Nikon D850 medium RAW files soft?
Nikon D850 medium RAW files soft?
In the review of the Nikon D850 camera, I noted that this near-perfect camera had one major flaw for me - the medium RAW files appear soft. For event work or any kind of volume work, the massive full RAW file is just too much overhead, whether in storage or processing time. I need a RAW file in the 20-24 megapixel range. The medium RAW file of the Nikon D850 (B&H / Amazon) would have been ideal - allowing me to shoot the majority of work as medium RAW, and occasionally flipping over to full-size RAW. I have had several Read more inside...How to set up wireless flash with the pop-up flash
How to set up wireless flash with the pop-up flash
In starting to use off-camera flash, there are some minimum pieces of gear we need. Such as this gear list – starting out with off-camera flash. We don't necessarily need to buy radio triggers immediately. Many new cameras with a pop-up flash, has the ability to have the pop-up flash be a master to optically trigger a slave flash. This is especially helpful if you are on a budget. Later on, when the limitations of optical slaves start to hamper us, can we look at buying radio triggers. Radio controlled wireless triggering of a Read more inside...Video tutorial: Manual flash settings
Video tutorial: Manual flash settings
One advantage that the larger speedlights have over the smaller speedlights - aside from more power - is that they show the distance the flash can reach for the specific settings. This video is a continuation of the off-camera flash tutorial series. What is described in this video is also written out in more detail in this article: Practical tutorial: Controls for manual flash exposure. If manual flash seems confusing, then I would recommend checking that article out as well, and then look at this video tutorial on manual flash settings again. It Read more inside...Video tutorial: TTL fill-flash
Video tutorial: TTL fill-flash
This video tutorial on TTL fill-flash settings, is the visual counterpart to this article - Flash Exposure Compensation (FEC). Whether you use on-camera bounce flash, or off-camera TTL flash as in this off-camera flash tutorial, you will need to adjust your FEC to control the amount of TTL flash you get. Adjusting the FEC allows you varying degrees of fill-flash. This video and the article on flash exposure compensation explains a sequence where you get to compare how different levels of fill-flash affect your final photograph. Also check Read more inside...Off-camera flash tutorial – Off-camera flash on location
Off-camera flash tutorial - Off-camera flash on location
Continuing on from the previous off-camera flash tutorial, we explore balancing ambient light with off-camera flash. With this video tutorial, we use a speedlight in a softbox, and we look at using TTL flash. There is a certain simplicity when we work with TTL flash in a non-static situation - we allow the technology to help us get to proper flash exposure quickly. More about this in the article on Manual flash vs TTL flash. We start off just using the available light for a few headshots of our model, Anelisa. The next step Read more inside...Off-camera flash tutorial – Balancing flash with ambient light
Off-camera flash tutorial - Balancing flash with ambient light
In the previous off-camera flash tutorial, we started at the elemental level where we did not have to consider ambient light. This helped us in understanding a few of the basics. Ultimately though, where off-camera flash will be used most, is on location where you have to consider the ambient light as well. With this tutorial video, we look at how we would go about balancing flash with ambient light. With this segment, we cover the essentials such as: · Using maximum flash sync speed. · Flash exposure Read more inside...Off-camera flash tutorial – Flash with no ambient light
Off-camera flash tutorial - Flash with no ambient light
This tutorial about off-camera flash, is one of the segments in a series on how to use off-camera flash in a simple scenario - where there is no ambient light. This is a good introduction to the topic. In the next tutorial video, we will consider how we go about adding off-camera flash when we work with ambient light. With this introduction, we cover the essentials such as: · Basic gear you would need for off-camera flash. · How we decide on our settings - in this case, it is really easy. We decide what aperture and ISO Read more inside...recap: Studio photography workshop NJ / NYC
recap: Studio photography workshop NJ / NYC
A small group of people met up with Anelisa and myself in my studio for what turned out to be the first Studio Lighting Workshop of the year. On the drive home afterwards, I decided to add another 2nd date this year, for a workshop on Nov 18th. The format of the workshop depends on it being a small group of people - everyone gets time to photograph our model. But more importantly, everyone gets time to hands-on, adjust the studio lights. In the morning we go through the building blocks of lighting. Short Lighting & Broad Lighting. Read more inside...One Perfect Moment – wedding photography
One Perfect Moment - wedding photography
I have opinions. This time, wedding photography. Greg Riccardi, one of the top wedding and event videographers in north Jersey, asked me a few questions in this interview - my start in photography, as well as what a bride and groom should look for in wedding photographers. He also asked me about trends I may have noticed in wedding photography. My business name is One Perfect Moment for specific reasons. The name is derived from Henri-Cartier Bresson's ideal of the decisive moment. That slice of time when everything just comes together Read more inside...- « Previous Page
- 1
- 2
- 3
- 4
- 5
- …
- 95
- Next Page »