Creating dramatic studio lighting with Profoto A2 flashes
Creating dramatic studio lighting with Profoto A2 flashes
Profoto has created an entire system of portable lighting with accessories around their Profoto A2 flash (B&H / Amazon). I had the rare opportunity to connect again with one of my favorite models, Erin Leigh Pribyl, for a photo session in my studio. Even in this short video clip, you'll get a sense of her personality. With this, I wanted to create dramatic portrait lighting with a hint of the old Hollywood Glamor lighting, but with color instead of B&W. In this video is a glimpse of how I built up 4 Read more inside...Short lighting with on-camera bounce flash
Short lighting with on-camera bounce flash
In the recent article — The simplicity of on-camera bounce flash — the flash was used as fill light to "clean up" the light and give a sparkle to the eyes. In that scenario, as fill-flash the flash didn't really add directional light or shape the light on our subject. Where on-camera bounce flash is our only / main light source, then we can get creative with the direction of light and shape an interesting, dynamic light pattern on our subject. We can even create short lighting for our portraits created with only on-camera bounce flash. To Read more inside...Studio lighting ideas : learning from other photographers
Studio lighting ideas : learning from other photographers
One of the cool things about renting out my studio to other photographers, is that I get to see how they work, and what they do differently in terms of their lighting, and how they work with their subjects. During the past 2 days, I had Jason Buff in my studio where he presented his masterclass workshop on his style of portraits. Jason specializes in studio portraits with a painterly quality. He was kind enough to invite me to take a few photos as well. I didn't take the photograph much further in terms of his style of Read more inside...Fashion inspired photo session in New York, with the Zeiss ZX1
Fashion inspired photo session in New York, with the Zeiss ZX1
As another installment on the theme of Two Perspectives, I met up with my friend Tracy Bosworth Page (instagram), while she was on a visit to New York. She had brought along a most interesting camera for her visit -- the very unusual and beautiful Zeiss ZX1 (B&H / Amazon). I mentioned my interest in checking out this camera and playing with it, and Since she is a Zeiss brand ambassador, she was able to wangle a loaner copy of this camera for me to use for a few days ... and from that was Read more inside...Off-camera flash with the Profoto A1, A1x, A10 flashes
Off-camera flash with the Profoto A1, A1x, A10 flashes
Profoto has a huge array of light modifiers which use their proprietary speed-ring and collar. The Profoto collar is especially easy to use in how the light modifiers fasten to the Profoto flashes. All fine .. except that until now, there was a big gap preventing you from using the Profoto A series flashes with those light modifiers. Profoto took the obvious next big step by adding the Profoto OCF adapter (B&H / Amazon) into the mix. You can now use your Profoto A1 series flashes with any of those light Read more inside...Clam-shell lighting for headshots and portraits
Clam-shell lighting for headshots and portraits
Clamshell lighting is one of the simplest lighting setups for headshots and portraits. Two lights are set up to light your subject from above and from below. Both are at approximately a 45 degree angle. This gives an even light on your subject, that somehow has a glowing effect. Easy to set up, and gives consistently good results. Here I used studio lighting, but obviously it is just as easy with speedlights. You must have seen similar clamshell style lighting setups, but with a reflector below instead. This 2nd light source from Read more inside...An occasional muse
An occasional muse
It is exactly 10 years today, March 21, since the first time I photographed Anelisa. She responded to a casting call for someone to model at one of my photography workshops. She had a magical quality and was supremely photogenic ... and since then Anelisa has been my occasional muse. She is usually the first one that I contact when I need a model at a workshop. I posted photographs from that first session in this article - Effective on-location portraits. Over time I have worked with Anelisa numerous times, and she has also appeared on the cover of two of my books: Read more inside...Available light photography – looking for good light
Available light photography - looking for good light
When shooting for fun on location with a model, and have the time, I have this personal challenge - to find interesting sources of light. Those spots of found light where a little bit of magic happens. This photo of Anastasiya was taken in Grand Central, New York. While the station's architecture is impressive, the light levels there are very low, and quite flat. It's a place you want to take photos at, because it is so beautiful inside - but it is a challenge. The light there just don't lend itself to good portraits in an obvious Read more inside...Review: Sony 135mm f/1.8 GM lens
Review: Sony 135mm f/1.8 GM lens
The 135mm focal length is super for getting more reach than 85mm or 100mm would, but still keeping the lens to a smaller size. While the smaller size is nice, it was the fast aperture was what I really wanted. That the lens is super-sharp is an extra bonus. The Lens Rentals review has this as "This is the sharpest lens we’ve tested. Period." That says something! The first thing to notice about this lens is the fast f1/.8 aperture. Even though I mostly use a 70-200mm f/2.8 lens for events and headshot photography, there are times where I need that Read more inside...- 1
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