A lighting solution for photographing a wedding ceremony in a barn
A lighting solution for photographing a wedding ceremony in a barn
An endearing image : the somewhat shy ring-bearer had to be coaxed by the bride and groom to bring the wedding rings to them. Most often, the lighting that I use isn't for dramatic, artistic purposes ... but instead for problem solving. Since it was raining on the day, the outdoor wedding ceremony was moved inside to this large barn. There was very little light inside, and there was strong backlighting. I needed even light, and I also needed to use a telephoto zoom to take photos from further up the aisle. Read more inside...Times Square NYC photo session – off-camera flash
Times Square NYC photo session - off-camera flash
Becky and Mark were visiting New York from the UK, and wanted to do a photo session here. I took them around various posts in the vicinity of Times Square where their hotel was. The lighting for this photo session varied from the available light in Times Square, to enhancing it with off-camera lighting. The idea was to make the off-camera light still look fairly natural in those surroundings. Manhattan is always hectic with pedestrians, and a light-stand isn't always feasible. So I have my assistant hold up a flash on a monopod. Read more inside...Wedding photography: Video light vs (gelled) flash
Wedding photography: Video light vs (gelled) flash
Over time, I've posted several articles explaining how I use gels to bring the color of my flash closer to that of the ambient light. In summary, we gel our flash, to improve the color balance in the photo, and avoid an overly saturated murky orange background, when our subject is lit by flash, and the background is lit by incandescent lighting or warm lighting of some kind. We can reduce this difference in color temperature / white balance, by adding a gel to our flash. The gel can be CTO or CTS. I prefer CTS, and usually as a 1/2 Read more inside...review: Profoto A10 flash
review: Profoto A10 flash
The Profoto A10 flash (Amazon / B&H)is an update on the already impressive Profoto A1 flash - it is powerful, and it recycles fast - just 1 second from a full power burst. The controls on the A1, and now the A10 are easy to use. The same for the menu system - everything is obvious. With this video review of the Profoto A10 flash, we are going to look at some of that features -- but also the way that you can now control the Profoto A10 via an app on your phone, using the bluetooth connection. Another improvement that the A10 has over Read more inside...Off-camera flash with the Profoto A1, A1x, A10 flashes
Off-camera flash with the Profoto A1, A1x, A10 flashes
Profoto has a huge array of light modifiers which use their proprietary speed-ring and collar. The Profoto collar is especially easy to use in how the light modifiers fasten to the Profoto flashes. All fine .. except that until now, there was a big gap preventing you from using the Profoto A series flashes with those light modifiers. Profoto took the obvious next big step by adding the Profoto OCF adapter (B&H / Amazon) into the mix. You can now use your Profoto A1 series flashes with any of those light Read more inside...Lighting for on-location headshot photography
Lighting for on-location headshot photography
For headshot photography in New York, where we might roam around, a static setup with light-stands isn't that feasible. It would slow us down from getting a variety of images when we are on the move. For that, I like to keep the lighting setup small and portable. My preference for lighting for on-location headshot photography, is the Profoto B10 flash (B&H / Amazon) coupled with the Profoto OCF Beauty Dish (24") (B&H / Amazon). Here is a pull-back shot to show the lighting setup Read more inside...Tips for posing your subject during a photo session
Tips for posing your subject during a photo session
Too often, when I am being photographed, I notice one major flaw in how the other photographer interacts with me during the photo session -- they lose connection. They will take a shot, and then spend too long checking the image. Then after that, every other shot is interrupted by looking at the playback screen. Not only is it annoying to the person being photographed - the continuity is lost. Using this photo of Rozalinda as an example - while she looks magnificent, and is supremely easy to pose and interact with, it depends on Read more inside...Flash photography tip – Start with the ambient exposure
Flash photography tip - Start with the ambient exposure
Continuing on from the article - best camera settings for off-camera flash - I wanted to show an example of just one set of choices we had in how we balance flash with the ambient light. And again, to reiterate that there aren't necessarily wrong choices, but that we get to decide on the final look. In that linked article we worked through several algorithms to what would help guide our choice of camera and flash settings. In that article I accentuated the idea that our starting point is invariably with the ambient light. Read more inside...Best camera settings for off-camera flash
Best camera settings for off-camera flash
With many of the tutorial articles on this website that deal with off-camera flash photography, I have attempted to make the explanation not only as straight-forward as possible, but also repeatable. When it comes to camera and flash settings, there is often a specific science at work here - a specific method , which should deliver similar results time and again. The artistic side to photography is open to interpretation, and that is what makes photography continually fascinating - there are always further things to explore. However, when it Read more inside...- 1
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