{"id":39741,"date":"2017-07-09T19:05:52","date_gmt":"2017-07-09T23:05:52","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=39741"},"modified":"2024-10-30T01:00:07","modified_gmt":"2024-10-30T05:00:07","slug":"camera-settings-for-time-lapse-photography","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/camera-settings-for-time-lapse-photography\/","title":{"rendered":"Camera settings for Time-lapse photography"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/222930499?byline=0&amp;portrait=0\" width=\"900\" height=\"506\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">?<\/span><\/iframe><\/p>\n<h1>Camera settings for Time-lapse photography<\/h1>\n<p>With even smart phones now offering a Time-lapse Photography mode, this interesting area of photography is accessible to anyone. For the smooth, professional-looking time-Lapse sequences you see in movies and TV series, you would have to put some thought into how you control your camera &#8211; and specifically, your camera settings for time-lapse photography. The smoothness of a time-lapse sequence is mostly dependent on the choice of camera settings &#8230; and there is a specific thought-process involved.<\/p>\n<p>This does involve a bit of mathematics, but it is quite simple really. And there are always Time-Lapse Calculators available as apps for your smart phone.<\/p>\n<p>There are a few things we need to be aware of, and decide on before shooting a time-lapse sequence:<\/p>\n<p>How long is the <strong>duration of the event<\/strong> we are photographing &#8211; sometimes we have a specific duration &#8230; sometimes not. In the example above, there is no real duration because there will always be people milling around in Times Square. But other times you might be photographing an event with a specific duration.<\/p>\n<p>The <strong>length of the final video clip<\/strong> is also something we need to decide on beforehand. \u00a0This of course ties in with the intended use of the video, and whether it will be added to a longer video clip. Generally, 1 minute is really long &#8211; Youtube metrics show that people usually click away at around a minute. \u00a0So decide whether you need 10 seconds, 20 seconds or 30 seconds, or however long we need.<\/p>\n<p>What kind of <strong>subject movement<\/strong> do we have? \u00a0i.e., speed and flow of movement. Clouds, water, cars, moving people, etc, \u00a0all have slightly different considerations with what will translate best in a Time-Lapse video clip.<\/p>\n<p>These three things:<br \/>\n&#8211; duration of the event,<br \/>\n&#8211; length of the final video,<br \/>\n&#8211; subject movement,<br \/>\nwill help determine our <strong>shutter speed<\/strong> &#8230;. and our <strong>interval<\/strong>.<\/p>\n<p>If this all sounds confusing, hang in there &#8211; this all locks in together.<\/p>\n<p>The time-lapse video shown above has several different levels of movement &#8211; the clouds, people (static and moving), and traffic. Then on top of that, the camera is moving as well. So there are a bunch of things to juggle here in determining our shutter speed and interval.<\/p>\n<p>This is also discussed in the video clip featured on PDN:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/featured-on-pdn-how-to-shoot-cinematic-time-lapses\/\" target=\"_blank\" rel=\"noopener noreferrer\">How to shoot cinematic time-lapses<\/a><\/p>\n<p>But let&#8217;s break this all down into steps:<\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<h2>Timelapse photography \u2013 a complete introduction<\/h2>\n<p><div class='one_half'>\n\t\t\t\t\tAs with everything in photography \u2013 or as with everything in life really \u2013 there is a learning curve. Then you have two options. You can reinvent the wheel, and figure it all out from scratch by yourself \u2026 or you can do some homework and study what people before you have done.<\/p>\n<p>There are several websites that are loaded with information \u2013 and then there is this thorough primer on the topic, written by Ryan Chilinski:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/timelapse-photography-book\/\" target=\"_blank\" rel=\"noopener noreferrer\">Everything you want to know about Time-Lapse Photography<\/a>. (<em>Amazon<\/em>)\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\t<p><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/timelapse-photography-book\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/123\/timelapse-book.jpg\" alt=\"\" width=\"350\" height=\"350\" border=\"0\" \/><\/a>\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<p>&nbsp;<\/p>\n<h2>Selecting the time-lapse interval<\/h2>\n<p>The interval is the length of time between shots.