Dramatic and dynamic lighting for group photos
Dramatic and dynamic lighting for group photos
This group photo appeared as part of a sequence of images, for a story on the CEO for a financial magazine. The group photo was a composite of a number of photos of the individuals. For a first attempt though, I took a safe shot first of the group with two Profoto B1 flashes bounced into the hallways behind me (photo shown below) … but it kinda looked dull in comparison to the final collage image which the client much more preferred. For this collage / composite photo, I had my assistant light each person individually with a Profoto Read more inside...Compact, portable off-camera lighting : Profoto A2 flash
Compact, portable off-camera lighting : Profoto A2 flash & Clic softbox
Very often when I use off-camera lighting on location, I'm not among for dramatic lighting, but rather using the off-camera lighting to enhance the existing light. I want to get a cleaner, slightly more punchy look - but one where the use of flash might not be that immediately obvious. To this end, I love using light-weight portable off-camera lighting. Something compact that is easy to carry, and easy for my assistant to hold up. When working in Manhattan, the use of a light-stand might get you in trouble in Read more inside...Review : Profoto A2 flash & Clic light modifiers
Review : Profoto A2 flash & Clic light modifiers
Profoto has created an entire system of portable lighting with accessories around their Profoto A2 flash (B&H / Amazon). With this behind-the-scenes video, I show how I used the Profoto A2 flashes and accessories during a photo session with a friend, Franklin Elliot, who is a musician and actor (Instagram / Youtube). The intent was to create a series of promotional photos, with a variety of looks. During the extended photo session, we achieved 5 different setups. I want to highlight one Read more inside...A lighting solution for photographing a wedding ceremony in a barn
A lighting solution for photographing a wedding ceremony in a barn
An endearing image : the somewhat shy ring-bearer had to be coaxed by the bride and groom to bring the wedding rings to them. Most often, the lighting that I use isn't for dramatic, artistic purposes ... but instead for problem solving. Since it was raining on the day, the outdoor wedding ceremony was moved inside to this large barn. There was very little light inside, and there was strong backlighting. I needed even light, and I also needed to use a telephoto zoom to take photos from further up the aisle. Read more inside...Times Square NYC photo session – off-camera flash
Times Square NYC photo session - off-camera flash
Becky and Mark were visiting New York from the UK, and wanted to do a photo session here. I took them around various posts in the vicinity of Times Square where their hotel was. The lighting for this photo session varied from the available light in Times Square, to enhancing it with off-camera lighting. The idea was to make the off-camera light still look fairly natural in those surroundings. Manhattan is always hectic with pedestrians, and a light-stand isn't always feasible. So I have my assistant hold up a flash on a monopod. Read more inside...Wedding photography: Video light vs (gelled) flash
Wedding photography: Video light vs (gelled) flash
Over time, I've posted several articles explaining how I use gels to bring the color of my flash closer to that of the ambient light. In summary, we gel our flash, to improve the color balance in the photo, and avoid an overly saturated murky orange background, when our subject is lit by flash, and the background is lit by incandescent lighting or warm lighting of some kind. We can reduce this difference in color temperature / white balance, by adding a gel to our flash. The gel can be CTO or CTS. I prefer CTS, and usually as a 1/2 Read more inside...review: Profoto A10 flash
review: Profoto A10 flash
The Profoto A10 flash (Amazon / B&H)is an update on the already impressive Profoto A1 flash - it is powerful, and it recycles fast - just 1 second from a full power burst. The controls on the A1, and now the A10 are easy to use. The same for the menu system - everything is obvious. With this video review of the Profoto A10 flash, we are going to look at some of that features -- but also the way that you can now control the Profoto A10 via an app on your phone, using the bluetooth connection. Another improvement that the A10 has over Read more inside...Off-camera flash with the Profoto A1, A1x, A10 flashes
Off-camera flash with the Profoto A1, A1x, A10 flashes
Profoto has a huge array of light modifiers which use their proprietary speed-ring and collar. The Profoto collar is especially easy to use in how the light modifiers fasten to the Profoto flashes. All fine .. except that until now, there was a big gap preventing you from using the Profoto A series flashes with those light modifiers. Profoto took the obvious next big step by adding the Profoto OCF adapter (B&H / Amazon) into the mix. You can now use your Profoto A1 series flashes with any of those light Read more inside...Lighting for on-location headshot photography
Lighting for on-location headshot photography
For headshot photography in New York, where we might roam around, a static setup with light-stands isn't that feasible. It would slow us down from getting a variety of images when we are on the move. For that, I like to keep the lighting setup small and portable. My preference for lighting for on-location headshot photography, is the Profoto B10 flash (B&H / Amazon) coupled with the Profoto OCF Beauty Dish (24") (B&H / Amazon). Here is a pull-back shot to show the lighting setup Read more inside...- 1
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