I'm a bit of snob when it comes to the sharpness of lenses. Vintage lenses and lenses such as the Mitakon Speedmaster 50mm f/0.95 are the exceptions - they have a specific character. Modern lenses though - I want them sharp. As a friend once said, there's sharp, and then there's stuff you can shave with. Until now, I’ve had no native Sony lenses - just a drawer full of vintage lenses for the Sony - so I had to go out and buy a proper Sony FE lens to use with the only A7R III. Since I use Nikon cameras for the serious work, I couldn't justify the Read more inside...
The Mitakon Zhongyi Speedmaster 50mm f/0.95 (B&H / Amazon), is an immediately impressive lens - it has that unusually wide aperture. Zero point nine five. Just how good is it then, you may well ask. Lenses with super-wide apertures tend to show some softness and optical aberrations when used wide open. Similarly then with the Mitakon Zhyongi - there are definite optical flaws, but this also adds to the character of the images you get with this lens. It's not just the super-shallow depth-field that defines Read more inside...
