June 18, 2014

Tilo Gockel’s photography on his website and in the Strobist FB group, always impresses. He is always pushing his own boundaries, coming up with images that surprise. From photograph of models, to the latest – product photography that excels. Tilo was kind enough to expand on the image, and explain how he set it up.

 

Product Photography – Diver’s Chronograph

a guest post by  Tilo ~Gallo~ Gockel

Hi everyone, I feel very honored that Neil invited me again to write a guest post for the famous Tangents blog. So here we go, and I hope you’ll enjoy it!

I like shooting small objects and I like to try to make them look fresh and cool. Usually, something with flares, blur and backlight and lots of bokeh bubbles is the outcome. :-)

The Idea for “Diver’s Chronograph”
For the watch at hand I thought about a setup, that would deliver a shot that really sparkles, and I knew––from other experiments––that water splashes, frozen via flash and shot with a wide aperture, can look really interesting. For a nice basis I collected some stones from a near railway track (don’t tell them) and arranged them on a board on our bathtub. To get a dark background, I added some dark pieces of foam rubber and a darkblue blanket.

 

The setup

Regarding the light I tried the Honl Traveller 8, but the result was simply too boring. It totally lacked that punch and backlit feeling and “that lots of light everywhere” mood I was after. So again, I ended up using bounce flash, as learned from Neil and his two great books.
The setup is as simple as can be: It consists of a dark background to shoot against, that makes the bright bokeh bubbles perfectly visible, and a piece of crinkled aluminium foil to bounce the flash off.

I packed one of my YN-560 flashes equipped with a RF-602 transmitter in a freezer bag and mounted it on a coldshoe, on a lightstand. The light direction was chosen in a way, that there was just enough backlight and flare, but not too much. That took some adjustments and perhaps something like 15 test shots.

 

The actual setup

Once everything was in place, the rest was a piece of cake: Turn on the shower and shoot and then wipe the camera and the watch dry again and then repeat. :-)

STROBIST: Just one bare flash YN-560, in a plastic bag, shooting against a crinkled piece of tinfoil in the background.

EXIF: Canon EOS 5DMk II with EF 50 f/2.5 Compact Macro, @ f/2.8, 1/160 second, ISO 200, Raw.

 

Notes and Tips and Tricks

Regarding Photoshop: In between the splash shots I also captured some clean shots from the watch (perpendicular to the watch, so everything is in focus). So I had a clean brand name and logo, and so I was able to insert that clean logo (the “Breitling” writing and the date and the little wings) later in the shot. In my eyes it is important to keep the logo and brand name clearly recogniceable and readable. I also did a double raw conversion in Adobe Camera Raw, first for the background (blueish, contrasty, edgy) and second for the wristwatch (a bit warmer, a tiny bit softer) and blended these two layers with a mask.

The original shot, straight out of camera

 

A shot without splashes, to extract the logo and the writing.

 

I don’t like tripods that much, and also it was not necessary here, because the flash freezes the action anyway. If you want to shoot something similar, then try lots of different shooting angles, to get, hopefully, one shot with the right amount of backlight and flares. You can try varying your camera’s angle and also the angle of the flash.

A shot with too much backlight and flares in it. The right amount needs some experimenting!

I set the watch on a time, where the fingers form a nice smiling face and then pulled out the knob to stop the movement. With Photoshop, I shifted that knob back in later in the post processing.

To pack that flash waterproof, I put in a freezer bag and fixated it on the lightstand using a coldshoe––this actually worked and there was not one single drop on the flash. The coldshoe clamps the flash together with the bag around without destroying the bag.

This was shot using the EF 50 f/2.5 Compact macro and that is, afaik, the cheapest lens, which is Canon CPS certificated! Also it is a lens, which I really like a lot, because it is so small, lightweight and versatile.