<\/p>\n<p>With that one number &#8211; the <strong>interval<\/strong> &#8211; we control two things:<\/p>\n<ul>\n<li>how fast the time-lapse change appears to take place<\/li>\n<li>how smooth that action appears on the screen<\/li>\n<\/ul>\n<p>For smooth movement, ideal is that our shutter speed should be at least 2\/3rd of our interval. This will help give us continuity in the movement in our video. When our shutter speed is too short, the video will look jerky &#8211; like bad stop-motion.<\/p>\n<p>For that continuous, fluid look to our video, we need to slow our shutter speed down to be appropriate for our chosen interval. We usually don&#8217;t want that fast shutter look. Invariably, we need to slow our shutter speed down. Now, the first thing that we need to realize here, is that with video, we preferably don&#8217;t use a fast shutter speeds. Here we need to break free from a photographer&#8217;s mindset where we often have fast shutter speeds to freeze action. With video, we don&#8217;t usually need crisp individual images. For a smoother look with video, we usually adhere to the &#8220;180 degree rule&#8221;, which suggests that our optimum shutter speed is twice our frame rate. However, with Time-lapse, it is slightly different &#8211; we use even slower shutter speeds if we want that continuous smooth look to our final video.<\/p>\n<p>Our persistence of vision creates the illusion of continuous, fluid movement. Our brains retain the visual image for a short while, to give us a sense of continuity.<\/p>\n<p>Next step &#8211; we need to decide on the Frame-Rate that the video needs to be compiled with.<\/p>\n<p>&nbsp;<\/p>\n<h2>Choosing the Frame Rate<\/h2>\n<p>How fast should \u00a0your clip be played back? \u00a030fps \/ 24 fps \/ 25 fps? \u00a0Our final decision will be made when we render the video, but it does affect our initial decision about our settings because frame rate affects our calculations.<\/p>\n<p>&nbsp;<\/p>\n<h2>An example of how we decide on our camera settings:<\/h2>\n<p><strong>Scenario:<\/strong>\u00a0Let&#8217;s say we have a cityscape with fast moving clouds.<\/p>\n<p>Let&#8217;s say we decide on a 10 seconds clip, to be used in a longer final video. If we want a 10 second clip, it would be wise to add a 2 seconds buffer for fade-in and fade-out (for the video transitions).<\/p>\n<p>Hence, 12 seconds. \u00a0Let&#8217;s decide on a frame-rate of 30 fps.<\/p>\n<p>How many photos are we going to take?<\/p>\n<p>12 x 30 &#8211; 360 frames<br \/>\nSimple as that: 12 seconds at 30 frames a second = 12&#215;30 = 360 frames. We need to shoot 360 frames as a minimum.<\/p>\n<p>Now let&#8217;s calculate the interval and shutter speed and the duration of our shoot.<\/p>\n<p>General advice is that clouds need an interval of 1 to 3 seconds. (This, and other subjects are also covered in Ryan Chilinski&#8217;s book on\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/timelapse-photography-book\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0Time-Lapse Photography<\/a>\u00a0(<em>Amazon<\/em>).<\/p>\n<p>So for fast moving clouds, 2 seconds is a good choice.<\/p>\n<p>360 photos at 2 seconds intervals = ??<br \/>\n(720 seconds.)<br \/>\n360 frames * 2 second intervals = 720 second shooting time.<br \/>\n720 seconds = 720 \/ 60 seconds = 12 minutes.<br \/>\nSo we will be shooting for 12 minutes. Our camera is going to fire every 2 seconds, for 12 minutes.<\/p>\n<p>With a 2 second interval, our shutter speed should be about 1.3 or 1.6 seconds. That will give us smooth movement.<\/p>\n<p>That was fairly simple. And as I mentioned, there are Time-Lapse Calculator apps for your phone which will help you juggle these values.<\/p>\n<p>If it wasn&#8217;t clear until now, it should be more apparent that we absolutely need Neutral Density filters of some kind to pull our shutter speeds this slow in daylight. The most common options are the 6-stop and 10-stop ND filters.<\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/timelapse\/timelapse-NYC-01.jpg\" alt=\"timelapse NYC\" width=\"900\" height=\"675\" \/><\/p>\n<h2>Camera settings used with this Time-Lapse shoot<\/h2>\n<p>The lens was set to f\/8 and the ISO was set to 64<\/p>\n<p>Shutter speed: 8 second exposures @ 10 second intervals<br \/>\napprox 2.5 hr event duration. (6:15pm &#8211; 8:53pm)<br \/>\n=\u00a0940 images<\/p>\n<p>Ramping done manually in post, via Bridge &#8230; the hard way. The flickering lights of the displays there in Times Square appear to throw off the ramping device I used on the 2nd camera. So I used the footage shot on the one camera, and then manually did the exposure ramping during post.