{"id":38652,"date":"2017-04-02T12:33:08","date_gmt":"2017-04-02T16:33:08","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=38652"},"modified":"2017-10-23T21:18:50","modified_gmt":"2017-10-24T01:18:50","slug":"headshot-photography-securing-the-tethering-cable","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/headshot-photography-securing-the-tethering-cable\/","title":{"rendered":"Headshot Photography &#8211; securing the tethering cable"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/karina\/Karina-001.jpg\" width=\"900\" height=\"1125\" \/><\/p>\n<h1>Headshot Photography &#8211; securing the tethering cable<\/h1>\n<p>When shooting in the studio or a fixed location, it makes a lot of sense to shoot tethered if you want your client to give input on the photos. With headshots in the studio, I run a tethering cable between the camera and the computer. This makes it easier for the client to see the photos, and adjust what they need to. Of course, it is slightly\u00a0redundant if you use WiFi to transfer the images from your camera to the computer. But for faster transfer of RAW files, shooting with a tethered cable still makes sense.<\/p>\n<p>Keeping the cable secure on the camera can be a problem. It is easy to jerk the cable, or step on it. Worse of all are the USB3 cables which easily wiggle loose. The solutions such as the <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/jerkstopper\/\" target=\"_blank\" rel=\"noopener\">JerkStopper<\/a> (<em>affiliate<\/em>)\u00a0only helps slightly &#8211; and it doesn&#8217;t help for a USB3 cable where the connector is relatively shallow, and the cable can swing around the jerk-stopper. I have to add a piece of gaffer tape to keep the cable seated. Not ideal, and definitely not elegant.\u00a0It&#8217;s somewhat\u00a0embarrassing to think that on a professional shoot with clients, I am using expensive gear held together with a piece of tape.<\/p>\n<p>Then my friend Zach Sutton mentioned a device which instantly made sense to me &#8211; the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/tetherblock\/\" target=\"_blank\" rel=\"noopener\">TetherBlock<\/a> (<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/tetherblock\/\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>).<\/em> It&#8217;s a plate that fits to the bottom of the camera, holding the cable secure. No risk of damage to the camera if you step on the cable!<\/p>\n<p>Before we have a closer look at the Tetherblock, here is the pull-back shot of the photo above, to show the\u00a0lighting setup.<\/p>\n<p><!--more--><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/karina\/PhotoStudioNJ_045-066.jpg\" width=\"900\" height=\"664\" \/><\/p>\n<h2>Photo gear (or equivalents)\u00a0used during this photo session<\/h2>\n<ul>\n<li>1\/160 \u00a0@ \u00a0f\/11 \u00a0@ \u00a0100 ISO<\/li>\n<\/ul>\n<ul>\n<li>Nikon D4<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-70-200mm-f2-8-vr-ii\/\" target=\"_blank\" rel=\"noopener\">Nikon 70-200mm f2.8 AF-S VR II<\/a>\u00a0\u00a0\/equivalent \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/canon-ef-70-200mm-f2-8-ii\/\" target=\"_blank\" rel=\"noopener\">Canon EF 70-200mm f\/2.8L IS II<\/a><\/li>\n<\/ul>\n<ul>\n<li>(3x)\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-d1-air-500-ws-studio-light\/\" target=\"_blank\" rel=\"noopener\">Profoto D1 Air 500Ws studio\u00a0lights<\/a><\/li>\n<li>main\u00a0light:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-rfi-2x3-softbox\/\" target=\"_blank\" rel=\"noopener\">Profoto RFi 2<\/a><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-rfi-1x3-softbox\/\" target=\"_blank\" rel=\"noopener\">\u2019<\/a><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-rfi-2x3-softbox\/\" target=\"_blank\" rel=\"noopener\">x3<\/a><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-rfi-1x3-softbox\/\" target=\"_blank\" rel=\"noopener\">\u2019<\/a><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-rfi-2x3-softbox\/\" target=\"_blank\" rel=\"noopener\"> softbox<\/a> \u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-rfi-2x3-softbox-bh\/\" target=\"_blank\" rel=\"noopener\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-rfi-2x3-softbox\/\" target=\"_blank\" rel=\"noopener\"><em>Amazon<\/em><\/a>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-eyelighter\/\" target=\"_blank\" rel=\"noopener\">Westcott Eyelighter<\/a>\u00a0 (<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-eyelighter-bh\/\" target=\"_blank\" rel=\"noopener\">B&amp;H<\/a><\/em>\u00a0\/\u00a0<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-eyelighter\/\" target=\"_blank\" rel=\"noopener\">Amazon<\/a><\/em>) \u2013 for fill light from underneath<\/li>\n<li>rim-light: \u00a0gridded\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-beauty-dish\/\" target=\"_blank\" rel=\"noopener\">Profoto beauty dish<\/a>\u00a0for the rim-lighting<\/li>\n<li>background light:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-7-grid-reflector\/\" target=\"_blank\" rel=\"noopener\">Profoto 7&#8243; Grid Reflector<\/a>\u00a0with a\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-honeycomb-grid-10-degrees\/\" target=\"_blank\" rel=\"noopener\">Profoto 10-degree Grid<\/a><\/li>\n<li>various gels as needed to change the color of the background<\/li>\n<\/ul>\n<p>This is one of my go-to setups in the studio, based on <a href=\"https:\/\/neilvn.com\/tangents\/headshot-photography-clam-shell-lighting-setup\/\">clam-shell lighting<\/a>. There is the main light (a 2&#215;3 softbox in front of our subject, and the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-eyelighter\/\" target=\"_blank\" rel=\"noopener\">Westcott Eyelighter<\/a>\u00a0(<em>affiliate<\/em>) below to give fill-light.