destination wedding photography

A few times a year I’m fortunate enough to photograph a destination wedding, where I fly out to a more glamorous location than New Jersey.  The Bahamas, Aruba, Jamaica, and even locations within the USA are choice destinations for couples who are looking to have their weddings in an exotic locale. 

The choice of equipment to fly out to photograph a destination wedding, as well as the way to transport them becomes a real concern.  You have to have a flexible selection of gear with you, with a certain amount of redundancy in case something goes wrong with a piece of equipment.  Yet it all has to fit into a portable camera bag or case – and one that can be taken on board a plane as a carry-on bag.  This really is of great importance, since if you read some news reports it would even appear as if thievery from luggage at airports are rampant.

So there is the delicate balance – a sensible choice of equipment that has to fit into a bag that is the right size for international carry-on luggage …

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Some of the questions that I’m most often asked about here, relate to wedding photography.  Advice on a whole range topics such as posing people, business advice, album design .. and sometimes even lighting.   Amusingly enough, I sometimes get asked this a few days before the newbie wedding photographer is going to shoot a first wedding.   Regardless of the photographer’s experience level though, my advice is usually fairly succinct … that it is indeed time to do some homework.

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gear for destination wedding photography (Canon)

I enjoy photographing destination weddings- and I’ve been fortunate to photograph weddings in Aruba, Bahamas, Miami and Las Vegas.

These are weddings are often in exotic locales.  (Well, nearly everything will seem exotic outside of New Jersey, but I digress.)  Even even though it sounds exciting to photograph in faraway places, there is a challenge that comes along with that –  packing enough of my gear and getting it safely to my destination.  It is even more of a challenge with restrictions placed on air travel.

Since I frequently get asked via emails to show what I have in my camera bag, I thought I’d post some of what my camera bag looks like when I travel.

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“What general words of advice do you have for new photographers ?”

I would say that 90% of emails that I get where people are unhappy with their cameras, have to do with not understanding the basics of exposure metering. This is especially true for newcomers to digital photography.

So you used to get great results with your F5, but the D200 gives you poor results?  Well, if you’ve been shooting slide film, then you might be onto something here, but most photographers used color negative film before trying digital.  And here’s the thing that you weren’t aware of – your lab has been correcting for all your errors in exposure all this time. But with digital, you get to see exactly what you’re doing. Your photographs come out too dark? Then it is something *you* are doing, or not doing. Trust me on this one.

So my general words of advice would be:
understand how to use your camera’s light-meter more effectively.
– use manual exposure metering all of the time,
– get to understand exposure metering, but also
– know why centering the needle is quite often not the ‘correct exposure’,
– read up on the Zone System and adapt it for yourself,
understand the histogram and how to interpret it,
– use the blinking highlights feature and when to interpret it.

All of which often leads to the next point …


“I’ve read the manual, but what do these buttons and dials actually DO ?”

Questions that come up all too often pertain to basic operations of a camera, such as apertures and shutter speeds.

So if you …

– need to know what an aperture is,
– and why changing the aperture affects depth of field,
– and what depth of field is,
– and why a slow shutter speed causes blur,

… then it is important that you stop dawdling! Get yourself a good general book on photography with lots of photos to illustrate these concepts to you.

Without grasping these basic tenets of photographic technique, your results will always remain hit-and-miss.

Think about it this way, if you have just bought an expensive D-SLR, with more money invested in lenses and a flashgun as well .. then it makes good sense to invest another $40 on a good book to help you actually make good use of your new toys.

And now a bit of tough love for those photographers who rationalize not wanting to read a book, by saying they learn best from being shown … well, you are reading this aren’t you?  Stop indulging yourself.  Without grasping the basics of photographic technique, you will only keep yourself back as a photographer.