Using gelled flash in the studio
Using gelled flash in the studio
Shooting in the studio with Brian and Anette to do promotional portraits of their band, Cut Like This, this one sequence was really fun to shoot. The images directly out of camera had impact already with the swath of blue light against the wall. The lighting is fairly simple - I used a gelled flash to get that color effect. The flash, a Profoto B1 flash (B&H / Amazon), was bare, with just the turquoise gel taped over it. The main light (to camera right) was one I often use when I want that interesting combination of soft light Read more inside...BTS: Fashion catalog photo shoot in the studio
behind the scenes: Fashion catalog photo shoot in the studio
From a recent photoshoot in the studio for a fashion designer, Isle By Melis Kozan, I want to give a bit of a glimpse behind the scenes. Further below there is a short video clip that shows what went down in the studio. Nothing frenetic - the pace is calm and steady. As it should be when you need to get through a large number of items. Fashion catalog photo shoots are fairly straight-forward - the key is consistency is lighting and positioning. You also need consistency in the camera's viewpoint. There is no Art Read more inside...BTS video clip: Studio photo shoot with a model
BTS video clip: Studio photo shoot with a model
I've mentioned before how much I like to shoot with and observe other photographers at work. I recently got to hang out with my friend, Andy Foord in the studio while he photographed a model, Olga. The inspiration was a Vanity Fair style portrait - soft, yet with a hint of the dramatic. I watched Andy set up the lights and photograph Olga - during this I shot a behind-the-scenes video which I've posted below. It is short, and meant as a glimpse into the process, and as a way of seeing the lighting setup and see the studio. Instead of Read more inside...Tips on photographing dancers and ballerinas
Tips on photographing dancers and ballerinas
Photographing a talented dancer / model, Anna L Russel (Instagram ), in the studio, I wanted to think further than just sequences. Recently I have moved more to thinking in terms of larger projects or longer-term projects, even if just over a single photo session. I liked the results from the first few jumps Anna did - explosive movements within which she's momentally hold a pose before landing again. I don't know much about dance movements or what would be the perfect execution of a dance move ... which would then affect my Read more inside...Headshot photography lighting setups in the studio
Headshot photography lighting setups in the studio
As with most photography, lighting setups and diagrams are more suggestions than absolutes. There are 'best practices' that will help you get constantly good results - such as getting enough light on the eyes so there is a twinkle. Okay, call it a catchlight then. Other than a few guidelines, there is a lot of flexibility in the style of lighting, and also the gear used. In the accompanying article, headshot photography lighting on location, I showed a few examples of how I varied the lighting while out on location. This depended on Read more inside...Headshot photography lighting on location
Headshot photography lighting on location
Shooting headshots on location needs a different tack than working in the studio. Here I want to show some examples of lighting setups that I have used while shooting headshots indoors, on location. Since these examples are all from indoor sessions, the gear used might be different than when the session is outdoors. The logistics will also likely be different. So this discussion is contained within that framework - the lighting used when shooting headshots on location, indoors. There is a companion article that discusses some lighting setups Read more inside...Lighting styles in wedding photography
Lighting styles in wedding photography
Two interesting questions came up in the Tangents FB group - both posted by Matthew Ciscart, one of the regulars: The first question was whether a client had ever asked for a specific lighting? Such, hard light, soft light, natural, or ocf? The other question was whether any of the photographers had a specific go-to style of using lighting. That one thing they do. My reply to this, relating it to lighting styles in wedding photography, was I haven't had a client ask for any specific lighting. However, I do believe my website shows a Read more inside...Best photo umbrella for a home-studio & indoor headshots
Best photo umbrella for a home-studio & indoor headshots
When I discovered the rectangular photo umbrellas, my first reaction was, "so what's the point", but then someone explained to me that it allows you to get the center of axis closer to the ceiling (or a wall). Brilliant! It instantly made sense why a rectangular photo umbrella might be more useful indoors than the traditional, round umbrella. I would even go so far as to say that a rectangular photo umbrella is the best umbrella for a home-studio & indoor headshots. Along with my usual array of light modifiers, I now Read more inside...Lighting a white seamless studio backdrop
Lighting a white seamless studio backdrop
There are a number of variations on how to light a white seamless studio backdrop - but it all comes down to the same essentials. You want a spread of even light on the background, and a big swathe of light from the front. All of this with as little fall-off in the light as possible. We've covered this topic in previous articles, showing how it is done with speedlights ... Simple lighting setup with speedlights & white seamless backdrop (model: Anastasia) Simple lighting setup for home studio photography (models: Anelisa Read more inside...- 1
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