<\/p>\n<p>&nbsp;<\/p>\n<h2>Photo gear used with this Time-Lapse shoot<\/h2>\n<ul>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d810\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon D810<\/a>\u00a0\u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d810-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d810\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-14-24mm-f28g\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon 14-24mm f\/2.8<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-14-24mm-f28g-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-14-24mm-f28g\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li>with <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/lee-sw150-filter-kit\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lee 6-stop Neutral Density filter<\/a>\u00a0\u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/lee-sw150-filter-kit\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-carbon-fiber-tripod\/\" target=\"_blank\" rel=\"noopener noreferrer\">Manfrotto 057 Carbon Fiber Tripod<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-carbon-fiber-tripod-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-carbon-fiber-tripod\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>), \u00a0with the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-magnesium-ball-head\" target=\"_blank\" rel=\"noopener noreferrer\">Manfrotto 057 Magnesium Ball Head<\/a>\u00a0(<em>Amazon<\/em>)<\/li>\n<li>Dynamic Perception Stage R Motion Controller<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/216697614?byline=0&amp;portrait=0\" width=\"900\" height=\"506\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<h2>My choice of camera for Time-Lapse Photography<\/h2>\n<p>If we consider that 1080p video is only around 2 megapixel resolution, and that even 4k resolution is only approximately 8 megapixel resolution, it might appear that the 36-megapixels of the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d810\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon D810<\/a>\u00a0camera is overkill. Perhaps, perhaps. But it does allow me a lot of extra wriggle room in post-production.\u00a0Let&#8217;s have a look how this impacted this video clip shown here.<\/p>\n<p>Camera settings and details for this Time-Lapse video clip, shot in Bryant Park for a client.<\/p>\n<p style=\"padding-left: 30px;\">4 second exposures @ 6 second intervals<br \/>\nf\/8 @ 80 ISO<br \/>\nNikon D810, Nikon 14-24mm f\/2.8 with 10 stop filter<br \/>\n2828 images @ double speed = 47 seconds<\/p>\n<p>Here is the screen capture of the full image. Since I tilted my camera up, there is perspective distortion. Because this was specifically about one of the properties surrounding the park, I had to correct for those leaning buildings.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/timelapse\/screen-shot_01.jpg\" width=\"900\" height=\"594\" \/><\/p>\n<p>Correcting for this in post-production of the RAW files, left me with about a 24-megapixel image. Still a lot of detail.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/timelapse\/screen-shot_02.jpg\" width=\"900\" height=\"603\" \/><\/p>\n<p>This comes in very handy with the zoom effect that was applied in post-production via Final Cut Pro X. I started off with defining the wide view as a Key Frame, and then I defined a tighter composition as a Key Frame. The final, tighter view is still larger than 2 megapixels. Hence, no loss in resolution as the video zoomed closer!<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/215747344?byline=0&amp;portrait=0\" width=\"900\" height=\"506\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2>Camera settings again: our choice of shutter speed<\/h2>\n<p>Here is one of the test clips I shot for the client a few days before, to explore different viewpoints, and to help me in confirming my exact camera settings ahead of time.