{"id":99,"date":"2008-02-22T04:04:42","date_gmt":"2008-02-22T09:04:42","guid":{"rendered":"http:\/\/planetneil.com\/tangents\/2008\/02\/22\/how-low-can-you-go\/"},"modified":"2018-01-03T18:47:24","modified_gmt":"2018-01-03T22:47:24","slug":"hand-holding-camera-at-slow-shutter-speeds","status":"publish","type":"post","link":"https:\/\/neilvn.com\/tangents\/hand-holding-camera-at-slow-shutter-speeds\/","title":{"rendered":"using slow shutter speeds with a hand-held camera"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/neilvn.com\/tangents\/images\/slow-shutter\/kelly-andy-2262.jpg\" alt=\"\" width=\"600\" height=\"400\" border=\"0\" \/><\/p>\n<p><span style=\"color: #999999;\">(1\/20th @ f2.8 @ 1250 iso)<\/span><\/p>\n<h1>using slow shutter speeds<\/h1>\n<p>I am frequently asked whether I use a tripod at all to help overcome the slow shutter speeds that I often shoot at.\u00a0 The question also often relates to shooting hand-held, below the arbitrary value of 1\/60th of a second.<\/p>\n<p>The choice of shutter speed at which you will get a sharp (enough) image will depend on a number of factors, such as how fast your subject\u00a0is\u00a0moving and at what angle compared to your camera, and whether you are panning with your subject.\u00a0\u00a0And also choice of lens, and camera&#8217;s sensor size, and your own ability to hold a camera steady.\u00a0 And luck. \u00a0And also on how large you want to display the image.<\/p>\n<p>I&#8217;m not going to attempt a broad explanation covering every possibility that we&#8217;ll encounter as photographers, but answer the question in terms of the work that I do &#8211; which is primarily as a portrait and <a href=\"https:\/\/oneperfectmoment.com\">wedding photographer here in New Jersey<\/a>.<\/p>\n<p>My own preference is for &#8216;sharp&#8217;. I like crisp images, and don&#8217;t much like too much\u00a0motion blur.\u00a0 But this is a personal artistic choice.\u00a0 So I tend to shoot at higher shutter speeds where I can.\u00a0 Part of this is simply because I am not that steady in hand-holding a camera.<\/p>\n<p>And in attaining higher shutter speeds, I tend to use fast optics, or shoot at higher iso settings.\u00a0 Or I just use flash at times to stop motion blur.\u00a0\u00a0 But there are times when I am shooting in low light, and have to use a slow shutter speed &#8230;<\/p>\n<p><!--more--><\/p>\n<p>Now I know this will aggravate many photographers, and perhaps rightly so .. but I rarely use a tripod.\u00a0 I have two of them that I constantly have in the car (okay, okay .. van) that I travel to shoots with. One of the tripods\u00a0is a big beast, and the other a super-light carbon-fiber tripod. (Both are made by Manfrotto.)<\/p>\n<p>For most of the photography work that I do, I find that my shooting style is too fast-paced for a tripod, and hampers the fluidity with which I want to work.<br \/>\nSo as an alternate to using a tripod, I make do with:<br \/>\n&#8211; stabilized lenses,<br \/>\n&#8211; being careful in steadying myself, or<br \/>\n&#8211; purposely placing my subject such that they are shaded and will be lit by flash.<\/p>\n<p>In this first example, which has appeared elsewhere on these pages:<br \/>\nThe piano player is shaded compared to the brighter background.\u00a0 So he was mostly lit by flash .. and this would&#8217;ve frozen any camera shake.\u00a0 (The ultra-wide angle lens would also help mask camera shake in this instance.)\u00a0\u00a0 Any noticeable camera shake would&#8217;ve been in the out-of-focus background. ie .. you&#8217;d never notice.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/neilvn.com\/tangents\/images\/slow-shutter\/pianoman-1301.jpg\" alt=\"\" width=\"600\" height=\"400\" border=\"0\" \/><\/p>\n<p>(1\/15th @ f4 @ 800 iso)<\/p>\n<div id=\"divider1\"><\/div>\n<p>In fact, I use this idea in how I very often specifically set people up in areas where they are shaded in comparison to the background. I then \u00a0use the instantaneous burst of flash\u00a0to freeze any noticable camera shake.\u00a0 This next image, an impromptu portrait of my friend Thomas, shows in part how I set out to manipulate such a scenario.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/neilvn.com\/tangents\/images\/slow-shutter\/Thomas-1865.jpg\" alt=\"\" width=\"600\" height=\"325\" border=\"0\" \/><\/p>\n<p>I deliberately positioned him\u00a0in a darker part outside this venue, and then lit him with bounced flash.