Best fill-flash settings
Best fill-flash settings
The best fill-flash settings can be summarized with this one idea - we want to better expose our shadow areas. While this will depend on the situation and also personal taste, we are going to walk through some scenarios and get to a wider understanding hopefully of what we want to achieve with our fill-flash. But essentially, that is it - we want to lift our shadow areas to approximately the rest of our subject ... or scene. There is some wriggle room in interpreting that idea of 'correct exposure', but in this article we will get to a better of understanding Read more inside...Using gelled flash in the studio
Using gelled flash in the studio
Shooting in the studio with Brian and Anette to do promotional portraits of their band, Cut Like This, this one sequence was really fun to shoot. The images directly out of camera had impact already with the swath of blue light against the wall. The lighting is fairly simple - I used a gelled flash to get that color effect. The flash, a Profoto B1 flash (B&H / Amazon), was bare, with just the turquoise gel taped over it. The main light (to camera right) was one I often use when I want that interesting combination of soft light Read more inside...An occasional muse
An occasional muse
It is exactly 8 years today, March 21, since the first time I photographed Anelisa. She responded to a casting call for someone to model at one of my photography workshops. She had a magical quality and was supremely photogenic ... and since then Anelisa has been my occasional muse. She is usually the first one that I contact when I need a model at a workshop. I posted photographs from that first session in this article - Effective on-location portraits. Over time I have worked with Anelisa numerous times, and she has also appeared on the cover of two of my books: Read more inside...How to bounce flash
How to bounce flash
An elegant portrait of a delightful young woman, Supriya, taken at her Sweet 16 party. With events there isn't always the opportunity to use involved lighting setups, and to keep the interest of your subject, you need to shoot fast. Yet the results need to look top-class. For this I most often revert to on-camera bounce flash. How to bounce flash - this is a topic we have covered thoroughly here with previous articles. This time I want to I want to highlight an aspect of that - the direction of bounce flash - and this is best served by showing correct and Read more inside...Photo gear for sale
Photo gear for sale
It is time again to clear out the shelves in the studio, and sell various pieces of photo gear - cameras, lenses, flashes and a bunch of random stuff. Have a look around. I'm only selling in the continental USA, and the shipping will be via UPS ground.Westcott Bruce Dorn Asymmetrical Strip Bank - 18 x 42" (46 x 107 cm)
There is a used copy selling on B&H for $199. I would like $150 for this. It is a brilliant design to a rectangular softbox, tapering off toward the bottom end, giving a natural light fall-off. I just Read more inside...Lens review: Trioplan 100mm f/2.8
Lens review: Trioplan 100mm f/2.8
My favorite adventure in photography for the past year or so, has been to explore vintage lenses. Many of these lenses render the background in an interesting or unusual way which makes them appealing in helping to create a distinctive look to your photography. A recent purchase was the Trioplan 100mm f/2.8 lens (affiliate) for use with my Sony A7ii camera. The Trioplan 100mm f/2.8 is well known as the 'soap-bubble bokeh' lens. Created by the Meyer Optik Görlitz company, it gives perfectly spherical circles in the background when used in Read more inside...Focal length comparison: 645 format vs 35mm format
Focal length comparison: 645 format vs 35mm format
We all know know that when you use a full-frame lens on a crop-sensor camera, that we can consider there to be a new “effective focal length” of the lens on the crop sensor because the field of view changes. When we now change our composition with the crop-sensor camera to match that of the 35mm camera, we change our own position, we then effectively get thane 1.5x or 1.6x focal length increase. This has been explored in the article: Full-frame vs Crop-sensor comparison : Depth-of-field & perspective. But now what happens when Read more inside...Time-Lapse Photography project in New York: Cipriani
Time-Lapse Photography project in New York: Cipriani
The beauty of time-lapse photography is that you are able compress a much longer event, into a shorter video which can be visually grasped. One of the biggest time-lapse projects I have been involved in, is for a New York event planner, Norma Cohen Productions, who needed a time-lapse video to show the epic scale of a wedding reception that she was tasked with. It took 3 days to set up this entire event! I shot 32,500 RAW frames with 4 cameras over the course of those 3 days. And yes, it took my computer several days to grind Read more inside...What’s in my bag – lighting gear for headshots on location
What's in my bag - lighting gear for headshots on location
In one of the previous articles dealing with lighting gear for headshots on location - headshot photography lighting on location - I showed the need to be flexible. There I showed a number of the setups I have used, depending on the client's needs, and also dependent on where we are shooting. With this article now, I want to more specifically show the lighting gear I have in my lighting roller case - my usual minimum setup. As you might expect by now, my lighting choice is based on the Profoto B1 and A1 flashes. It is a Read more inside...- « Previous Page
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