Headshot Photography – securing the tethering cable
Headshot Photography - securing the tethering cable
When shooting in the studio or a fixed location, it makes a lot of sense to shoot tethered if you want your client to give input on the photos. With headshots in the studio, I run a tethering cable between the camera and the computer. This makes it easier for the client to see the photos, and adjust what they need to. Of course, it is slightly redundant if you use WiFi to transfer the images from your camera to the computer. But for faster transfer of RAW files, shooting with a tethered cable still makes sense. Keeping the cable Read more inside...Lighting a white seamless studio backdrop
Lighting a white seamless studio backdrop
There are a number of variations on how to light a white seamless studio backdrop - but it all comes down to the same essentials. You want a spread of even light on the background, and a big swathe of light from the front. All of this with as little fall-off in the light as possible. We've covered this topic in previous articles, showing how it is done with speedlights ... Simple lighting setup with speedlights & white seamless backdrop (model: Anastasia) Simple lighting setup for home studio photography (models: Anelisa Read more inside...Flash Photography: The difference between a grid and a snoot
Flash Photography: The difference between a grid and a snoot
We use grids and snoots to control the light from our flashes. We want to control how the light spreads, and we want to light only a part of our scene or subject. However, strongly favoring softer light when using flash, I don't regularly use grids on my flashes. The article on using grids with flash for a spot of light, had someone ask when I would use a snoot and when I would use a grid with flash. When in the studio, I would use the Profoto 10° Honeycomb Grid (B&H / Amazon) - it is made of metal Read more inside...Using the MagMod MagBeam kit for projection effects
Using the MagMod MagBeam kit for projection effects
The lighting pattern on the background here, is 100% in-camera, created with a gobo and a light-projection kit: the MagMod MagBeam Kit (B&H / Amazon). So no Photoshop going on here (aside from mild retouching of skin blemishes.) Even that little bit of a halo around Anastasiya, is part of the effect. In-camera. With the test shots, I noticed there is a brightening of the pattern in the middle, so I placed Anastasiya directly on front of it. A bit of serendipity that I took advantage of. Several articles on Read more inside...Studio portrait lighting ideas
Studio portrait lighting ideas
Shooting portraits in the studio has a challenge all of its own compared to shooting out on location - you are limited by the confines of the rectangular box that is the studio. You're also limited by your imagination of course. Part of the challenge is that when you photograph a new client, you have to shoot consistent with your style - that's why a client chose you - but at the same time, you have to bring some variety to the sequences of images. Even if it is just a slight tweak, I feel there has to be something else that you offer during every Read more inside...Stella Pro 5000 & 2000 video light review
Stella Pro 5000 & 2000 video light review - continuous lighting kit
My friend Kevin, or as his friends call him, Kevin, brought along his new Light & Motion Stella Pro 225 3-Light Kit (B&H / Amazon) to the studio for us to play with. The Stella Pro 5000 video light is powerful enough that you can use a softbox with it when shooting indoors. Where continuous lights really shine, is in how they allow you to adjust your lights in a WYSIWYG way. What you see is what you get - that's just how continuous lights work. That aspect makes video lights ideal when Read more inside...Profoto: How to use gridded strip boxes as the main light
Profoto: How to use gridded strip boxes as the main light
My favorite light modifiers when working with studio-type flashes like the Profoto B1 and D1, are gridded stripboxes. In the studio where I have space, I tend to prefer the larger Profoto 1’x6’ strip-box (affiliate). When I have to travel with gear, or work with kids, then the Profoto 1’x4’ strip-box (affiliate), is my preference. Both of them with a grid on them. That egg-crate grid on the front helps control how the light spills. This video explains how I use them as the main light, and what makes gridded stripboxes such Read more inside...video: Intimate male portraiture – two perspectives
Intimate male portraiture - two perspectives
This video clip and photo shoot are the results of a discussion with a friend, Cate Scaglione, one of New Jersey's best boudoir photographers. At a photography convention, the topic came up whether male and female photographers approach their subjects differently (whether male or female). My take on this is that there is such a diverse range in styles and skill levels, that it would be impossible to make any clear grouping on styles depending on the photographer’s gender. Cate believes this does have an influence. And from that, the idea Read more inside...Photo session – Intimate male portraiture
Photo session - Intimate male portraiture
The motive behind this photo session with Nick Mathews, is explained in the intro of the behind-the-scenes video clip of the photo session. One subject, one studio, two photographers and two different styles. We shot this in Cate's studio - she used available light, and I ended up using two Profoto B1 flashes (affiliate), and gridded stripboxes to control the light. The video clip shows some of how we directed Nick during the shoot, and as a professional model and actor, he was supremely easy to work with. With this article, I'd like to Read more inside...- 1
- 2
- 3
- …
- 7
- Next Page »