{"id":40472,"date":"2017-08-13T21:37:44","date_gmt":"2017-08-14T01:37:44","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=40472"},"modified":"2022-04-19T17:35:07","modified_gmt":"2022-04-19T21:35:07","slug":"on-location-headshots","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/on-location-headshots\/","title":{"rendered":"On-location headshots"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/andy-peeke\/DSC09499-edit.jpg\" width=\"750\" height=\"1125\" \/><\/p>\n<h1>On-location headshots<\/h1>\n<p>With these on-location headshots of actor and TV presenter, <a href=\"https:\/\/www.instagram.com\/andypeeke\/\" target=\"_blank\" rel=\"noopener noreferrer\">Andy Peeke<\/a>, there is a lot going on despite the apparent simplicity. The photos were done in a very short space of time &#8211; we rained out! So I had to work fast and still nail the images as intended. Also,<br \/>\n&#8211; I wanted that out-of-focus city scene behind Andy, and I wanted it to appear bright.<br \/>\n&#8211; The lighting, off-camera flash added to the ambient light, shouldn&#8217;t intrude and make itself obvious. I wanted the light on him perfectly balanced with the way I intended the background to appear.<br \/>\n&#8211; Unusual for me, I shot with a Sony mirrorless camera &#8211; the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sony A7ii<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a><\/em>). The lens that I used here was the\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18\/\" target=\"_blank\" rel=\"noopener noreferrer\">Zeiss Batis 85mm f\/1.8<\/a> \u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>).<br \/>\n&#8211; I used manual focus, even though the Zeiss Batis lens offers auto-focus. The Sony mirrorless cameras are ideally suited for this &#8211; fast and accurate manual focus. This allowed me the confidence to work at f\/1.8 with precision.<\/p>\n<p>Mainly, we had to work fast.\u00a0In the photo below, you can see rain drops on his shirt. We rained out, but I grabbed a few last images before we dashed for cover.<\/p>\n<p>The photos are part of an upcoming video that I shot with my friend, Tracy Bosworth Page, who is a busy headshot photographer based in Georgia. In the video we loosely compare our styles in headshot photography. We took turns photographing three different people in three different locations. For Andy&#8217;s session, Tracy used available light and a reflector. On the other hand, I defaulted to my usual way of working &#8211; balancing off-camera flash with the ambient light.<\/p>\n<p><!--more--><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large\" src=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/andy-peeke\/DSC09510-edit.jpg\" width=\"750\" height=\"1125\" \/><\/p>\n<h2>Camera settings &amp; Photo gear (or equivalents) used during this shoot<\/h2>\n<ul>\n<li>1\/160 @ f\/1.8 @ 250 ISO<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sony A7ii<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a><\/em>)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18\/\" target=\"_blank\" rel=\"noopener noreferrer\">Zeiss Batis 85mm f\/1.8<\/a> \u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<\/ul>\n<div class=\"entry-content\">\n<ul>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto B1 flash<\/a>\u00a0\u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a>\u00a0\/\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li>Profoto transmitters for Nikon &amp; Canon (&amp; Sony)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-ocf-beauty-dish-24\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto OCF Beauty Dish (24?)<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-ocf-beauty-dish-24-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;<\/em><em>H<\/em><\/a>\u00a0\/\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-ocf-beauty-dish-24\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>)<\/li>\n<li>a\u00a0tall\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/manfrotto-1004bac-tall-light-stand\/\" target=\"_blank\" rel=\"noopener noreferrer\">Manfrotto 1004BAC<\/a>\u00a0light-stand<\/li>\n<\/ul>\n<div class=\"entry-content\"><\/div>\n<\/div>\n<p>For these photos\u00a0I used a loaner copy of the stellar\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18\/\" target=\"_blank\" rel=\"noopener noreferrer\">Zeiss Batis 85mm f\/1.8<\/a> \u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/zeiss-batis-85mm-f18\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>). It\u2019s razor-sharp, as you\u2019d expect from any Zeiss optic. The Batis range of lenses by Zeiss are specifically designed to offer auto-focus with the Sony E-mount cameras. However, I used it in manual focus mode on my\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sony A7ii\u00a0camera<\/a> (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/sony-a7-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a><\/em>).\u00a0The Sony and Zeiss combo generally nails the focus perfectly \u2026 but I didn\u2019t want to risk it grabbing an eyebrow, for example. With such shallow depth-of-field you have to be careful if you want precise focusing every time.<\/p>\n<div class=\"entry-content\">\n<div class=\"entry-content\">\n<p>There is a specific thought-process, or algorithm if you want to think of it that way, in approaching on-location portraits like these &#8211; <a href=\"https:\/\/neilvn.com\/tangents\/checklist-for-portrait-photography-on-location\/\">Checklist for portrait photography on location<\/a>\u00a0(with Anastasiya).