While photographing dancer, Anna Russell, in this side-street in New York, I noticed those splashes of light against the wall. These little pools of light were from sunlight reflecting off nearby windows. I wanted to see if we could have Anna hit one of those in mid-air. What also helped was the general direction of light in this area - it mostly came from the main road to the left of the frame, since we were shooting in a narrow street with tall buildings.
The main splash of light on her was sunlight reflecting off this window of a building Read more inside...
Late afternoon in New York, with the sun-light glinting off the glass buildings - dramatic light for a ballerina in an urban setting. However, the sunlight that was reflecting off the buildings wasn't consistent, and did not necessarily fall in a place where we could use it. So I created my own with an off-camera speedlight just out of the frame - but positioned so that it intentionally flared, and also gave beautiful rim-light on Viktoria.
The pull-back shot shows how the speedlight was set up, and my own position, low down on the ground, Read more inside...
Oktavia is the stunning model on the cover of my book about off-camera flash. We've intended to do another photo shoot ever since then, but busy schedules kept us from that until recently. A theme that Oktavia wanted to explore, was that of the Urban Ballerina. The idea with the urban ballerina is the contextual dissonance of having a graceful dancer in the middle of some urban setting. There's no real meaning to it other than contrasting art & beauty against the harsher urban setting. Read more inside...
