While photographing dancer, Anna Russell, in this side-street in New York, I noticed those splashes of light against the wall. These little pools of light were from sunlight reflecting off nearby windows. I wanted to see if we could have Anna hit one of those in mid-air. What also helped was the general direction of light in this area - it mostly came from the main road to the left of the frame, since we were shooting in a narrow street with tall buildings. This meant that Anna was facing towards the main source of available light -- and it Read more inside...
Photographing a talented dancer / model, Anna L Russel (Instagram), in the studio, I wanted to think further than just sequences. Recently I have moved more to thinking in terms of larger projects or longer-term projects, even if just over a single photo session. I liked the results from the first few jumps Anna did - explosive movements within which she momentally holds a pose before landing again. I don't know much about dance movements or what would be the perfect execution of a dance move ... which would then affect my timing Read more inside...
One of the most frequent (but easily corrected) mistakes I see when photographers use off-camera flash, is that they didn't position the flash in relation to their subject. They simply place the flash to the side (and often at a too-extreme 90 degree angle from their own position), with the flash too low in height.
Your subject's pose and their position most often dictates how you should place the flash.
We perhaps instinctively expect a light source to come from above somewhere, because that is where the sun is, or the light is coming from a Read more inside...