\u00a0 In this case, the shutter speed of 1\/100th was fairly high, but\u00a0the technique\u00a0would&#8217;ve worked just as well\u00a0at a much slower shutter speed &#8211; simply because the flash would&#8217;ve stopped any noticeable camera shake.<\/p>\n<div id=\"divider1\"><\/div>\n<p>In this image &#8211; a candid photo of a mom and her daughter, the flower girl &#8211; I was shooting at a slow shutter speed, but knew that the low ambient light would barely register, and\u00a0therefore flash would stop any camera shake.\u00a0 (The stabilized lens just clinched the deal.)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/neilvn.com\/tangents\/images\/slow-shutter\/Kristy-Darren_0721.jpg\" alt=\"\" width=\"400\" height=\"600\" border=\"0\" \/><\/p>\n<div id=\"divider1\"><\/div>\n<p>With this photo below, the background was lit by a (manual)\u00a0Q-flash triggered with a radio slave, and the foreground is light from a bedside table lamp. To enable the tungsten light to spill enough light onto the bride for the camera to register, I had to use a slow shutter speed of 1\/40th (@ f2.8).\u00a0\u00a0 I controlled how bright my background is, by changing my ISO and aperture &#8230; and then I could control how bright the tungsten light would appear in relation to that, by riding my shutter speed.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/neilvn.com\/tangents\/images\/slow-shutter\/Danielle-S_0600.jpg\" alt=\"\" width=\"400\" height=\"600\" border=\"0\" \/><\/p>\n<p>The slow shutter speed here was possible because I used a stabilized lens.\u00a0 But I also ensured success by shooting a sequence of images. So part of my slow-shutter speed technique, is to make sure I take a series of shots.<\/p>\n<p>Stabilized lenses are\u00a0essential additions to any camera bag.\u00a0 It enables you to get sharp images under circumstances that would be difficult otherwise.\u00a0 With the image at the top of this posting, the slow shutter speed was just due to the low light levels &#8211; and the stabilized lens was crucial.<\/p>\n<p>In this engagement session, I was able to get a slow enough shutter speed (1\/20th @ f10)\u00a0to get the New York taxi cabs to streak past. The stabilized lens was essential here.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/neilvn.com\/tangents\/images\/slow-shutter\/Melissa-Hayden-160.jpg\" alt=\"\" width=\"600\" height=\"400\" border=\"0\" \/><\/p>\n<div id=\"divider1\"><\/div>\n<p>Therefore attaining a usable image at a slow shutter speed, is not just down to a single thing that we could do &#8211;\u00a0but\u00a0a combination of techniques applied with some thought.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(1\/20th @ f2.8 @ 1250 iso) using slow shutter speeds I am frequently asked whether I use a tripod at all to help overcome the slow shutter speeds that I often shoot at.\u00a0 The question also often relates to shooting hand-held, below the arbitrary value of 1\/60th of a second. The choice of shutter speed&nbsp;<a class=\"more-link\" href=\"https:\/\/neilvn.com\/tangents\/hand-holding-camera-at-slow-shutter-speeds\/\" rel=\"nofollow\">Read more inside&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":29874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[42,1],"tags":[],"yst_prominent_words":[8721,8722,8719,8720,8713,1310,1214,8717,8718,8723,8714,1267,1198,6400,8711,8710,7959,8715,8716,8712],"class_list":{"0":"post-99","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-technique","8":"category-uncategorized","9":"entry"},"_links":{"self":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/99"}],"collection":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":2,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/99\/revisions"}],"predecessor-version":[{"id":43625,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/posts\/99\/revisions\/43625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media\/29874"}],"wp:attachment":[{"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/media?parent=99"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/categories?post=99"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/tags?post=99"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/neilvn.com\/tangents\/wp-json\/wp\/v2\/yst_prominent_words?post=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}