feminine portraiture – Pure: the authentic beauty project

Since 2012, Stacie Frazier, owner of Haute Shots Beauty and Boudoir Photography in Las Vegas, has been on an interesting mission – one to help women relinquish the control of cosmetics and see their own authentic beauty in the form of beauty and/or boudoir portraiture. Recently Stacie invited others to join her in this mission by announcing the PURE: authentic beauty project on the Business of Boudoir website.

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boudoir photography: couples boudoir photo session – gesture and connection

With portraits of a couple, the way they connect with each other is often the main factor whether the image is compelling. It could be through gesture and touch. The gesture might even be subtle – if a couple snuggles in, they don’t have to look at each other – it’s entirely possible to give that sense of connectedness, even with a downward glance. As long a it looks like they are concentrating on each other or responding to each other, it works.

With the image at the top, Olena and Austin are directly looking at each other, hands intertwined and legs touching. Connection clearly there.

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hot-air balloon ride

August 26, 2014

hot-air balloon ride

During my visit to South Africa, two of my friends, Jerry & Linde, arranged a surprise for me – an early-morning ride in a hot-air balloon in the Magaliesberg area. This was a first time for me – and I have to wonder now why I had never done this before – it is exhilarating! (This must be old news for those who have done this before.)

With this entire 2-week visit to South Africa, I decided to forego all the heavier, bulkier camera gear, and only take my Fuji X100s (vendor). It’s a specific decision where I forego the versatility of getting every angle from super-wide to tele, and just accept the single 35mm-equivalent lens.

So that’s all I had with me – just this one small camera. Within the limits of that single lens, it became a fun challenge to still get meaningful and interesting images.

Here is the slideshow with 24 images, from the start to a few seconds before touch-down. I hope it shows some of the beauty of this winter-time landscape in the Magaliesberg area. There was a certain 3-D look to the scenery, with the sun coming on low over the horizon. You can see various antelope dot the grassland by the shadows they cast.

The one thing missing from these images is the sheer stillness of gliding over the landscape, with just the dogs barking way below, and some cars driving by. Oh, and then the rushing sound of the burner filling the balloon again to remain buoyant.

This experience was a high in every sense.

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finding interesting available light & white balance options

It’s always a feel-good moment to discover interesting available light while out on a photo shoot. Something unusual to add a new flavor to a different sequence of images.

While photographing a model with Tilo Gockel and Mike Silberreis (both from Germany on a visit to NYC), we started off with off-camera flash to help with the strong sunlight. (You might remember Tilo from a recent guest article on product photography on a budget.)

Then, while positioning Olena, I saw part of her dress had a patch of bright light on it. Turning around to see where this came from – I expected sun flare from nearby building window – I saw that it was actually the sun reflecting off a traffic sign right next to us. The light that was reflecting off this traffic sign was pretty hard, but had an interesting specularity, yet appeared flattering. So we shot an entire long sequence here, ditching the off-camera flash.

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photography video tutorials by Craftsy

Boudoir Photography, with Jennifer Rozenbaum

Capture gorgeous images that celebrate your client’s sensuality with professional photographer Jennifer Rozenbaum as your guide. Learn how to collaborate with your client to develop a styling concept, and discover flattering wardrobe and makeup recommendations to match. Master lighting for boudoir photography with simple setups that complement three photo-shoot themes: sexy, romantic and edgy. Empower your client in front of the camera with poses that emphasize her favorite assets and minimize problem areas. Discover expert image selection and editing tips, plus a three-step action plan to help you jump-start your own boudoir business!

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dramatic lighting with fresnel lights – photo session w/ Jen Rozenbaum

For the portrait session of Jennifer Rozenbaum, I wanted to show her in her “office” – the studio where she shoots boudoir images of her clients. But instead of photographing Jennifer in a boudoir style, I wanted this to be portraits of her, the boudoir photographer, where she works. Her office as such. Still, it needed to be sexy, a little feral, yet sweet, and very much her.

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using tele-converters: extra lens compression for tighter portraits

One of the techniques to have your subject really stand out from the background, is to use the longest focal length on your 70-200mm telephoto zoom. One of the first things I do, is to zoom to maximum focal length, and then step backwards to find the composition … and then only zoom wider if necessary.  Doing it this way, forces you to use the longest focal length. This compression focuses attention on your subject by creating separation from the background.

To extend the range of my 70-200mm f/2.8 lens, I always keep a 1.4x teleconverter in my bag. This extra 1.4x boost in focal length gives me reach, or as in this case, that extra compression to help with my photograph’s composition:

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portrait & headshot photography: studio lighting tools – Westcott Eyelighter

With portrait lighting for head shots, there are so many configurations – all the way from dramatic lighting, to very even light - but always keeping in mind that the lighting needs to look flattering. It is all in how we balance the various lights, and how we add fill-light.

Westcott has released a curved reflector, the Eye-lighter (vendor), and it is quite versatile:

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post-processing workflow: solving a color banding problem in photos

Photographing people in the studio against a darker background, I’ve been plagued with banding problems. Some of it had to do with the limitation of working in an 8-bit environment in Photoshop. As described in this article - how to deal with color banding - a work-around was to editing images as TIFF, and thereby skipping a few steps where I would previously just have edited the JPG. The additional info in the TIFF file minimized color banding.

But then with darker backgrounds which have a bit of color in them, the problem still cropped up, as shown in the left-hand image. Then I stumbled on the cause of the problem – the camera profile in ACR / Lightroom.

At some point I had changed the camera profile away from the default – Adobe Standard – to Camera Standard. I liked the added contrast and saturation (as can be seen in the comparison above.) But this unknowingly, come at a cost – increased color banding in smooth transitions in darker tones. This isn’t something you’d notice in the background if it consisted of a landscape or an urban scene. But the moment you have smooth gradients of darker tones, this problem rears its ugly head.

It’s as simple a solution as that – keep the camera profile in ACR / Lightroom to Adobe Standard. Or, if you use a different flavor via one of the profiles you purchase, just be aware that this could be a problem.

I wanted to share this, since I spent an entire morning on Photoshop tutorials on dealing with color banding – none of which worked in this example. All it took was going back to the root – the camera profile used in editing the RAW files. If you see color banding in your photos, then perhaps, perhaps the solution is as simple as this.

Edited to add: The images were shot with the Nikon D810.

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photography workshops for 2014

Working from my studio now, instead of a rented studio in New York, I made a few changes for 2014 and onwards. Working with a smaller group than before – the workshops are now limited to 6 people – and working within my own studio with more equipment readily at hand, gave the workshop a relaxed tempo. The material is always streamlined a little bit more, from workshop to workshop.

There will be only two more workshops for the rest of 2014, which will take place on:

  • Sept 21, 2014  (Sunday)
  • Oct 26, 2014  (Sunday)

Book a spot at one of the workshops. Each class will be limited to 6 people!

If you would like an individual workshop, or a personal tutoring session, those are available as well throughout the year, depending on both of our schedules. The studio is only 17 miles from Manhattan. Just a short hop from New York and quite accessible by bus. Oh, and there’s parking at the studio. Free parking.

If you are limited in how far you can travel, there are Skype sessions and also video tutorials to help you get a much better understanding of photography and lighting techniques.

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