Tips on photographing dancers and ballerinas
Tips on photographing dancers and ballerinas
Photographing a talented dancer / model, Anna L Russel (Instagram), in the studio, I wanted to think further than just sequences. Recently I have moved more to thinking in terms of larger projects or longer-term projects, even if just over a single photo session. I liked the results from the first few jumps Anna did - explosive movements within which she momentally holds a pose before landing again. I don't know much about dance movements or what would be the perfect execution of a dance move ... which would then affect my timing Read more inside...Headshot photography lighting setups in the studio
Headshot photography lighting setups in the studio
As with most photography, lighting setups and diagrams are more suggestions than absolutes. There are 'best practices' that will help you get constantly good results - such as getting enough light on the eyes so there is a twinkle. Okay, call it a catchlight then. Other than a few guidelines, there is a lot of flexibility in the style of lighting, and also the gear used. In the accompanying article, headshot photography lighting on location, I showed a few examples of how I varied the lighting while out on location. This depended on Read more inside...Headshot photography lighting on location
Headshot photography lighting on location
Shooting headshots on location needs a different tack than working in the studio. Here I want to show some examples of lighting setups that I have used while shooting headshots indoors, on location. Since these examples are all from indoor sessions, the gear used might be different than when the session is outdoors. The logistics will also likely be different. So this discussion is contained within that framework - the lighting used when shooting headshots on location, indoors. There is a companion article that discusses some lighting setups Read more inside...Lighting styles in wedding photography
Lighting styles in wedding photography
Two interesting questions came up in the Tangents FB group - both posted by Matthew Ciscart, one of the regulars: The first question was whether a client had ever asked for a specific lighting? Such, hard light, soft light, natural, or ocf? The other question was whether any of the photographers had a specific go-to style of using lighting. That one thing they do. My reply to this, relating it to lighting styles in wedding photography, was I haven't had a client ask for any specific lighting. However, I do believe my website shows a Read more inside...Best photo umbrella for a home-studio & indoor headshots
Best photo umbrella for a home-studio & indoor headshots
When I discovered the rectangular photo umbrellas, my first reaction was, "so what's the point", but then someone explained to me that it allows you to get the center of axis closer to the ceiling (or a wall). Brilliant! It instantly made sense why a rectangular photo umbrella might be more useful indoors than the traditional, round umbrella. I would even go so far as to say that a rectangular photo umbrella is the best umbrella for a home-studio & indoor headshots. Along with my usual array of light modifiers, I now Read more inside...Lighting a white seamless studio backdrop
Lighting a white seamless studio backdrop
There are a number of variations on how to light a white seamless studio backdrop - but it all comes down to the same essentials. You want a spread of even light on the background, and a big swathe of light from the front. All of this with as little fall-off in the light as possible. We've covered this topic in previous articles, showing how it is done with speedlights ... Simple lighting setup with speedlights & white seamless backdrop (model: Anastasia) Simple lighting setup for home studio photography (models: Anelisa Read more inside...Profoto: How to use gridded strip boxes as the main light
Profoto: How to use gridded strip boxes as the main light
My favorite light modifiers when working with studio-type flashes like the Profoto B1 and D1, are gridded stripboxes. In the studio where I have space, I tend to prefer the larger Profoto 1’x6’ strip-box (affiliate). When I have to travel with gear, or work with kids, then the Profoto 1’x4’ strip-box (affiliate), is my preference. Both of them with a grid on them. That egg-crate grid on the front helps control how the light spills. This video explains how I use them as the main light, and what makes gridded stripboxes such Read more inside...Photo session – Intimate male portraiture
Photo session - Intimate male portraiture
The motive behind this photo session with Nick Mathews, is explained in the intro of the behind-the-scenes video clip of the photo session. One subject, one studio, two photographers and two different styles. We shot this in Cate's studio - she used available light, and I ended up using two Profoto B1 flashes (affiliate), and gridded stripboxes to control the light. The video clip shows some of how we directed Nick during the shoot, and as a professional model and actor, he was supremely easy to work with. With this article, I'd like to Read more inside...The size and placement of studio lights
How the size and placement of studio lights affect the photos
Mateos, a model & fitness trainer, in the studio. More than just a fitness photograph (via dramatic light to show off his physique), I wanted these to be portraits as well of this athlete. With fitness photography, the approach is usually to have photos where you show detail and contouring. This is usually done with more contrasty light - small light sources at an angle to your subject. To get the rim-lighting shown here, there was the typical setup of two gridded stripboxes to the side and behind Mateos. Pretty Read more inside...- « Previous Page
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