Late night available light portraits in Las Vegas
Late night available light portraits in Las Vegas
During a chance connection at WPPI photography convention in Vegas, Lupita and I struck up a conversation ... and later that evening we ventured out on the Las Vegas strip for a few late night portraits. With a fast prime lens - the Sony FE 135mm f/1.8 GM lens (B&H / Amazon) - we were able to use just the light on the part of the Strip we explored. Here are a few of my favorite images. It's always an adventure using random available light like this -- there is such a wide range of nuanced shades of colors Read more inside...Dramatic portrait & headshot lighting in the studio
Dramatic portrait & headshot lighting in the studio
Working with the Profoto Spot Small (affiliate), I wanted to create portraits for my portfolio that showed a more dramatic light for portraits. I think these could even be used as secondary headshots in a portfolio. For this photo session, I had actor / model Andy Peeke (Instagram) in the studio. He has the cheekbones for this! For other results from the Profoto Spot Small light modifier, also check out this article: Dramatic studio lighting with the Profoto Spot Small In adapting the lighting setup Read more inside...Tips for posing your subject during a photo session
Tips for posing your subject during a photo session
Too often, when I am being photographed, I notice one major flaw in how the other photographer interacts with me during the photo session -- they lose connection. They will take a shot, and then spend too long checking the image. Then after that, every other shot is interrupted by looking at the playback screen. Not only is it annoying to the person being photographed - the continuity is lost. Using this photo of Rozalinda as an example - while she looks magnificent, and is supremely easy to pose and interact with, it depends on Read more inside...Direction of light – Using available light in the studio
Direction of light - Using available light in the studio
This striking portrait of Rozalinda was lit by big window light in the studio. In using light - whether studio lighting or available light - you need to consider the direction of the light. You need to figure out how you want to place yourself and your subject in relation to where the light is coming from. Your own position in relation to the light and your subject, will significantly change the way the light appears on your subject. Check this article for an example: Change your position, change the direction of light. With Read more inside...Available light portraits
Available light portraits
A theme we have touched on regularly here is that “using the available light” is not a random decision. The best results with portrait photography in available light, is when we are deliberate. Deliberate in how we position our subject in relation to the light. This is the central idea in my book, Direction & Quality of Light - posing and lighting are inter-connected. With available light photography, it becomes a little harder to find light that is flattering - compared to using off-camera flash, where you can sweeten the light most of the time with the Read more inside...Dramatic portraits: Hollywood Portrait Lighting
Dramatic portraits: Hollywood Portrait Lighting
Shooting for my portfolio in the studio with a model, Kimberly Jay, I wanted to create sets of feminine portraits that looked dramatic, and straddled the boudoir photography genre and had a Film Noir look to them. The classic look of Hollywood portrait lighting has long drawn me, and with a set of Litepanels Sola 4 LED Fresnel Lights (B&H / Amazon), it is a look that I am still trying to finesse. Other photo sessions where I have drawn on the Hollywood look: Lighting a vintage styled boudoir photo session (model: Read more inside...Lighting a white seamless studio backdrop
Lighting a white seamless studio backdrop
There are a number of variations on how to light a white seamless studio backdrop - but it all comes down to the same essentials. You want a spread of even light on the background, and a big swathe of light from the front. All of this with as little fall-off in the light as possible. We've covered this topic in previous articles, showing how it is done with speedlights ... Simple lighting setup with speedlights & white seamless backdrop (model: Anastasia) Simple lighting setup for home studio photography (models: Anelisa Read more inside...Stella Pro 5000 & 2000 video light review
Stella Pro 5000 & 2000 video light review - continuous lighting kit
My friend Kevin, or as his friends call him, Kevin, brought along his new Light & Motion Stella Pro 225 3-Light Kit (B&H / Amazon) to the studio for us to play with. The Stella Pro 5000 video light is powerful enough that you can use a softbox with it when shooting indoors. Where continuous lights really shine, is in how they allow you to adjust your lights in a WYSIWYG way. What you see is what you get - that's just how continuous lights work. That aspect makes video lights ideal when Read more inside...video: Intimate male portraiture – two perspectives
Intimate male portraiture - two perspectives
This video clip and photo shoot are the results of a discussion with a friend, Cate Scaglione, one of New Jersey's best boudoir photographers. At a photography convention, the topic came up whether male and female photographers approach their subjects differently (whether male or female). My take on this is that there is such a diverse range in styles and skill levels, that it would be impossible to make any clear grouping on styles depending on the photographer’s gender. Cate believes this does have an influence. And from that, the idea Read more inside...- 1
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