{"id":40049,"date":"2017-11-27T19:25:35","date_gmt":"2017-11-27T23:25:35","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=40049"},"modified":"2020-07-14T00:41:56","modified_gmt":"2020-07-14T04:41:56","slug":"photography-composition-tilted-horizons-in-photographs","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/photography-composition-tilted-horizons-in-photographs\/","title":{"rendered":"Photography composition: Tilted horizons in photographs"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anelisa\/NVN_6518-edit.jpg\" width=\"900\" height=\"1350\" \/><\/p>\n<h1>Photography composition: Tilted horizons in photographs<\/h1>\n<p>A disconcerting angle perhaps with this photograph&#8217;s composition &#8211; still, there is a dynamic balance of sorts. Because\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/category\/models\/anelisa-durham\/\" target=\"_blank\" rel=\"noopener noreferrer\">Anelisa<\/a>\u00a0is &#8216;upright&#8217; \/ vertical in the photo, it matches our sense that vertical and horizontal lines should be just that. Still, everything else is at a dizzying angle. While the horizon is at a slant, I placed her vertically in the composition, which hopefully creates a balance when we look at the photo.<\/p>\n<p>I am not particularly fond of tilted horizons or tilted photos (also known as the &#8220;Dutch angle&#8221; or &#8220;Dutch tilt&#8221;), but I do think it can be used sparingly for effect. It is a topic we&#8217;ve discussed in a previous article on photographic composition:\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/photography-tilted-compositions-dutch-angle\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tilted compositions \/ Dutch angle<\/a>.<\/p>\n<p>That said, what do you think &#8211; does the tilt work here, or is it too unsettling?<\/p>\n<p>I do find that too often I inadvertently tilt my camera slighty. So if I could have just one photographer super-power, I would like it to be the ability to *always* keep my freaking horizons level. It drives me nuts when I edit and I have to continually straighten the horizon.<br \/>\nI really try to keep the camera level when I shoot, but somehow there&#8217;s a slight tilt to many shots. Like I maybe tuck my one elbow too much. Or something.\u00a0This is even *with* the grid lines enabled in the camera&#8217;s viewfinder.<\/p>\n<p>Maybe I should just accept it and call it a style &#8211; The Ever So Slightly Annoying Slight Tilt \u2122<\/p>\n<p><!--more--><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/models\/anelisa\/NVN_6509.jpg\" width=\"900\" height=\"601\" \/><\/p>\n<p>This photo of\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/category\/models\/anelisa-durham\/\" target=\"_blank\" rel=\"noopener noreferrer\">Anelisa<\/a>\u00a0was taken during one of the occasional\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/photo-walks-nyc\/\">Photo Walks in New York<\/a>. With a photo walk, we have a maximum of 4 people, each supplied with a Profoto transmitter to control the Profoto B1 flash that I bring along. The Profoto B1 is powerful enough to allow us to use a softbox with high-speed flash sync. That&#8217;s something you can&#8217;t do with a speedlight! This allows us more flattering light from our flash.<\/p>\n<h2>Camera settings &amp; photo gear (or equivalents)\u00a0used<\/h2>\n<ul>\n<li>1\/1600 \u00a0@ \u00a0f\/4 \u00a0@ \u00a0100 ISO \u00a0\u2026 with <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto B1<\/a> off-camera flash<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d5-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon D5<\/a>\u00a0 (<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d5-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\">B&amp;H<\/a><\/em>\u00a0\/\u00a0<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d5\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a><\/em>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8e-vr-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon 24-70mm f\/2.8E\u00a0VR<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8e-vr-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-24-70mm-f2-8e-vr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a><\/em>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto B1 flash<\/a>\u00a0 (<em>B&amp;H<\/em> \/ <em>Amazon<\/em>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-rapid-box-36\/\" target=\"_blank\" rel=\"noopener noreferrer\">Westcott Rapid Box 36&#8243; Octabox<\/a>\u00a0\u00a0(<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-rapid-box-36-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\">B&amp;H<\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-rapid-box-36\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a><\/em>)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>Books