Lens used: An insider’s tip: the Canon EF 50 f/2.5 Compact Macro

And then, of course, this type of splash shots do not work only with watches, but for example also for fruits and veggies. So if you are looking for a food shot setup, that lets your radishes really sparkle, this could be a simple and cheap way to realize that! :-)

Sparkling radishes, shot with the same setup

 

Summary

If you enjoyed this little workshop, you also might enjoy my blog. It’s still in German, but with Google Translator and with the lots of pullback shots and stuff there, I think, everyone gets the idea what’s going on there. :-)
kontakt@fotopraxis.net

http://www.fotopraxis.net

 

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{ 15 comments. } Add a Comment

1 Ed June 18, 2014 at 7:57 pm

Great article…but just check the links to his website..they don’t work…

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2 Neil vN June 18, 2014 at 8:40 pm

Thank you for the heads-up. I forgot to add the http://
Noob mistake. Fixed now.

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3 Trev June 18, 2014 at 8:20 pm

Top shots Tilo, good stuff. Thanks very much for the article also.

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4 Daniel June 18, 2014 at 11:27 pm

If you used the bft on the flash to control the spill of light do you think it would’ve worked as well? Or you needed more pop?

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5 Tilo June 19, 2014 at 4:13 am

Hi and thanks for the nice words, I appreciate it!
@Daniel: Perhaps the bft might have helped to prevent too much flare and backlight, but turning the flash head a bit worked also in this case …

Reply

6 Darren June 19, 2014 at 11:31 am

Hi Tilo, great article!
You have shown in the article that you took a shot of the watch with no water splashes, with the watch parallel to the sensor so as to get a sharp image of the watch face to grab the logo. In the final shot the watch is now back at a slight angle to the camera sensor. When you layered in the logo from the parallel shot do you have to use free transform or something to add the angle back in to the watch logo or something? Or was it not needed as the angle was so small?
Thanks.

Darren.

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7 rudy June 19, 2014 at 12:33 pm

love the set up! nicely done and fantastic results

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8 Mandi @ DIYCraftPhotography June 19, 2014 at 1:35 pm

Brilliant! How daring! I never thought of the shower as a place I’d want my camera to go, but his equipment survived, eh? :D

I can’t stop looking at the final result… wow, just wow!

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9 Tilo June 19, 2014 at 7:26 pm

@Darren: thanks for asking, yes, right, I had to use the free transform tool …
@Mandy: sure, the equipment survived …. that depends on the focal lens of your macro. As I chose a shorter focal lens of 50 mm, I had some drops on the lens, and the cam , but who cares :-), just wipe it of …! .-)

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10 Gary June 20, 2014 at 2:03 am

Great photo and even greater website_Am so amazed by what you achieve with speedlights__Gaz

“also fab that you show straight from camera photos”

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11 SMC June 20, 2014 at 2:59 pm

I whole heartedly agree with Gary. I have not been able to close Tilo’s web site all day. Tilo you work is wonderful. Thank you and Neil for having you write another article. By the way, what was the other article about that you wrote for Neil?

Cheers

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12 Neil vN June 20, 2014 at 3:03 pm

Flash Photography Tips, by Tilo Gockel

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13 Tilo June 21, 2014 at 2:53 am

thanks for the nice words,
here comes the Google translated english version of my blog (www.fotopraxis.net). I hope it is at least understandable :-)

https://translate.google.de/translate?sl=de&tl=en&js=y&prev=_t&hl=de&ie=UTF-8&u=www.fotopraxis.net&edit-text=&act=url

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14 Gary June 21, 2014 at 2:57 am

Thank you Tilo for the english version very much appreciated.I will spend some time looking through the site over the coming weeks and no doubt try to re create some of the photos and techniques.
Gaz

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15 photomatte June 23, 2014 at 10:48 pm

I like how Gary still had the watch face in the ‘happy face’ position (if you look at 99% of ads that feature watches or clocks with an analog–not digital–readout, you’ll notice the time is set to 10:10. This is because of the subliminal ‘smile’ that’s created when the clock hands are in that position); Gary had his watch turned 90 degrees but kept the ‘happy face’ going by having the time set to 1:25. Nice!

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