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Tangents

wedding photography: how do you light large groups? … evenly!

July 10, 2011

wedding photography – lighting large groups

Weddings are one of those occasions when families and friends come together from far and wide. An opportunity to see people they might rarely see otherwise. So it is an important task of any wedding photographer to record this – to get photographs of the various family groups.

This photo is the pull-back shot from one of the big groups I had to photograph at an Indian wedding this weekend. Now, everyone who has been to an Indian wedding, knows that they are sprawling events. There’s lots going on and it can be slightly chaotic at times. So when the bride warned me before the wedding date that there were several large groups of people that she’d love to have photographed, I was ready …

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wedding photography – light & lighting; posing & direction

July 5, 2011

wedding photography – light, lighting, posing & direction  - making the decisions

The title of this article is quite ambitious. To cover all of that, it would be a 50,000 word book. But in editing this wedding at the moment, I noticed this photograph, and I love the look of it. So in the context of that one single image, let’s look how it all came together. While the photograph itself isn’t complicated, a lot of quick decisions went into making this image work … and easy to edit. A number of things had to be considered, but instead of being overwhelmed by juggling all the decisions and thought-processes simultaneously, there’s a way to break it all down to simple elements which will help the photo session come together naturally.

Now even if you’re not that interested in wedding photography per se, hang in for a while, for the thinking here is applicable to just about any other field of photography …

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4th of July fireworks display, New York

July 4, 2011

photographing the 4th of July fireworks display, New York

Braving the crowds (and insane traffic) in Hoboken tonight, I had a good view of magnificent 4th of July fireworks display on the Hudson River. From this viewpoint, Manhattan is to my right, and barely visible on the edge of the frame. I wanted to include the reflections in the water as well, since the surreal blend of colors helped anchor the intricate fireworks. The photography technique was simple enough – a slow shutter speed, a low ISO … and a tripod and remote release for the camera.

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inspiration from movies – a visual feast for photographers

July 3, 2011

inspiration from movies – a visual feast for photographers

It would be a rare photographer – in a fact a rare person – who isn’t fascinated by other forms of art, whether music, dance, various visual arts, architecture and everything we surround ourselves with. I just can’t imagine a photographer not finding inspiration specifically in other visual art forms, whether cartoons & graphic novels, all the way to the classic painters … and of course, movies.

Last night we watched Micmacs, another of the surreal hyper-kinetic movies by director Jean-Pierre Jeunet. Every frame of that movie is a beautifully composed. A work of art. Afterwards I felt that push again that I need to be more creative with my photography.

Micmacs was released in 2010, but before investigating that movie, I’d have to urge you to first watch Jean-Pierre Jeunet’s masterpiece – Amelie.

The screen-capture at the top is from Amelie. No words can quite describe what a joy ride of a movie it is. Emotionally over-powering. Exhilirating! With that, I’d also like to mention 10 other movies, all personal favorites, that are visual feasts for photographers …

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