guest spot

software review: Capture One Pro v7 RAW Converter Tests

guest article by: Adrian
Mackay wedding photographers
(Adrian is better known as Trev in the Tangents forum)

Recently I have been trialling the Capture One Pro v7 Raw Converter to see if I could get my files better from the get-go before I started tweaking in Photoshop.

Short Verdict: Simply outstanding; makes ACR and Lightroom look very mediocre compared to Capture One Pro v7 in initial rendering of images.

Now, to be clear, I am not doing full edits within it like a lot of people do in ACR/Lightroom, etc. but basic edits like WB and Exposure, Shadows, then I export out to PSD files and tweak it in Photoshop.

The reason I wanted to try was mainly to see what sort of highlights I could retain so I experimented on several images which were well over-exposed, up to 3 full stops. The samples shown here are 2 over-exposed images and 1 very difficult image with extremely bright Highlights and very dark Shadows, shooting against the sun, seascape type image.

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Tammy Hineline is a Sergeant in the US Marine Corps serving as a Combat Photographer / Videographer. And … Tammy follows the Tangents blog! She graciously responded to my request asking if she’d be interested in writing a guest article about the life as a military photographer in the Marines. It’s a fascinating glimpse into a photography career outside of what most of us would ever experience.

Since enlisting in 2008 Tammy has done two deployments and has provided photographic support to multiple training evolutions, humanitarian operations, and other military events. She recently returned from Afghanistan in support of Operation Enduring Freedom. In her spare time she enjoys taking pictures of people that aren’t Marines and assisting on weddings.

life as a military photographer in the U.S. Marines

a guest post by Tammy Hineline

In January of 2008, I enlisted into the United States Marine Corps. I was taking photography classes at my community college and shooting baby portraits at a Wal-Mart Portrait Studio. I wasn’t doing so hot in school and barely putting enough effort into my work to pass. I was beyond bored with everything I was doing.

One day, a Marine Corps recruiter set up shop at my school. I went home thinking, “Wow, wouldn’t it be crazy if I joined the Marine Corps?” So I did it. A break up with my loser boyfriend and some good timing on the recruiter’s part brought me to the famous yellow footprints at Parris Island.

I enlisted into the Combat Camera MOS (Military Occupational Specialty) and since then I’ve done two deployments, traveled to seven different countries, blown up a lot of stuff, eaten a lot of Meals Ready-to-Eat, sailed on a Navy ship, trained alongside foreign soldiers of various countries, once stood in line for two hours just to eat corn dogs, flown in more aircraft than I have ever wished to, and have taken a ton of photos.

The military is a beast of its own kind and a lot of people don’t really understand what we do; let alone what a photographer does in and for the military. I’m hoping today we can answer some of those questions.

The one thing to remember: We are Marines first, photographers second. We do all the things regular Marines do. We go to bootcamp, we shoot on the range once a year, get paid the same, have to meet the same physical fitness requirements, and everything else the entire Corps has to do. It’s the nature of the job.

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Brian Friedman is an event and publicity photographer based in NYC. When I first became acquainted with Brian and his work, my reaction was, “damn! I wish I could shoot this type of work.” Looking at his website, you’ll see the kind of gigs that Brian shoots – interesting and diverse. Quite exciting.

Good news then for those attending WPPI 2014, Brian Friedman is presenting a class called, Shooting Stars: A Guide to Landing Your Dream Client In Any Area Of Photography. Yup, exactly that. I won’t be at WPPI this year, but this is one class I would definitely have signed up for.

So there’s good news for those of us who won’t be attending WPPI this year – Brian was gracious enough to describe the behind-the-scenes activity of a recent photo session: “Kitten Bowl 2014”

anatomy of a “simple” photo session for a client

a guest post by Brian Friedman,
New York portrait and event photographer

The assignment. Take a portrait of the gorgeous Beth Ostrosky, as well as some “action shots” of kittens. Kittens just “being kittens” and playing. Football that is. Say What!?

And so it is bestowed upon me by my client to do so – and not in a photo studio. I had to create my own studio in a common room of a sound stage. Okay then. It’s time to get to work. Here’s what I did for “Kitten Bowl 2014” gallery shoot which will be broadcast during the Super Bowl half-time show on Sunday, February 2, 2014.

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The Tangents blog has seen numerous iterations over the past 10 years that I’ve maintained it. Originally it was PlanetNeil, which was based on an HTML template. Right now, my website consists of various WordPress installations, spread over two domain names. It’s huge! And it is a massive under-taking to maintain and constantly improve it. For the past few years, my web techie guy, has been Griffin Stewart who has been invaluable in working with me on improving and expanding this site. Learn more about Griffin at the end of this post here.

I specifically mentioned that this website is based on the WordPress platform. It is a powerful platform, and one which is easy to use, yet endlessly adaptable. I would strongly recommend to anyone to use WordPress if they are looking to improve their website. There are also numerous WordPress plug-ins that make life easier for anyone who maintains a website …

 

5 Free WordPress Plugins to help maintain your blog

a guest post by Griffin Stewart

Thanks to Neil for inviting me to guest post.  I have enjoyed working with Neil since 2011 to help design, update, organize, consolidate, and tweak his various sites and I hope that you, his readers, have enjoyed and liked the front-end changes and back-end improvements we have implemented in that time.