<\/p>\n<p>&nbsp;<\/p>\n<p>Here are the first two test shots:<\/p>\n<\/div>\n<\/div>\n<p><div class='one_half'>\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/andy-peeke\/DSC09497.jpg\" width=\"450\" height=\"675\" \/>\n\t\t\t\t<\/div><div class='one_half last'>\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/andy-peeke\/DSC09498.jpg\" width=\"450\" height=\"675\" \/>\n\t\t\t\t<\/div><div class='clear'><\/div><\/p>\n<h2>Using the Profoto B1 in TTL mode to establish exposure<\/h2>\n<p>I started with the background &#8211; I knew that I wanted that defocused city scene behind him. I also knew that I wanted it bright and &#8216;airy&#8217;. In other words, about a stop up on my camera&#8217;s exposure meter reading. Then a test shots to see how Andy would look at that exposure. As anticipated, he was under-exposed. With that, I switched on the off-camera lighting I had set up.<\/p>\n<p>The\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto B1 flash<\/a>\u00a0 with the <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-ocf-beauty-dish-24\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto OCF Beauty Dish (24?)<\/a>\u00a0 (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-ocf-beauty-dish-24-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;<\/em><em>H<\/em><\/a>\u00a0\/\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-ocf-beauty-dish-24\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>). It is a relatively small softbox, but I had it close to me on my right to me, and fairly close to the camera axis.<\/p>\n<p>This time I didn&#8217;t want dramatic light from my off-camera flash. I wanted as soft and even as I could, with such a small light source.<\/p>\n<p>I purposely had the Profoto B1 set to TTL flash, so that I could get an establishing first exposure. Surprisingly, it was over-exposed. The Profoto B1 usually nails the TTL flash pretty close to correct for my tastes. But working this close, it was about 2 stops over, guessing by the preview image shown on the LCD &#8211; the right-hand image.<\/p>\n<p>One of the things that I love about the Profoto B1, is that if you like the TTL exposure, you switch the Profoto remote to manual, and the exposure is locked. In this instance, I locked the exposure, and quickly tapped the exposure adjustment button to give me two stops less light &#8230; in manual. And the exposure was perfect, as you can see in the two main images.<\/p>\n<p>That took care of the lighting.<\/p>\n<p>About the posing &#8211; I only had to minimally adjust Andy&#8217;s pose since he is an experienced actor and TV presenter, with oodles of personality. (Here is his <a href=\"https:\/\/www.instagram.com\/andypeeke\/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a> account.) So he needed little guiding or coaxing other than telling him where to stand, and how to turn towards the camera. Other than that, Andy knows how to switch it on! \u00a0I didn&#8217;t want him with his shoulders square to the camera. It works better with his shoulders at an angle to the camera.<\/p>\n<p>&nbsp;<\/p>\n<h2>Summary<\/h2>\n<p>Here I wanted to run through some of the thought-process with this specific sequence of photos. Of course, working in a different location with different requirements, and a different subject, the technique might well be different. There are countless ways of getting great portraits or headshots of someone. This is but one such occasion.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"entry-content\">\n<h2>Related articles<\/h2>\n<ul>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/checklist-for-portrait-photography-on-location\/\">Checklist for portrait photography on location<\/a>\u00a0(model: Anastasiya)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/location-headshots-promotional-portraits\/\">On-location headshots and promotional portraits<\/a>\u00a0 (Jonathan A.)<\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/best-softbox-for-on-location-headshot-photography\/\">Best softbox for on-location headshot photography<\/a><\/li>\n<li>More articles on <a href=\"https:\/\/neilvn.com\/tangents\/category\/headshot-photography\/\">Headshot Photography<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/headshot-photographer-nj\/\" target=\"_blank\" rel=\"noopener noreferrer\">NJ headshots \/ NJ headshot photographer<\/a><\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On-location headshots With these on-location headshots of actor and TV presenter, Andy Peeke, there is a lot going on despite the apparent simplicity. The photos were done in a very short space of time &#8211; we rained out! So I had to work fast and still nail the images as intended. Also, &#8211; I wanted&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/on-location-headshots\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":40479,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[209,110,31,511,453,5034],"tags":[891,765],"yst_prominent_words":[1116,5074,5052,5044,5049,11800,1115,1021,5073,5051,5043,5053,11799,11798,11796,5048,5041,7642,6574,6573],"class_list":{"0":"post-40472","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-headshot-photography","8":"category-off-camera-flash","9":"category-photo-shoot","10":"category-profoto","11":"category-sony","12":"category-zeiss","13":"tag-headshot-photography","14":"tag-nyc-headshot-photography","15":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/40472"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=40472"}],"version-history":[{"count":8,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/40472\/revisions"}],"predecessor-version":[{"id":51088,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/40472\/revisions\/51088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/40479"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=40472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=40472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=40472"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=40472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}