Using a rotating flash bracket
Rotating flash brackets are (cumbersome) devices attached between the camera and flash, which enables the flash to always be over the camera. Since the flash is always overhead of the camera with a flash bracket, regardless of whether you’re shooting horisontally or vertically, there is no sideways shadow. This is especially important if you use direct flash to some extent, or a flash modifier on your camera.
With most of my wedding photography indoors, I get by without a flash bracket. In carefully bouncing on-camera flash, I can get images such as this one below. No hard flash shadow detectable. Digital photography technology is steadily improving to the point where we now have cameras with fairly clean 1600 ISO settings, and very usable 3200 ISO. It is now ever more easy to get great results with bounce flash, and have all the light from the flash be indirect. With this, the need for me to use a flash bracket, has been greatly reduced. It is now possible for me to get vertical images like these, using on-camera flash, with no trace of sideways shadows …. because there is no light thrown directly forward from the flash itself. It is all indirect. This means there will be no noticeable flash shadow.
However, a flash bracket would still give you an advantage when you bounce flash such that all the light is indirect – and that is that the direction of your light source remainds the same between vertical and horizontal photos taken from the same position. This consistency in lighting can help.
Why use a flash bracket?
There are various makes of flash brackets with a variety of designs. With some you have to let go of the lens to flip the flash over with one hand. With other more elegant designs, you rotate the actual camera. I prefer the rotating flash brackets where the camera rotates with a deft flick of the hand holding the camera. There is a lot of variation between the different makes, that it is worth checking them out for yourself . For example, one of the other highly touted brackets by a different company, has such a clumsy design that it was near-impossible for me to use the zoom control on my lenses. So do check them out in person.
As mentioned, flash brackets are bulky and add extra weight to the camera, and these days I prefer to work without one. But they can help with the consistency of bouncing flash, and definitely do help in avoiding side-shadows when using direct on-camera flash is unavoidable.
Here is an example of what I mean by the side-ways shadow.
It is intentionally a snap-shot to illustrate this, so don’t judge me on this please! : )
Now if you hold your camera horizontally, then the flash shadow will fall behind your subject, and would be less intrusive an element in the photograph.
A flash bracket isn’t entirely necessary in daylight, since flash will then mostly be used as fill-flash, and the direction of the flash is of less importance than when using bounce flash indoors. Besides, there is rarely anything to bounce flash off when working outside, and the loss in flash output because of bouncing would most likely render the flash light imperceptible compared to bright daylight.
Bouncing flash indoors vs. Using a flash bracket indoors
When I work indoors, I have in effect a large softbox with me wherever I go, by dint of the ability to bounce the flash behind me or to the side of me. My specific way of working with bounce flash, is most often with the black foamie thing with which I control the direction of my bounce flash. It works very well when shooting horizontally, or keep to a horizontal framing. But it can be awkward to change the position of the foam I am flagging my flash with, when I change the camera’s orientation. By now I am fairly agile with it, but you really are under pressure with a can’t-mess-this-up situation like the church processional at a wedding.
In this photo above, I wanted a vertical shot for this flowergirl coming down the aisle. The light on her looks fantastic in my opinion. The bounced flash appears as soft and directional light on her. Just beautiful. But if you look at the bottom left of the frame, you can see some direct flash shadow. Now, no one is likely to notice this unless closely scrutinizing the photograph for how it was lit. But for me … I know it should’ve looked just that touch better. The light should’ve been great over the entire frame.
I had fumbled the precise positioning of the black foam on my flash, and there is a small measure of direct flash to the edge of the frame. This is an example of where using a flash bracket would’ve made it easier to control the direction of light from my speedlight.
In the next two examples, the camera was rotated from horizontal position to a vertical position via a flash bracket. However, the direction of light remains exactly the same since the position of the speedlight, relative to the camera and subject, didn’t change.
Whether a flash bracket is necessary for your specific needs or style of photography … and whether the additional bulk and weight is something you’d be able to cope with, is something you have to decide on your own. There are advantages to using one that could help you.
next section: Off-camera flash photography
Video tutorials to help you with flash photography
If you like learning by seeing best, then these video tutorials will help you with understanding flash photography techniques and concepts. While not quite hands-on, this is as close as we can get to personal instruction. Check out these and other video tutorials and online photography workshops.
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