video: Product photography – two perspectives
Another in the series of Two Perspectives videos — this time with my friend, David Patino, a commercial photographer also here in New Jersey. The challenge this time was product photography. We both photograph two items (in our respective studios), with different approaches.
The product photography that I do, is generally catalog work done on a white product table and only requires this simpler way of shooting. David has a more creative approach, and it is fascinating to see him work with an idea.
I mostly use the Manfrotto large still life shooting table (B&H) in the studio. It makes it really easy to get that white “infinity curve” look for catalog work such as product listings on Amazon. There’s a way of shooting with it that gives good results quickly. The adage that “if you only have a hammer, everything looks like a nail”, is quite true. With this challenge I defaulted into thinking in terms of the shooting table / product table. David’s creativity took him further, and this makes for (I think) a fascinating video, even if the video is somewhat longer than usual.
When I photographed the two items, I relied on things I have learned over time, including from David. For the first item, a clock with reflective surfaces, we constructed a translucent cone with a roll of Savage Translum backdrop (B&H / Amazon) that I had in the studio for just such occasions. Over time you accumulate these items in a studio, including the black perspex I had on hand to photograph the second item – a flashlight.
David uses a medium format camera mostly – the Phase One XF with the IQ3 trichromatic back. This camera (with the Helicon Focus software ) allows focus stacking – you can shoot sequences of images which have a slightly different focus points, and any of these sequence of images can then be compiled in software to a single image which then appears to have much bigger depth-of-field. (Photoshop does this as well.) He used Capture One software to concert the RAW images to TIFF files. (In the video he said JPGs, but he concerts to TIFF as his regular workflow.)
More of David Patino’s work: Website | Instagram | YouTube | Podcast
Photo gear used during these photo sessions
Neil vN’s studio:
- Nikon D810 (affiliate)
- Nikon 105mm f/2.8 VR macro lens (B&H / Amazon)
- Manfrotto large still life shooting table (B&H)
- (2x) Profoto D1 500Ws studio flashes (B&H / Amazon)
- (2x) Profoto 2×3 RFi softbox (B&H / Amazon)
- Savage Translum backdrop (B&H / Amazon)
- C-stands
David Patino’s studio:
- Phase One XF with the IQ3 trichromatic back
- Schneider Kreuznach 150mm f/2.8
- (3x) Profoto B1 flash (B&H / Amazon)
- Profoto 2×3 RFi softbox (B&H / Amazon)
- Profoto RFi 3×4 softbox (affiliate)
- Matthews Solid Frame Scrim White Artificial Silk (48 x 48″) (B&H)
- Lee 216 white diffusion filter (B&H)
- C-stands
Related articles
- For more Two Perspectives videos
- More articles on Studio Photography
- For more videos, follow me on Vimeo / YouTube
Those perspectives are awesome. It’s great to see what goes into a product shoot that may seem simple to the untrained eye.
A wonderful video. Photography is not a math and every approach is unique for every photographer. It show how we see the things different from each other. Thanks guys!