composition in photography – framing the shot
In composing a photograph, what you exclude from the frame, is as important as what you include. With this portrait of Anelisa, I noticed that at this angle, the light reflecting off the black-painted wall created a warm glow of light behind her. With the receding lines of the bricks, I immediately composed the photo to exclude everything but our model and the specific background. A very specific background. Looking at the edges of the camera’s viewfinder, I eliminated everything that could distract or didn’t add to the image, such as the shop fronts in the background. (This image could perhaps still be tightened up with a minor crop in the edit. But this is the full frame as I had it in the camera, so I had to go with the usual 2:3 ratio.)
Just the sunlight reflecting off the sidewalk that flooded the area with warm soft light.
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