from the hip …
Here is a simple technique which some of you might already know of - shooting from the hip without looking through the viewfinder. At weddings, when photographing the party and dancing during the reception with a wide-angle lens, I often don't hold the camera up to my eye. Instead I rely on the infra-red beam from the speedlight to show me what the camera is focusing on. Then, using the focus-lock-and-hold method, I keep focus and reframe the shot if needed. This way I can shoot from the hip without looking through the viewfinder, but still have images that are well composed. Here are Read more inside...
wedding photography: standing out / blending in
wedding photography: standing out / blending in
An interesting question I received in an email recently had me thinking about, and considering my style in photographing weddings: Do you sometimes feel as if you can't be inconspicuous in order to get a certain shot during a wedding? There have been times I feel like I'm not blending into the background enough. How do you handle this? (Regina Coble) In trying to verbalize my answer, I came upon some interesting insights for myself. Read more inside...gear for destination wedding photography (Canon)
gear for destination wedding photography (Canon)
I enjoy photographing destination weddings- and I've been fortunate to photograph weddings in Aruba, Bahamas, Miami and Las Vegas. These are weddings are often in exotic locales. (Well, nearly everything will seem exotic outside of New Jersey, but I digress.) Even even though it sounds exciting to photograph in faraway places, there is a challenge that comes along with that - packing enough of my gear and getting it safely to my destination. It is even more of a challenge with restrictions placed on air travel. Since I Read more inside...Developing your photographic style – the necessary photo gear
Developing your photographic style - the necessary photo gear
A constant debate that I see online is whether a specific piece of equipment is justifiable. And whether it is justifiable in terms of a business decision. The discussion typically centers around something like the eternal, "What will the 85mm f1.2 give me that the 85mm f1.8 won't? And is it worth $1000 more?" But I feel that in phrasing the question like that, the real effects that equipment choice have on our style are disregarded. I firmly believe that: Style should always be evolving, borne from our choices and Read more inside...- « Previous Page
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