<\/p>\n<p>The background can be left dark, as in the main photo above &#8211; or I can lighten it with a flash pointed at the back wall. In these two examples, the light is from a gridded flash, which I can then add a gel to change the color if a client wants. If I want the entire area is awash with color &#8211; and not just a spot of color behind my subject &#8211; I remove the gridded reflector and just point the bare gelled flash at the wall.<\/p>\n<p>The tethering software I use is Nikon Camera Control Pro 2. I have the images download to a folder on the desktop where we then view the photos.<\/p>\n<p>&nbsp;<\/p>\n<h2>Using the TetherBlock<\/h2>\n<p><div class='one_half'>\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/gear\/tethered\/DSC_6279.jpg\" width=\"500\" height=\"333\" \/>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\tHere is the big problem &#8211; it is easy to step on the cable or snag it in some way, and damage to cable &#8230; or worse, the camera.<\/p>\n<p>This is the Mini-B USB connector for my Nikon D4. Fortunately, the camera wasn&#8217;t damaged! But the cable was useless after this. I had to resort to load the images every so often via a memory card reader, during the shoot.\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p><div class='one_half'>\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/gear\/tethered\/DSC_6267.jpg\" width=\"449\" height=\"299\" \/>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\tHere the cable is now secured to the bottom of the camera with the <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/tetherblock\/\" target=\"_blank\" rel=\"noopener\">TetherBlock<\/a>\u00a0(<em>affiliate)<\/em>. No risk of the connector port on the camera being damaged by carelessness or an accident.\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p><div class='one_half'>\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/gear\/tethered\/DSC_6273.jpg\" width=\"500\" height=\"334\" \/>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\tThe bottom view of the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/tetherblock\/\" target=\"_blank\" rel=\"noopener\">TetherBlock<\/a> (<em>affiliate<\/em><em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/tetherblock\/\" target=\"_blank\" rel=\"noopener\"><\/a>).<\/em>\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p><div class='one_half'>\n\t\t\t\t\t\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\t\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p><div class='one_half'>\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/gear\/tethered\/DSC_6275.jpg\" width=\"500\" height=\"333\" \/>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\tClear indications of how to snake the cable in the grooves of the Tetherblock.\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p><div class='one_half'>\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/gear\/tethered\/DSC_6274.jpg\" width=\"500\" height=\"333\" \/>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\tThe cable, in position, before attaching it to the bottom of the camera.\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p>The\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/tetherblock\/\" target=\"_blank\" rel=\"noopener\">TetherBlock<\/a> (<em>affiliate<\/em>) comes with different quick release options for those who prefer to shoot on a tripod.<\/p>\n<p>This simple device made all the difference for me. While it might seem a little spendy, for me it was well worth it for making my life easier doing a shoot. And it looks so much better than gaffer tape!<\/p>\n<p>&nbsp;<\/p>\n<h2>Related articles<\/h2>\n<ul>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/studio-portrait-lighting-ideas\/\">Studio portrait lighting ideas<\/a>\u00a0 (RJ Harper)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/headshot-photography-lighting-setup\/\">Headshot photography lighting setup<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/headshot-photography-clam-shell-lighting-setup\/\">Headshot photography \u2013 Clam-shell lighting setup<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/photo-gear-setup-corporate-headshots\/\">Photo gear &amp; logistics: Corporate headshots<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/headshot-photographer-nj\/\" target=\"_blank\" rel=\"noopener\">NJ headshots \/ NJ headshot photographer<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Headshot Photography &#8211; securing the tethering cable When shooting in the studio or a fixed location, it makes a lot of sense to shoot tethered if you want your client to give input on the photos. With headshots in the studio, I run a tethering cable between the camera and the computer. This makes it&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/headshot-photography-securing-the-tethering-cable\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":38692,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[209,136],"tags":[891,600],"yst_prominent_words":[1116,1115,1021,3109,3097,3110,1310,3103,3106,1672,3080,1656,1410,3115,3114,3113,3112,3111,3116,1670],"class_list":{"0":"post-38652","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-headshot-photography","8":"category-studio-photography","9":"tag-headshot-photography","10":"tag-nj-headshot-photographer","11":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/38652"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=38652"}],"version-history":[{"count":8,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/38652\/revisions"}],"predecessor-version":[{"id":42298,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/38652\/revisions\/42298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/38692"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=38652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=38652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=38652"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=38652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}