on photographic composition<\/h2>\n<div class='one_fourth'>\n\t\t\t\t\t<a href=\"https:\/\/www.amazon.com\/gp\/product\/1781450633\/ref=as_li_tl?ie=UTF8&amp;tag=tangents-books-20&amp;camp=1789&amp;creative=9325&amp;linkCode=as2&amp;creativeASIN=1781450633&amp;linkId=323c6e9958e9db4c2bb807f8bc02f89b\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/books\/composition\/Mastering-Composition.jpg\" alt=\"\" width=\"225\" height=\"225\" \/><\/a>\n\t\t\t\t<\/div>\n<div class='one_fourth'>\n\t\t\t\t\t<a href=\"https:\/\/www.amazon.com\/gp\/product\/0770433162\/ref=as_li_tl?ie=UTF8&amp;tag=tangents-books-20&amp;camp=1789&amp;creative=9325&amp;linkCode=as2&amp;creativeASIN=0770433162&amp;linkId=fa86da6a981cbe0bda9708791bc07303\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/books\/composition\/Art-Of-The-Photograph.jpg\" alt=\"\" width=\"225\" height=\"285\" \/><\/a>\n\t\t\t\t<\/div>\n<div class='one_fourth'>\n\t\t\t\t\t<a href=\"https:\/\/www.amazon.com\/gp\/product\/1138807354\/ref=as_li_tl?ie=UTF8&amp;tag=tangents-books-20&amp;camp=1789&amp;creative=9325&amp;linkCode=as2&amp;creativeASIN=1138807354&amp;linkId=7e8be19f99a9978a3b5b7f730795e560\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/neilvn.com\/tangents\/images\/books\/composition\/Creative-Visualization.jpg\" alt=\"\" width=\"225\" height=\"284\" \/><\/a>\n\t\t\t\t<\/div>\n<div class='one_fourth last'>\n\t\t\t\t\t<a href=\"https:\/\/www.amazon.com\/gp\/product\/0240809343\/ref=as_li_tl?ie=UTF8&amp;tag=tangents-books-20&amp;camp=1789&amp;creative=9325&amp;linkCode=as2&amp;creativeASIN=0240809343&amp;linkId=8cac4525378f906ede2510ef6295829d\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/books\/composition\/Photographers-Eye.jpg\" width=\"225\" height=\"244\" \/><\/a>\n\t\t\t\t<\/div><div class='clear'><\/div>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/composition\/London_even_lumin.jpg\" width=\"900\" height=\"601\" \/><\/p>\n<p>One more example where a purposeful tilt to the camera creates a disconcerting image. Here the sidewalk was at a slant, and I oriented the camera to the sidewalk&#8217;s angle &#8230; which rendered the building and passerby at this unusual angle. Incongruously enough, the shop&#8217;s name was &#8216;even&#8217;. With this image, the purposeful tilt has less to do with the overall balance of the image, and is meant to be whimsical.<\/p>\n<p>&nbsp;<\/p>\n<h2>Related articles<\/h2>\n<ul>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/photography-tilted-compositions-dutch-angle\/\">Tilted compositions \/ Dutch angle<\/a><\/li>\n<li>More articles on <a href=\"https:\/\/neilvn.com\/tangents\/category\/composition\/\" target=\"_blank\" rel=\"noopener noreferrer\">Photography Composition<\/a><\/li>\n<li>More info on the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/photo-walks-nyc\/\" target=\"_blank\" rel=\"noopener noreferrer\">Photo Walks in NYC<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photography composition: Tilted horizons in photographs A disconcerting angle perhaps with this photograph&#8217;s composition &#8211; still, there is a dynamic balance of sorts. Because\u00a0Anelisa\u00a0is &#8216;upright&#8217; \/ vertical in the photo, it matches our sense that vertical and horizontal lines should be just that. Still, everything else is at a dizzying angle. While the horizon is&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/photography-composition-tilted-horizons-in-photographs\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":42726,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[431,9],"tags":[159,158],"yst_prominent_words":[1116,5448,5445,1115,1021,5449,5447,5444,5442,5439,3903,8178,1575,1086,7830,5446,5443,5441,5440,8175],"class_list":{"0":"post-40049","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-anelisa-durham","8":"category-composition","9":"tag-composition-in-photography","10":"tag-photographic-composition","11":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/40049"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=40049"}],"version-history":[{"count":25,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/40049\/revisions"}],"predecessor-version":[{"id":49251,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/40049\/revisions\/49251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/42726"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=40049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=40049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=40049"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=40049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}