{"id":47983,"date":"2019-08-15T23:00:03","date_gmt":"2019-08-16T03:00:03","guid":{"rendered":"https:\/\/neilvn.com\/tangents\/?p=47983"},"modified":"2019-08-25T20:36:57","modified_gmt":"2019-08-26T00:36:57","slug":"photographing-headshots-in-a-small-space","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/photographing-headshots-in-a-small-space\/","title":{"rendered":"Photographing headshots in a small space"},"content":{"rendered":"<p><a href=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/A9_06883_1200px.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/neilvn.com\/tangents\/images\/headshots\/A9_06883_1200px.jpg\" width=\"900\" height=\"900\" \/><\/a><\/p>\n<h1>Photographing headshots in a small space<\/h1>\n<p>This headshots photo session for a large corporate client, started off as a bit of a challenge &#8212; they wanted half-length seated portraits against a white background. Because the room they put me in was a bit too tight, I set everything up at an angle, so that I could shoot from outside the door to get a proper working distance. I would have had enough room here if I only had to do tight headshots, but the client wanted half-length seated shots, and the space was too small for that if I wanted an even background.<\/p>\n<p>I wanted to avoid the need for any avoidable Photoshop work.\u00a0I had to photograph 40+ headshots that day, so I want to keep Photoshop to a minimum. Even though Photoshop&#8217;s Content-Aware Fill Tool is fantastic, I really wanted files out of the camera as close to correct as I could.\u00a0Therefore I dragged in a roll of 9ft-wide paper roll, and lighting stands.<\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<h2>Lighting setup for this photo session<\/h2>\n<p>I used 4 lights, as can be seen in the photo above. Two lights on the background, and two lights for my subject.<\/p>\n<p>The two lights on the background were two <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto B1 flashes<\/a>\u00a0\u00a0(<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a>\u00a0\/\u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-b1-500-ws-airttl-flash\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>). They had a 45&#8243; umbrella each to help spread the light.<\/p>\n<p>The two main lights on my subject were \u00a0<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/profoto-d1-air-500-ws-studio-light\/\" target=\"_blank\" rel=\"noopener noreferrer\">Profoto D1 Air 500Ws studio\u00a0flashes<\/a>\u00a0(<em>affiliate<\/em>) that I ran off AC power.<\/p>\n<p>The main light to camera-right is the <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-7-ft-parabolic-umbrella-white\/\" target=\"_blank\" rel=\"noopener noreferrer\">Westcott 7-ft Parabolic Umbrella \u2013\u00a0white<\/a>\u00a0(<em><a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-7-ft-parabolic-umbrella-white-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\">B&amp;H<\/a><\/em> \/<em> <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/westcott-7-ft-parabolic-umbrella-white\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a><\/em>). You can see the corner of the main light (the 7-ft parabolic umbrella) in the top right-hand corner of this frame. This large umbrella just floods the entire place with light, helping to avoid specific shadows on the background &#8211; although the two background lights would remove most of any shadow. Here is a <a href=\"https:\/\/neilvn.com\/tangents\/review-westcott-7-parabolic-umbrella\/\">review: Westcott 7-ft Parabolic Umbrella<\/a>.<\/p>\n<p>Because the space I had for the fill-light to camera-left was so cramped, I used the narrow <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/parasail-60-umbrella-bh\/\" target=\"blank\" rel=\"noopener noreferrer\">Angler Parsail 60&#8243; Umbrellas<\/a> (<em>affiliate<\/em>). It is a superb umbrella that helps me in a pinch. Here is the review: <a href=\"https:\/\/neilvn.com\/tangents\/best-photo-umbrella-for-a-home-studio-indoor-headshots\/\">Best photo umbrella for a home-studio &amp; indoor headshots<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2>About the photo session workflow<\/h2>\n<p>For this headshot session, I rented a the <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d850\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nikon D850<\/a> (<a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d850-bh\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>B&amp;H<\/em><\/a> \/ <a href=\"https:\/\/neilvn.com\/tangents\/recommends\/nikon-d850\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Amazon<\/em><\/a>). The client requested seated portraits as the headshots, but I also wanted to be ready for requests afterwards for a tighter, more usual headshot. The extreme megapixel count of the Nikon D850 still gave me an easy 12-16 megapixels on a tighter crop of everyone.<\/p>\n<p>I had to photograph around 40 people intermittently during the say as the group took breaks or had lunch. \u00a0Then it is a 5 minutes per person crunch. And then I sit and wait for an hour or two to the next break time.<\/p>\n<p>I shot everything hand-held. I don&#8217;t do tripods for headshots.<\/p>\n<p>It is essential to shoot tethered to a computer. This helps client to pick a favorite photo, and also change anything they want in how they present themselves. This 99% avoids anyone being unhappy \u00a0a week later when you send the photographs over.<\/p>\n<p>The computer I used here was a MacBook Air, but I brought a 26\u201d Apple Cinema display along to give an impressively large image which helps in the selection process which had to be fast.<\/p>\n<p>I use Nikon Camera Control Pro as the tethering software, and I use Bridge to preview the RAW files.<\/p>\n<p>I shoot, go through the images &#8230; star rate them and pick the subject\u2019s favorite shot. Then I rename, and move the images to a folder of their name. Next!<\/p>\n<p>&nbsp;<\/p>\n<h2>Related articles<\/h2>\n<ul>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/review-westcott-7-parabolic-umbrella\/\">review: Westcott 7-ft Parabolic Umbrella<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/tangents\/best-photo-umbrella-for-a-home-studio-indoor-headshots\/\">Best photo umbrella for a home-studio &amp; indoor headshots<\/a><\/li>\n<li>More articles on <a href=\"https:\/\/neilvn.com\/tangents\/category\/headshot-photography\/\" target=\"_blank\" rel=\"noopener noreferrer\">Headshot photography<\/a><\/li>\n<li><a href=\"https:\/\/neilvn.com\/headshot-photographer-nj\/\" target=\"_blank\" rel=\"noopener noreferrer\">NJ headshots photographer<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Photographing headshots in a small space This headshots photo session for a large corporate client, started off as a bit of a challenge &#8212; they wanted half-length seated portraits against a white background. Because the room they put me in was a bit too tight, I set everything up at an angle, so that I&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/photographing-headshots-in-a-small-space\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":47985,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[209,511],"tags":[766,891,11785],"yst_prominent_words":[1116,12899,12896,1115,1021,4747,12831,3486,1143,12626,12902,12901,12900,12829,4748,4745,12819,12903,12898,12897],"class_list":{"0":"post-47983","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-headshot-photography","8":"category-profoto","9":"tag-corporate-headshots","10":"tag-headshot-photography","11":"tag-new-york-headshots","12":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/47983"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=47983"}],"version-history":[{"count":38,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/47983\/revisions"}],"predecessor-version":[{"id":48297,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/47983\/revisions\/48297"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/47985"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=47983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=47983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=47983"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=47983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}