width=\"900\" height=\"601\" \/><\/p>\n<ul>\n<li>1\/200 \u00a0@ \u00a0f\/2.8 \u00a0@\u00a0\u00a01600 ISO<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d5\/\" target=\"_blank\" rel=\"noopener\">Nikon D5<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8e-vr\/\" target=\"_blank\" rel=\"noopener\">Nikon 24-70mm f\/2.8E\u00a0VR<\/a>\u00a0 \/equivalent\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/canon-24-70mm-f2-8-ii\/\" target=\"_blank\" rel=\"noopener\">Canon 24-70mm f\/2.8L II<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\">Celadon Pro LED video light<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anastasiya\/NVN_3078-900.jpg\" width=\"900\" height=\"1350\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anastasiya\/celadon\/NVN_3094.jpg\" \/><\/p>\n<ul>\n<li>1\/125 \u00a0@ \u00a0f\/3.2\u00a0 @ \u00a01600 ISO<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d5\/\" target=\"_blank\" rel=\"noopener\">Nikon D5<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8e-vr\/\" target=\"_blank\" rel=\"noopener\">Nikon 24-70mm f\/2.8E\u00a0VR<\/a>\u00a0 \/equivalent\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/canon-24-70mm-f2-8-ii\/\" target=\"_blank\" rel=\"noopener\">Canon 24-70mm f\/2.8L II<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/pro-led-video-light\/\" target=\"_blank\" rel=\"noopener\">Celadon Pro LED video light<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<h2>Related articles<\/h2>\n<ul>\n<li>More articles on\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/category\/video-light\/\" target=\"_blank\" rel=\"noopener\">using video lights<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/review-spekular-led-lighting-kit\/\">review: Spekular LED lighting kit<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/stella-pro-5000-2000-review\/\">Stella Pro 5000 &amp; 2000 video light review<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/romantic-wedding-portraits-with-incandescent-light\/\">Romantic wedding portraits with incandescent light<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/use-light-lighting-dramatic-impact-photos\/\">Use light &amp; lighting to add impact to your photos<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/boudoir-photography-posing-lighting-daylight-incandescent-light\/\">Boudoir photography: Tips on posing &amp; dealing with mixed lighting<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Best LED video light for Photography &amp; Video The use of video lights\u00a0is a regular\u00a0theme on the Tangents blog. Specifically,\u00a0the best LED\u00a0video light is\u00a0a versatile must-have piece of gear in my camera bag. Not\u00a0only do I use it at weddings, I also use it on location shoots. For example, while photographing the interior of one&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/video-light-for-photography-video\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":38531,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[833,44],"tags":[375,603,478,106],"yst_prominent_words":[1508,1499,1505,1496,1509,3029,3026,3024,1506,1497,3015,3014,1107,1495,3030,3027,3025,2821,1507,1498],"class_list":{"0":"post-38421","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-equipment-reviews-lighting-gear","8":"category-video-light","9":"tag-led-video-lights-for-photography","10":"tag-photographing-with-video-light","11":"tag-photography-with-video-light","12":"tag-video-light-for-photography","13":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/38421"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=38421"}],"version-history":[{"count":10,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/38421\/revisions"}],"predecessor-version":[{"id":52220,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/38421\/revisions\/52220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/38531"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=38421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=38421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=38421"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=38421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}