David A Williams is one of those photographers who influences everyone who meets him. And I mean everyone. On the Digital Wedding Forum, he is one of the few photographer who gets unanimous praise for his workshops. Stating it blandly like that now, doesn’t quite describe the impact David has on the individual photographers who attend his workshop. The impact often extends past the work and art of the photographer, to the point where it can even affect your views on life. I know, it sounds dramatic, but that is as under-stated as I can manage to be about David.
So there it is – I would urge any photographer who wants to learn, to seek out David A Williams’ work and photography and writings, and if possible attend one of his workshops.
Back to this guest post by David: I was really honored when David offered to write the foreword to my book on flash photography. And I am just as thrilled that David has this guest spot on the Tangents blog today.
personal projects & personal photography
Something I’m often nagging on about, are that we as photographers should be doing private projects – something away from the normal work we all do.
This below image has been germinating away within me for years. It’s a photograph in the style of the ‘Glorification’ paintings, stained glass and mosaics popular after the First World War as memorial or evocative pieces.
The image is 30 inches square and printed onto canvas. As the machine gun in the picture was a fully operating model, I could not photograph at the studio without considerable clearances and permissions and guards, so it was made in between racks of clothes at the military supply area.
I blended the clothes using (I think) Dry Brush in PS and used various layers of normal and textured and desaturated to produce the final image and the cross in the background. Lots of the images and sculptures from that period had a certain ethereal them to them.
The frame was built by myself and my framer out of old fencing, topped with rusty wire. The bottom edges of the frame aren’t quite as clean cut as they seem….
The subject in real life is the brother of one of my brides who had the ‘right’ face that I was envisioning – again influenced mainly by the sculptures I had seen from the 1920’s.
Learn more inside…