Today I would like to share with you some helpful and free plugins that you can use to help you maintain, clean up, and customize your WordPress website or blog.

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I met German photographer, Tilo Gockel / fotopraxis, during his visit to New York, where he and I did an individual workshop. Seeing this photo on his blog recently, immediately reminded me of my recent first attempt at playing with colored gels and flash .. except that he did it better!

So I asked Tilo if he’d translate his article for us into English. It’s always good to get another angle on doing something. There are a couple of good tips and ideas in there. Thanks Tilo!

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multiple speedlite portrait setup using Rogue Flashbenders

The PDN Photo Plus Expo in New York took place last week. As always, it’s it’s always a bit of a head-rush walking around, overwhelmed by all the photography goodies and people. Of course, you’ll inevitably bump into old friends and catch up a bit. One of them, is Michael Corsentino who I met during the After Dark photo conventions. (Sadly, the After Dark events have been put on indefinite hold.)

Not only is Michael Corsentino a pre-eminent wedding photographer in San Francisco, but has also written a book – the Canon Speedlite System Digital Field Guide (Amazon). If you like his style, follow him on Twitter @corsentino

When I randomly saw this photograph later on on his FB feed, my reaction was … damn!

He had photographed Anelisa at the Rogue Flashbenders stand for a demo. So I was curious about the exact lighting setup, and asked him if I could repost it here, along with an explanation and the lighting diagram …

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I’m always very happy to feature Chuck Arlund as a guest on Tangents. Anyone who knows Chuck in person will tell you about the crazy energy he has, (a good kinda crazy), and how inspiring and innovative he is in his lighting.

Check his work on his website, and on his Facebook page for senior photography.

Chuck is presenting an intensive 2-day workshop in New York – Don’t Be Afraid Of The Light. (There’s even mention of a bonus 3rd day!) The fee for the workshop is $750 … but for photographers following the Tangents blog, there is an incredible $250 discount code: NEILVN which brings the fee for the workshop down to $500. Incredible value for anyone wanting to learn more about lighting.

lighting patterns in photography

by Chuck Arlund, Kansas City photographer

Back to basics. When shooting a portrait or any person for that matter it is good to understand some light patterns to help determine what kind of mood you would like to create.

Basically there are 6 light patterns.

  • Butterfly / Paramount
  • Loop
  • Rembrandt
  • Split
  • Monster
  • Profile

So why do I need to know these? It’s not necessarily knowing them but being able to recognize them will help educate yourself on how a photograph was lit if you are trying to learn lighting. It also can help to know exactly what you are looking to create in your own photograph.

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Jennifer Rozenbaum of Jenerations Boudoir, is a New York boudoir photographer who is fast rising in prominence. She was featured in a recent interview on Good Morning America with their insert on boudoir photography for Valentine’s Day. For a Tangents guest post, Jennifer kindly sent in a few tips on how we can improve our boudoir photography.

 

3 tips to improve your boudoir photography

by Jennifer Rozenbaum, New York boudoir photographer

“WOW! I can’t believe that is me…I AM hot!” This is always the reaction that I aim for when a client first sees their boudoir images, and thankfully it is usually the reaction I get.

Getting a reaction like this one isn’t easy. It takes planning and a lot of thought. What do I do to insure this reaction? There are three main areas of consideration that I always address before pressing the shutter.

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inspired boudoir lighting

January 12, 2012

Hanging out with my friend Brooke, (NYC boudoir photographer), at a recent workshop, I noticed some of the images on her iPad that she was showing to explain her lighting techniques. The photographs had an interesting mix of gold and blue tones, and I thought the way she achieved it would be of interest to everyone. It might be familiar to regular followers of the Tangents blog.

 

inspired boudoir lighting

by Brooke Ismach, New York boudoir photographer

Since launching Inspired Boudoir, a joint photography venture with fellow photographer Laura Eaton, I have been lucky enough to speak quite a bit about boudoir photography. Which means I’m showing boudoir images to photography groups. Consistently, I am asked one question more than any other: How did I achieve the “blue” background lighting in the attached photo. Most photographers guess using gels, but the answer is actually simpler than that …

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The Hudson Valley Click is a group of photographers in New York who arrange photo shoots for photographers who are interested in learning more or who would like to build their portfolios. I’ve mentioned them a few times in the past - photo shoot / haunted fashion / pin-up photography. With these photo sessions, they arrange for models and hair stylists and make-up artists, and for a small entry fee, you get to play. They are also pretty cool bunch of people to hang out with.

At the most recent shoot-out, the one organizer, Nuby DeLeon, showed me an image that he had set up, and my jaw dropped. With great pre-visualization of the intended shot, Nuby had set this dramatic scene up. Even the color image on the back of his camera looked perfect! Nuby was gracious enough to allow me to share this with everyone, including the lighting diagram …

Film Noir Fight Scene
by Nuby DeLeon
portrait, wedding & commercial photographer – New York

Recently, I’ve had the opportunity to explore dramatic lighting when Hudson Valley Click did their monthly themed shoot at Mountain View Manor in Glen Spey, NY. The theme for the month was Film Noir so having a beautiful Victorian mansion to shoot in was a treat. There were a number of models, all dressed in period costume.

My inspiration for the shot is Frank Miller. I wanted to match the dramatic lighting with some dramatic, almost over the top action.

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