Bounce flash photography with wooden ceilings
Bounce flash photography with wooden ceilings
When photographing wedding receptions, I would ideally like to get away with just one on-camera flash that I bounce off surfaces behind me. A venue with (close to) white ceilings and walls are just perfect. Super easy. Even with really high ceilings, I try to make it work. Here for example, I used a single bare on-camera flash to light up the entire place -- Wedding reception lighting with one flash. No diffuser cup or white bounce card. Bare flash with the Black Foamie Thing. But occasionally I reach the dead-end of a venue with black Read more inside...More intuitive composition with eye-focus of mirrorless cameras
More intuitive composition with eye-focus of mirrorless cameras
Continuing on a topic we have discussed here before: a strong advantage that mirrorless cameras have over DSLRs – how Eye-focus makes Composition more intuitive. When I reviewed the sequence of images while photographing a wedding recently, where the bridesmaids were helping to lace up the bride's corset, the composition immediately stood out for me -- all the elements just came together. A bit of luck ... and being ready. The composition really hangs together, because the bridesmaid in the center is framed by all the Read more inside...Wedding portraits in less than perfect locations
Wedding portraits in less than perfect locations
With wedding photography you so often have to work with a time crunch. The timeline doesn't go strictly according to the original plans for the day -- and you as the photographer still have to make sure you get a variety of photos for your clients. You still have to deliver. With this in mind, you use interstitial fragments of opportunity to get photos. You try to use that "dead time" where you can. This portrait of the lovely bride is from an Indian wedding I helped photograph. At some point before the ceremony started, the bride Read more inside...Posing into the light for better portraits
Posing into the light for better portraits
This is a simple illustration again of the idea that posing and light(ing) go hand-in-hand. You can't really separate these two aspects when photographing people. When there is a video team at a wedding, I have to accommodate them in not using flash when they are shooting their sequences during the romantic portrait session with the bride and groom. Then I have to rely entirely on just the available light. In this example, they had the bride, Amanda, walk down the jetty twice - a good opportunity for me to shoot some extra images to pad Read more inside...Wedding portrait ideas
Wedding portrait ideas
The part of photographing the wedding day that I enjoy the most, is the romantic portraits. I believe this is where photographers are more able to assert a style. Especially in comparison to photographing the ceremony as an example, where you have to record the proceedings, as they are presented. Sure, the final result would depend on composition and timing - all crucial elements. But there isn't a way for the photographer to really influence the look of the ceremony photos as compared to what is possible in photographing the wedding portraits, and specifically Read more inside...Bounce flash photography and dark ceilings
Bounce flash photography and dark ceilings
With the tutorials here on how to bounce flash, the questions inevitably come up - what if there is nothing to bounce your flash off? What if there are dark ceilings? Well, these limitations do affect how I use flash at events - but I still work according to a few set guidelines that give me the best results with bounce flash. I bounce my flash into the direction that I want to come from, regardless of whether there is a white wall or ceiling. It really is all about the Direction of Light. I also shy away from using any of the Read more inside...One Perfect Moment – wedding photography
One Perfect Moment - wedding photography
I have opinions. This time, wedding photography. Greg Riccardi, one of the top wedding and event videographers in north Jersey, asked me a few questions in this interview - my start in photography, as well as what a bride and groom should look for in wedding photographers. He also asked me about trends I may have noticed in wedding photography. My business name is One Perfect Moment for specific reasons. The name is derived from Henri-Cartier Bresson's ideal of the decisive moment. That slice of time when everything just comes together Read more inside...Wedding photography – Style & Serendipity
Wedding photography - Style & Serendipity
There's this balance I feel I need to maintain in my professional photography, and especially with weddings. The photos I take, need to solidly be within the style that I show on my website - this is what my clients hired me for. On top of that though, there is the urge within as an artist, and as an obligation to my clients, to produce more. To deliver photos with a little extra. Something slightly different. I want to expand what I do, and expand on my style and 'look'. So with every shoot and every wedding, I'm always looking for Read more inside...Lighting styles in wedding photography
Lighting styles in wedding photography
Two interesting questions came up in the Tangents FB group - both posted by Matthew Ciscart, one of the regulars: The first question was whether a client had ever asked for a specific lighting? Such, hard light, soft light, natural, or ocf? The other question was whether any of the photographers had a specific go-to style of using lighting. That one thing they do. My reply to this, relating it to lighting styles in wedding photography, was I haven't had a client ask for any specific lighting. However, I do believe my website shows a Read more inside...- 1
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