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Photographing the wedding processional with extreme bounce flash

April 4, 2013 Neil vN 28 Comments

Photographing the wedding processional with extreme bounce flash

As mentioned in the article on photographing the wedding processional, in my opinion, the wedding processional in the church is likely the most challenging part of the day in terms of our technique. People are moving towards you - admittedly at slow pace, unless the bridesmaids are nervous. Then they can easily just zip right up to the front! The light levels are low, and the light is most likely uneven. Adding flash to this is a reliable way to get clean open light on your subjects, but bounce flash can be a bit of a  Read more inside...

review: Fuji X100s

April 1, 2013 Neil vN 33 Comments

review: Fuji X100s

One of the most compelling cameras in recent years, was the Fuji X100. It had a slick retro look, solid build, and some interesting features such as the hybrid optical viewfinder. The camera looked quite sexy slung over your shoulder, and felt great in your hands. But it had a few flaws. Sluggish handling at times, and more crucially, erratic auto-focus. It tended to grab the background when focusing in low-contrast light. I loved my Fuji X100, but eventually sold it because of these frustrations. Well, the Fuji X100 was updated with the Fuji  Read more inside...

Studio lighting: harder light = dramatic light

March 29, 2013 Neil vN 3 Comments

Studio lighting: harder light = dramatic light

When I first started exploring bounce flash, and then off-camera flash and then progressing towards studio photography, my tendency was also instinctively towards softer light. A large light source gives you softer light, which is also more forgiving in terms of how you position your subject and yourself in relation to the light. A large light source is easy to work with because it creates softer light that easily wraps around your subject. Soft light is flattering. But it soon became obvious that I was missing out on that dramatic  Read more inside...

Video clip: Studio Photo session

March 27, 2013 Neil vN 14 Comments

Video clip: Studio photo session w/ Anelisa

To promote my studio as a rental photography studio here in New Jersey, I created this video clip. It's not quite a behind-the-scenes clip since my intention was to show some of the diversity that is possible in the studio. Using different lighting, and different backgrounds and setups, the final photographs look quite different. Gallery of images of photo session with Anelisa, and other models subsequently. Photography studio rental NJ For more videos, follow me on Vimeo / YouTube The specific sequences will appear as  Read more inside...

What if bounce flash isn’t strong enough?

March 26, 2013 Neil vN 16 Comments

What if bounce flash isn't strong enough?

Because I so often use on-camera bounce flash, one of the questions I'm regularly asked is, what if there is nothing to bounce your flash off? There is also the variant - what if there isn't enough light from the bounced flash? In both cases, the answer is the same - you improvise! Not only that, but you need to be prepared to improvise. The photograph above is from a recent Bat Mitzvah, showing the big group shot of the kids. If you've photographed Bar / Bat Mitzvahs before, you know this is coming up, and you have to be prepared for  Read more inside...

Continuous lighting – Westcott Spiderlite TD6

March 21, 2013 Neil vN 16 Comments

Continuous lighting - Westcott Spiderlite TD6

The beauty of continuous lighting, such as the  Westcott Spiderlite TD6 (B&H / Amazon) , is that you can see exactly how the light falls on your subject. It is easier now to nudge your lighting to the best position, as well as your subject in how they should move or pose. The Westcott Spiderlites can take a softbox, which gives you beautiful soft light. The downside of these lights, are that they usually aren't very powerful. Unless you are working with a tripod, you'll have to rely on higher ISO settings and wide  Read more inside...

Studio lighting: Ringflash as a single light-source

March 20, 2013 Neil vN 21 Comments

Studio lighting: Ringflash as a single light-source

I have a confession to make about ring-flash, especially when it is used as a single light-source. I've never been a fan. I've never liked the stark over-lit look that it produces. Even in images that are supposed to be edgy and trendy. I've seen some incredible examples where the ringflash is part of a multi-light setup, with the ring-flash doing a just little bit of the work. But I haven't yet seen an image where the ring-flash was the only light source (or dominant light source), where the photo has set my world  Read more inside...

Boudoir photo session w/ Westcott Spiderlites

March 18, 2013 Neil vN 8 Comments

Boudoir photo session w/ Westcott Spiderlites TD6 and TD5

When Morgan contacted me, I knew I wanted her tattoos to feature. (Check her Model Mayhem portfolio.) We met up in my studio for the shoot to try several ideas. First, I tried ring-flash, but as usual, disliked the look of ring-flash. I just can't get into it.  A funny thing about style - I like soft light - so I went Westcott Spiderlites (continuous lights) and a large softbox on Morgan, and a Profoto flash head to light up the white paper backdrop. It looked pretty cool. Then, for the final part of the photo session, I  Read more inside...

You must have a great camera

March 16, 2013 Neil vN 33 Comments

Your photographs are wonderful - you must have a great camera

There is an amusing anecdote doing the rounds as a graphic on Facebook and elsewhere - it's a quote ascribed to Sam Haskins. Now, if you consider the number of quotes that get propagated on Facebook that are ascribed to Morgan Freeman, I'm surprised Sam Haskins even got a mention. But I digress. The quote relates a story where a photographer smacks down a socialite in New York for some comment about the photographer's camera. Well, here it is, and it kinda rankles me ...  Read more inside...

review: Litepanels Croma LED video light

March 13, 2013 Neil vN 7 Comments

review: Litepanels Croma LED video light

What sets Litepanels Croma LED video light  (B&H / Amazon) apart from most, is that you can vary the color temperature. You can vary the WB between 3200K and 5600K by dialing a knob. No more need for a gel to be clipped in and out. The gel (or lack of gel) would mean a specific WB with the LitePanels Pro. With the variable adjustment of the Litepanels Croma, you have every color balance setting inbetween.  Read more inside...

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