<\/p>\n<ul>\n<li>f\/11 @ 250 ISO<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d810\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon D810<\/a>\u00a0\u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d810-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d810\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-14-24mm-f28g\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon 14-24mm f\/2.8<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-14-24mm-f28g-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-14-24mm-f28\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li>with <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/lee-sw150-filter-kit\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lee 6-stop Neutral Density filter<\/a>\u00a0\u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/lee-sw150-filter-kit\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-carbon-fiber-tripod\/\" target=\"_blank\" rel=\"noopener noreferrer\">Manfrotto 057 Carbon Fiber Tripod<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-carbon-fiber-tripod-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-carbon-fiber-tripod\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>), \u00a0with the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-057-magnesium-ball-head\" target=\"_blank\" rel=\"noopener noreferrer\">Manfrotto 057 Magnesium Ball Head<\/a>\u00a0(<em>Amazon<\/em>)<\/li>\n<\/ul>\n<p>The first half of this clip was shot with\u00a030 second shutter speed \/ 45 second intervals;<br \/>\nand you can immediately see how crazily rushed the movement of the clouds look! It might be useful for dramatic effect somewhere, but not in this instance &#8211; a more relaxed tempo is needed.<\/p>\n<p>The 2nd half of that clip: 4 second shutter speed \/ 5 second intervals;<br \/>\nand the tempo is immediately more pleasing to the eye.<\/p>\n<p>&nbsp;<\/p>\n<h2>Summary<\/h2>\n<p>This comparison example, clearly shows that we have to put some thought into how we juggle the camera settings for a final result that is visually pleasing.<\/p>\n<p>All of these things:<br \/>\n&#8211; the duration of the event,<br \/>\n&#8211; length of the final video,<br \/>\n&#8211; subject movement,<br \/>\nwill help determine our <strong>shutter speed<\/strong>\u00a0and our <strong>interval<\/strong> &#8230; and ultimately, the success of our time-lapse video.<\/p>\n<p>&nbsp;<\/p>\n<h2>Related articles<\/h2>\n<ul>\n<li>Featured on PDN:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/featured-on-pdn-how-to-shoot-cinematic-time-lapses\/\">How to shoot cinematic time-lapses<\/a><\/li>\n<li>Other articles on <a href=\"https:\/\/neilvn.com\/tangents\/category\/time-lapse-photography\/\">Time-lapse photography<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/timelapse-photography-book\/\" target=\"_blank\" rel=\"noopener noreferrer\">Everything you want to know about Time-Lapse Photography<\/a>,\u00a0an E-book by\u00a0Ryan Chilinski<\/li>\n<li><a href=\"https:\/\/neilvn.com\/timelapse-photography\/\" target=\"_blank\" rel=\"noopener noreferrer\">Time-lapse photography NYC<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>? Camera settings for Time-lapse photography With even smart phones now offering a Time-lapse Photography mode, this interesting area of photography is accessible to anyone. For the smooth, professional-looking time-Lapse sequences you see in movies and TV series, you would have to put some thought into how you control your camera &#8211; and specifically, your&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/camera-settings-for-time-lapse-photography\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":39743,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[349],"tags":[897,451],"yst_prominent_words":[5281,5279,5284,5258,1021,1478,5079,5420,5282,5286,5257,5166,5285,4861,5280,5278,6639,6638,1198,4866],"class_list":{"0":"post-39741","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-time-lapse-photography","8":"tag-time-lapse-photography","9":"tag-time-lapse-photography-tips","10":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/39741"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=39741"}],"version-history":[{"count":13,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/39741\/revisions"}],"predecessor-version":[{"id":52164,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/39741\/revisions\/52164"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/39743"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=39741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=39741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=39741"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=39741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}